Pan Daijing - Jade 玉观音
Format: LP / DL
Cat.No. PAN 113
Release Date: 4 June 2021
Purchase: pan.lnk.to/Jade

What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.

Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.

“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water.

The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani & design by NMR.

@pan-daijing

Jade 玉观音

Pan Daijing - Let 七月 (PAN 113)

Helen Hester is the author of Xenofeminism (2018). She is a professor of Gender, Technology and Cultural Politics at the London School of Film, Media and Design.

@ HelenHester
https://twitter.com/HelenHester?s=20

Xenofeminism w/ Helen Hester

this is the 5th and final track from the On the Block EP

i have considered this EP a process of getting to know each other, i hope you have enjoyed it as much as i have

thanks for listening

BandCamp

16 switches

LMY RHYTHMFACTORY JAM 002

iota

BEEF IT UP (feat. 645AR) (prod. Brodinski, Modulaw)

CEREMONY

Tha Carter IV

President Carter (Album Version)

'That what? That life is hectic'
www.PLZMakeItRuins.com

(Vegyn RMX) Wu-Tang Clan - C.R.E.A.M.

"I Could Go Anywhere But Again I Go With You"

I Pray For Deliverance, The Size Of My Desires

Official music video: https://youtu.be/m13T6p8CxBk
Purchase: https://cutedoor.bandcamp.com/

Written, Produced and Mixed by Cute Door
Mastered by B.Leo at Geneva Sound Factory

Drool

C̠̻̱̘̭̮̰l͜o̵̼͔͍u͈͇̠̮̫̼͓͘d̷͎̳̙̞͚s̢̩͚̮̤͉̳̝ ̺̖̟̩of̤̣̭ ͔͉̫m̩͙i͢c̫̝̯͇͙̠r̴̫͉̜og̣̼̥l̥͎̮̙i̝̬t̹̙͇̲͓̬͠c̙͇̮ͅh̛̦é͍̹̳͈̘̩
    space <> time

CEREMONY

Alex Jacobsen

Related tracks