Le mois d'Avril s'en est allé
Le mois de Mai s'est approché
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies
Avons passé dedans vos prés
Les avons trouvé bien fumés
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies
Avons passé dedans vos blés
Oh comme ils sont tous bien grainés
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies
Mettez la main au nid des œufs
Que chaque main en prenne deux
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies
Moi qui suis le porte panier
Je prendrais bien le nid entier
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies
Si vous n'voulez rien nous donner
À la porte nous allons crier
Et marions les roses
Les roses font un beau bouquet
Les roses font un beau bouquet
Quand elles sont jolies

marions les roses (malicorne cover)

Featuring Milo Linnovaara on flute.
From the upcoming Tomutonttu album Hoshi (Joteskii Groteskii / Vauva)

Tomutonttu – Malta Lausua "AH"

ser mas cerca de sus rayos

Ellen Arkbro - CHORDS(SUB029)
VINYL pre-order: https://ellenarkbro.bandcamp.com/album/chords

With ‘CHORDS’, the Stockholm-based musician and composer Ellen Arkbro returns to Subtext, following her acclaimed debut album ‘For Organ and Brass’.

This new longplayer sees Arkbro adopt a more minimalist approach, focusing on the immediate qualities of sound and elegantly expanding the tonal capacities of acoustic instruments using precise, subtle synthesis.

Composed of a carefully selected combination of tones, ‘CHORDS’ stretches, extends and obscures the timbral character of the instruments it is performed on.

Across both tracks, Arkbro examines the sonic materiality and harmonic quality of chords. She considers how the compositions occupy space rather than time – transposing theoretical possibilities into the phenomenal realm.

As a part of Arkbro’s systematic investigation of harmonic sound, ‘CHORDS’ proffers a divergence from conventional ways of listening. This work allows for a form of listening which goes beyond the mere reception of outer stimuli in letting the listener experience their role as active, and as embodying the sound itself. Space rather than time becomes the primary locus of listening as subtle movement of head and body reveals the inner complexities of ‘CHORDS’.

@ellenarkbro

CHORDS

Pre-order

Ellen Arkbro - CHORDS For Guitar

Composition — Alex Buck

Bernardo Ramos (guitar)
Bruno Aguilar (acoustic bass)
Josué Lopez (tenor sax)
Vitor Gonçalves (piano)

05 Bambuzal (Parte 1)

Wanna buy a cassette?
leonileoni.bandcamp.com

Supported by Kultur Stadt Bern

Easyjet

restons collés

a collection of meditations on

piano engineered by Taylor Smith at Studio Toute Garnie on resilience, love, healing, family
mastered by Todd Macdonald
album artwork by Jean Cousin/Joni Void

love & family were written as a gift to my baby niece, to welcome her into this world. to my baby niece, i hope the world that you grow up in becomes a little gentler than the one you were born into

proceeds from this album will go towards organizations/non-profits that support women, black women in particular, experiencing domestic/private violence (https://docs.google.com/spreadsheets/d/1yqGyIBPpu8FnnkTS2wnrkeM9MMktWMHaz5q6HIf6w84/edit#gid=0)

infinite love to survivors, fighters, and to those who are healing or who need to heal <3

resilience

Sela

On her first solo lp, Roxane Métayer fully explores the sonic possibilities of the violin, field recordings and folk oriented orchestration and melodies. The violin is often taken the melodic lead, but at the same time serves a drone background, but just as much a percussion instrument. In any case: the focus is definately on the sound itself. She’s not afraid to use effects, minimal percussion, whistles and the occasional hushed vocal to expand the sonic palette to a maximum effect, resulting in multilayered, semi-improvised meanderings, gently evolving around a tight core.

Roxane Métayer - Opalescentes Épopées.

From the album "NIMP Preset".
Available here: https://bearboneslaylow.bandcamp.com/album/nimp-preset

Snipbient

Alex Buck (1980) is a composer, performer, and improviser from São Paulo, Brazil. His music is largely influenced by experimental trends of many distinct genres such as acousmatic music, contemporary jazz, Brazilian music,  free improvisation, and contemporary classical music. As a performer-composer, he works mainly within the constraints of acousmatic music and experimental electroacoustic jazz realms.
He received his B.Mus and MFA in electroacoustic composition from UNESP where he studied with his mentor Flo Menezes. In 2019 he received the first prize in Musica Nova international festival (Czech Republic) with his acousmatic composition named Screaming Trees. In 2018, his work Fantasia Essata was among the finalists in Metamorphoses competition (Belgium).
He has an extensive career as a drummer in Brazil, where he collaborated with some of the most relevant artists in the Brazilian-jazz scene: Arismar do Espírito Santo, Hamilton de Holanda, Mestrinho, Michael Pipoquinha, Wilson das Neves, Filó Machado, Sandro Haick, and many others. Buck is a member of acclaimed experimental Brazilian jazz trio Trio Ciclos with Bruno Migotto (bass) and edison Sant’anna (piano), and was a member of Bamboo quinteto with Bernardo Ramos (guitar), Bruno Aguilar (bass), Josué Lopez (sax), and Vitor Gonçalves (piano). 
Buck was the artistic director of  EMEXP, the Experimental Music Ensemble of EMESP (São Paulo’ State School of Music) where he also used to teach composition, écriture, contemporary improvisation, and music analysis. 
He is currently living in California where he develops his Doctoral degree in the Performer-Composer DMA program at the California Institute of the Arts (CalArts).

05 Bambuzal (Parte 1)

Alex Buck

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