tec house with a little Spurt

Follow us on Facebook : https://www.facebook.com/pages/INTO-LALA/123206464547021?ref=hl

Or discover hidden Videos on our Website: www.intolala.com
_________________________________________

LYRICS //
»There's a place out in the woods
where we go to hide from the city lights.
We build a house from stolen goods
with hammering hands and hammering hearts.

Fairly close by the fire light 
talk about our dreams and fears.
We share words that make us feel alright
to create a moment that lasts for years.

Side by side in the morning light
we look out in the woods all quite.
Until the sun comes of the clouds 
and frees our souls from the night and all doubts.«

INTO LALA - Dreams & Fears (Original Mix)

DB-113 // Sacha Robotti & Look Like - Loca Lola

Available on Drip.fm: http://j.mp/1q5jKMp
Available on Beatport: http://j.mp/LocaLola
Available on iTunes: http://smarturl.it/LocaLola

After an impressive late morning closing set at dirtybird’s latest Watergate party in Berlin, Sacha Robotti, made his way to Switzerland to play at Nordstern. Hooking up with an equally exhausted Swiss producer, "Look Like" on arrival, the tired and wired duo shared thoughts over a heady green tea session. Realising they shared a deep love for bass, they made a pact: to write a collaborative EP that would score the highest of marks from dirtybird big dog Claude VonStoke.

These two slick-back groove attacks are the end result...  “Loca Lola” is a one-way ticket to the most mischievous of party districts where an array of manipulated vocal samples bounce avidly on a bed of chop-slapping beats. Complete with head-popping stabs, cheeky wolf whistles and a carnal carnival shriek, it’s left VonStroke‘s floors floundering the world over on every roadtest. “Dropout”, meanwhile, tunes into a darker, booty-busting techfunk groove where cut-throat vocal stabs punctuate the unrelenting bassline and chest-stamping kicks. Heads down, please; this one shifts in a serious way.

What started as a comedown has turned into a fire-up.  Collab creations don’t come any better than this. Something tells us Robotti and Look Like will be locking horns again the future.

@sacha-robotti
@looklikemusic

@dirtybirdrecords
www.dirtybirdrecords.com

Buy on Beatport

Sacha Robotti & Look Like - Loca Lola [PREVIEW]

DB-114 // Aaron Snapes - Introducing Aaron Snapes

Available on Beatport:  http://j.mp/1pEwoqM
Available on iTunes: http://smarturl.it/AaronSnapes

Aaron Snapes – a veritable UK tech funk dynamo – has been simmering on Claude VonStroke’s radar since he jumped out of the crowd at Stealth Club in Nottingham about 4 years ago with his flash drive full of demos. They have stayed in touch ever since with Claude recognizing the skill and providing small notes and advice along the way.  It wasn't until last year that he really caught the full attention of the entire dirtybird collective with his massive re-fix of Mr Oizo’s iconic “Flat Eric,” not to mention some extremely strong appearances on the bubbling Perfect Driver imprint. 

Here we find him making his dirtybird debut with two spotless additions to his party portfolio. The bubble-jack slap-attack “Panther” ignites with a series of soft subs before dropping into a loopy, choppy robovox hook and a strutting drum dynamic that chugs with raw sonic muscle. While most panthers purr and prowl, this one clouts and howls with rich low-end elements and absurdly chunky beats. Dig deeper for the rush-rinsed tech funk jam “Space Bass”. Wherein a bulbous flurry of basses lick and tickle beneath a series of teasing techy risers before dropping into an icy sea of breezy chords. Complete with a sub-narrative of mischievous loop trickery, every element of the groove is laden with intricate detail. 

Two pristine produced tracks, one incredibly hot talent to keep strict tabs on: Aaron Snapes’ reputation is developing with every single release… And this is his biggest to date.  

DB-114 // Aaron Snapes - Space Bass [Preview]

Peter Groskreutz - Number14

DB-116 // Kill Frenzy - Taylr Swft
Available on Beatport: j.mp/taylr_swft
Available on iTunes + Vinyl: November 18th

All Night Long Official Music Video: j.mp/1x2uxMB

He’s ridden us raw with his naked piano, made our booties clap so hard we’ve needed medical care, shown us his titsss and he’s even taken us to the mo… Wherever that is. Now Belgian wunderkind Kill Frenzy is about to flip the biggest switch of his career and whisk us away on his most exciting, most extensive dirtybird adventure yet: His long-awaited debut album Taylr Swft.

Famed for his ability to carve carnal drama from one smouldering 808 sermon and a sleazy panty-dropping vocal loop, here we find Sebastian Vanschoonbeek developing his uncompromising, ghetto-bound repertoire with serious maturity, depth and class. Building on his well-established bass-laced bedrock, each of these cuts flex with dynamics that will find favour with all house and techno connoisseurs and do so with complete consistency as a whole body of work… hell, they work so well dirtybird bossman VonStroke is almost reluctant to release them.

