Oh oh oh!!! Such beauty! This is MUSIC! 👏

Choisis tes fleurs, ne t'y pique pas 

Chose your flowers, don't prick yourself on it 

Les bouquets

Etude No. 15 in C-sharp minor
Allegro assai

Etudes

Etude No. 15 in C-sharp minor

illfated

Alex Sid - Agries Melisses - Slow and Sad

Alex Sid - Melisses - Murder 3 to 1

« Vous devez déclarer vos morts et faire quarantaine. Nous n’avons pas envie de mourir comme des mouches !
– C’est dans vos quarantaines qu’on meurt comme des mouches. —
 (Jean Giono, Le hussard sur le toit, 1951)

Cette pièce est composée de trois enregistrements bruts : 
-18/03/2020 : 2 hydrophones plongés dans la carcasse d'un silure (poisson chat) en train de se faire « nettoyer » par des asticots (bords de Garonne - Beauzelle);
-18/09/2020 : mouches sur un étron capté diamétralement de l’autre côté de la Garonne, sur l’autre rive 6 mois auparavant  (bords de Garonne - Fenouillet);
-Août 2014 : « tue mouche » micro contact (Fabas - Ariège).



Cette pièce a été produite pendant le premier confinement en 2020 pour le numéro hors série "Courir sur les toits"  du Grain des Choses.
https://legraindeschoses.org/fr/les-numéros/comme-des-mouches.html

COMME DES MOUCHES...

Michelle Agnes Magalhaes, 
Improvisation sur l'orgue de l'église abbatiale du Monastier sur Gazeille, Février 2020

Projet Sonographies avec Anne Dubos
Chemin faisant DRAC
 Parcs naturels régionaux Monts d’Ardèche, Pilat et Chartreuse

Orgue-Locomotive 2

Shaking Studies is available at blankforms.org/publication/judit…aking-studies-lp/

For her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann’s conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of the pulse of her cello, inciting it to shake audibly and visually as a symbiotic basis for determining the rate of her own left hand’s tremor and consequent direction of resonant frequencies. Following a thorough harmonic investigation of her shaking practice in two parts, she directs us to look outwards, combining beating chordal structures with electronics and recordings of real world shaking. From inner pulse to more macrocosmic quaking, Hamann’s alternative conception of shaking rejects measurement and regularity, order and control, instead alluding to a more responsive and intuitive mode of convulsive sounding.

Judith Hamann undertook her doctoral studies with renowned cellist Charles Curtis, with whom she is currently engaged in a discourse based project, ‘Materialities of Realisation.’ She has additionally demonstrated a superlative capacity for improvisation and engagement with sonic arts through work with artists Dennis Cooper, Éliane Radigue, Áine O’Dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young and Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, and Lori Goldston, among others. Her recorded appearances include Tashi Wada’s Duets, Graham Lambkin’s Community, Alvin Lucier’s Illuminated By The Moon, and Gossamers, with Rosalind Hall.

Shaking Studies‘ sister release, Music for Cello and Humming, includes an essay on both recordings by Nora Fulton.

Judith Hamann - Pulse Study - Part I

Excerpt of the upcoming Sha 'ir majnun album.
Full album at https://deofol.bandcamp.com/album/-

ASSUR I

Alex Sid - Melisses - Martis Instrumental

Alex Sid - Melisses - Transcend

TV & Film Composer 
Singer-Songwriter

Jamming is a good start for everything.  

In the film industry since 2002 when first worked in Audio Post in Soho, London.

Currently based in Athens Greece. 

Hope you enjoy the music!
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Alex Sid - Agries Melisses - Slow and Sad

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