This is a recording of a 'live' performance at the Amphitheatre, Opera Bastille in Paris (Oct. 2013) by the french ensemble L'Instant Donne with the narrator Joanna Bailie. The text is by Robert Bolton. The piece premiered in South Africa in 2010 with the South African ensemble EJNCP and narrator Wilmien Wicomb.

And So Began

Performance by Tony Arnold (soprano voice) and Olivia Jones (laptop/composition) in Bobbio, Italy at the 2022 SoundSCAPE New Music Festival.

Flashover | for Voice and Laptop

CagedStructures#4 (2022)

Inner Voices from Outer Space: Achronos (Vadim Kejlin & Ernesto Estrella Cozar) - SC version

Reckless Escapist

Programme note

This piece is the synchronization of different versions (played by the same or different cellists) of one musical line. The result of these 'vertical' variations reminds of the effect of different voices which are silently reading the same text or perhaps telling an orison, psalm or a mantra with individual intonations, timbres, tempos etc., thus creating polyphony of interpretations, either coming closer or moving away from each other.

The piece was commissioned by the Huddersfield Contemporary Music Festival (2008) and written for Anton Lukoszevieze.

Performed by Francesco Dillon (IT) live at the Villa Romana (Firenze)

More info at: http://www.janulyte.info/en/works/psalmscellos/

"Psalms" for cellos (2008)

Anna D'Errico - piano
Arrigoni String Orchestra
Pasquale Corrado - conductor

Recorded on November 23rd 2020, San Vito Musica Contemporanea, Auditorium H. Zotti, San Vito al Tagliamento (PN)

Editing by Maurilio Cacciatore

Acá (2020) -  for piano and string orchestra

Graduated in Percussion, Electronic Music and Composition at the Music Conservatory of Venice; In 2013 he studied as an Erasmus+ student in Hochschule für Musik und Darstellende Kunst Stuttgart (M. Stroppa). He attended several courses where he has followed the lessons of H. Lachenmann, B. Furrer, M. Andre, S. Sciarrino, P. Manoury, A. Richard, A. Di Scipio ...His works were performed in several places and festivals: Biennale Musica (Venice), Stagione Rondò (Milan), EMUFest, Musica Verticale (Rome), Amsterdam Conservatory (Holland), The BEAMS (Boston), Festival de Radio France (France), FZML Leipzig (Germany), L’apostrophe Théâtre (France), FIMNME, UNAM, Conservatorio Nacional de Música (Mexico City), Sound New (Canterbury), L1danceFest (Hungary), Listening Room (Helsinki), NuDanceFest (Slovakia), Notafe (Estonia), OUA (Osaka), Award of Distinction on MA/IN Matera (Italy), ICAD (Michigan), WOCMT (Taiwan), ISSTA (N. Ireland), SIMN (Brazil), CEMI circles (USA), CRM Rome, Autumn Electronic Sound Festival Osaka, New York City Electroacoustic Music Festival,  EPICENTROOM (Russia) , SONIC MATTER (Zurich), Mediterranean Soundscapes Project Cyprus University of Technology Limassol (CY), Ars Electronica Anton Bruckner University (Linz, Austria), ACMC Australasian Computer Music Association 2022, ICSC 2022 6th International CSound Conference Tus Midlands (Ireland), Seoul International Computer Music Festival 2022 etc…
He was Electroacoustic Composition Teacher at Music Conservatory of Rome, in 2021 Trapani (Sicily) and currently is composition Teacher in Music Conservatory of Bari (Italy).

CagedStructures#4 (2022)

alessiorossato

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