"I'm almost sad to start sharing the new Kill Frenzy album with everyone else because it has been my secret weapon all summer. At one point I was playing seven tracks from the album in the same set, it was almost embarrassing. I'm very fickle about choosing what I play and this album is amazing."

Proof of Kill Frenzy’s next-levelism is evident in every single direction; the cavernous thundering march of "All Night Long”, the bouncy techno fluctuations of “Inflation”, the sultry deep house dish “XXX”, the sheer tech tenacity and roof-burning electro-fication of “Lava”, the delicate jazz keys and purring sub bass of “So Fine”… The list goes on.

Press play, then press it again for good measure: debut albums often dangerously dice with displays of inconsistent dexterity, but with Taylr Swft Kill Frenzy has carefully created a collection that completely makes sense of his past work while staring guilefully into an exciting future. A bona fide dirtybird document that confirms Kill Frenzy’s position as one of electronic music’s boldest creators, Taylr Swft is everything you could possibly want from a modern day album: dancefloor gold, depth, range and an unswerving narrative. Get to know.

_____________________________
killfrenzy.be
facebook.com/killfrenzymusic
twitter.com/kill_frenzy
@killfrenzy

dirtybirdrecords.com/
facebook.com/dirtybirdrecords
twitter.com/dirtybird_SF
@dirtybirdrecords


Kill Frenzy - XVI [Preview]

Kill Frenzy & Justin Jay Lava [Preview]

Kill Frenzy & Christian Martin Bondi [Preview]


DB-116 // Kill Frenzy - Taylr Swft
Available on Beatport: j.mp/taylr_swft
Available on iTunes + Vinyl: November 18th

All Night Long Official Music Video: j.mp/1x2uxMB

He’s ridden us raw with his naked piano, made our booties clap so hard we’ve needed medical care, shown us his titsss and he’s even taken us to the mo… Wherever that is. Now Belgian wunderkind Kill Frenzy is about to flip the biggest switch of his career and whisk us away on his most exciting, most extensive dirtybird adventure yet: His long-awaited debut album Taylr Swft.

Famed for his ability to carve carnal drama from one smouldering 808 sermon and a sleazy panty-dropping vocal loop, here we find Sebastian Vanschoonbeek developing his uncompromising, ghetto-bound repertoire with serious maturity, depth and class. Building on his well-established bass-laced bedrock, each of these cuts flex with dynamics that will find favour with all house and techno connoisseurs and do so with complete consistency as a whole body of work… hell, they work so well dirtybird bossman VonStroke is almost reluctant to release them.

"I'm almost sad to start sharing the new Kill Frenzy album with everyone else because it has been my secret weapon all summer. At one point I was playing seven tracks from the album in the same set, it was almost embarrassing. I'm very fickle about choosing what I play and this album is amazing."

Proof of Kill Frenzy’s next-levelism is evident in every single direction; the cavernous thundering march of "All Night Long”, the bouncy techno fluctuations of “Inflation”, the sultry deep house dish “XXX”, the sheer tech tenacity and roof-burning electro-fication of “Lava”, the delicate jazz keys and purring sub bass of “So Fine”… The list goes on.

Press play, then press it again for good measure: debut albums often dangerously dice with displays of inconsistent dexterity, but with Taylr Swft Kill Frenzy has carefully created a collection that completely makes sense of his past work while staring guilefully into an exciting future. A bona fide dirtybird document that confirms Kill Frenzy’s position as one of electronic music’s boldest creators, Taylr Swft is everything you could possibly want from a modern day album: dancefloor gold, depth, range and an unswerving narrative. Get to know.

_____________________________
killfrenzy.be
facebook.com/killfrenzymusic
twitter.com/kill_frenzy
@killfrenzy

dirtybirdrecords.com/
facebook.com/dirtybirdrecords
twitter.com/dirtybird_SF
@dirtybirdrecords


Kill Frenzy - So Fine [Preview]

Kill Frenzy - Alarms [Preview]

https://www.facebook.com/mobilee

It’s hard to believe that it’s been a year since Re.You last delivered one of his patented dark and
brooding releases on Mobilee, so integral has he become to the identity of Anja Schneider’s Berlinbased
imprint. But having diversified his production portfolio in 2014 with releases on Moon Harbour and
Cocoon—the latter as one half of RAR with Rampa—Re.You returns to Mobilee with three tracks certain
to satiate fans of the label’s techno leanings.
Not that Re.You was ever too far from home during his 12 month sabbatical. He appeared at almost a
dozen Mobilee events this calendar year, from Barcelona and Berlin to Croatia and Cologne. Meanwhile,
the June release of his remix of Rodriguez Jr.’s “Persistence of Vision” meant that the Berlin producer
was present, if not accounted for, all summer long—proving that when a label and producer fit so well
together, nothing can keep them apart for long.
Watching You finds Re.You in familiarly fine form, particularly pairing with South African poet
Lazarusman on the B2 track, “Vivid.” Another example of the open door policy that house music thrives
on.

