Water can put out flames... but nothing can stop this day

weird me

Joyride

Joyride (feat. Eartheater)

Trinity

High Tide

Spill The Milk

Solid Liquid Gas

Preservation

Prodigal Self

Stretch 2

Arca & Jesse Kanda - Brokeup - Live - St John At Hackney Church London

Powders

Crushing

Salt of the Earth (H2ome)

Beyond the Waves is a step into new waters for Luminor — melodic, emotional, and driven by the pull between vulnerability and strength.

This track blends soaring synths, rolling drums, and heartfelt vocals to create something both human and otherworldly. If Seven Lions met Etherwood at the shoreline, this is where the tide would take them. 🌊

🔊 Play it loud, let it carry you.
❤️ Repost, like, and share if it moves you.

Beyond the Waves

🎶 Never Change You by DJ J Instinct featuring Scott Cartwright

A cinematic liquid DNB journey that pulses with gratitude, memory, and devotion. Never Change You is a heartfelt tribute to the people who anchor us — the ones whose presence shapes our sound and spirit. DJ J Instinct blends shimmering pads, rolling breaks, and trance-infused atmospheres with Scott Cartwright’s evocative vocals, creating a track that’s both intimate and expansive.

Written in the glow of late-night reflection and early-morning resilience, this release celebrates constancy in a world of flux. It’s for the ones who stay, who show up, who never stop believing — and for the listeners who find themselves in every drop.

Released on Instinct Music, with cover art and storytelling crafted by Jamie to honor the emotional core of the track and spotlight Scott’s contribution.

Dj J Instinct - Never Change You Feat. Scott Cartwright

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Volcano (PAN 112)

Eartheater - Faith Consuming Hope (PAN 112)

High Tide

EARTHEATER

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