Watching You (Original Mix)

Peter Groskreutz - suffer

I don't wanna lose my head.
You won't get me alive just...
Heavy stones in my bag,
I will carry them home, I will carry them home.

You won't break my bones.
You can keep your thrones.
I will keep my rock n' roll,
I will carry it home, I will carry it home

INTO LALA - Home (Original Mix)

mobilee139 - Ray Okpara
A1 - Sugar Feel (Original)
B1 - Ostroff

Fresh off the back of his recent ‘Gypsy’ EP on Nic Fanciulli’s Saved Recordings imprint, Ray Okpara returns to the mobilee stable with a deliciously dark double hitter. With his half-Nigerian roots, he’s often known for rhythmically intricate music productions built on addictive, loop-driven beats. Here however, he interestingly he opts to let the bassline, melody, and atmospherics do the talking instead.

Title track ‘Sugar Feel’ is a funky dub-roller with a warped vocal sample flitting through a seductive whirlpool of FX-laden chords and stabs. A mechanoid synth pulses in and out of focus, as if an electrical charge is flowing directly through the listener’s brain. A muscular tech-house beat marches through the miasma and skilfully manages to reign it in without it becoming too heady, making it ideal for peak-time moments as well as late night excursions

‘Ostroff’ is a veritable beast, an absolute party starter with a weapons-grade bassline which cruises beneath the surface like a chrome-plated shark on full alert mode. Skilfully deployed volleys of percussive stabs and vocal chops litter throughout, always giving the thunderous low-end room to breathe.

ENJOY! 

Get It On Beatport!

Ray Okpara - Ostroff (Original Mix)

Ray Okpara - Sugar Feel (Original Mix)

DB-117 // Ardalan - The Yeah / No  

Available on Beatport: December 1st
Availalbe on iTunes / Spotify: December 16th


Having blazed the US on their recent BBQ tour, the dirtybird crew are back in release mode and proud to present a first ever solo EP from one of the jewels in their crown, namely Ardalan.
Our little Iranian brother and resident at chez Martin has previously worked together with his illustrious housemate Justin on breakout hits ‘Mr. Spock‘ and ‘Lezgo.’ Now grabbing the full spotlight himself, Ardalan proves he’s more than got the skills to pay the bills across two brain-frazzling tracks. 
Up first is ‘Wake Up’, with its boisterous and rambunctious beats bobbling away underneath whizzing, whirring, fizzing synth lines and tripped out metallic cowbells. It’s the sort of physical, corrugated groove that this label is most celebrated for and proves Ardalan can infuse his sounds with a ton of off kilter charm as well as anyone else in the dirtybird family. 
On the flip, ’The No Yeah’ is a colourful brew of malfunctioning machine sounds and raw as coleslaw beats that has blurts of soulful synth and breathy female vocal breaking though. Clipped sirens, fat bass and skipping percussion all nimbly shape shift and have you doing the same for the loveable duration of the track.

Having already impressed in cahoots with Justin Martin, Ardalan disappoints no-one when given this full solo step up, so it’s time you got on board with this exciting emergent talent, if you haven’t already.


soundcloud.com/ardalann
facebook.com/ardalanmusicpage
https://twitter.com/ardalann

dirtybirdrecords.com/
facebook.com/dirtybirdrecords
twitter.com/dirtybird_SF
@dirtybirdrecords


BUY ON BEATPORT

Ardalan - The No Yeah [PREVIEW]

DB-117 // Ardalan - The Yeah / No  

Available on The Birdhouse: November 28th
Available on Beatport: December 1st
Availalbe on iTunes / Spotify: December 16th


Having blazed the US on their recent BBQ tour, the dirtybird crew are back in release mode and proud to present a first ever solo EP from one of the jewels in their crown, namely Ardalan.
Our little Iranian brother and resident at chez Martin has previously worked together with his illustrious housemate Justin on breakout hits ‘Mr. Spock‘ and ‘Lezgo.’ Now grabbing the full spotlight himself, Ardalan proves he’s more than got the skills to pay the bills across two brain-frazzling tracks. 
Up first is ‘Wake Up’, with its boisterous and rambunctious beats bobbling away underneath whizzing, whirring, fizzing synth lines and tripped out metallic cowbells. It’s the sort of physical, corrugated groove that this label is most celebrated for and proves Ardalan can infuse his sounds with a ton of off kilter charm as well as anyone else in the dirtybird family. 
On the flip, ’The No Yeah’ is a colourful brew of malfunctioning machine sounds and raw as coleslaw beats that has blurts of soulful synth and breathy female vocal breaking though. Clipped sirens, fat bass and skipping percussion all nimbly shape shift and have you doing the same for the loveable duration of the track.

Having already impressed in cahoots with Justin Martin, Ardalan disappoints no-one when given this full solo step up, so it’s time you got on board with this exciting emergent talent, if you haven’t already.


soundcloud.com/ardalann
facebook.com/ardalanmusicpage
https://twitter.com/ardalann

dirtybirdrecords.com/
facebook.com/dirtybirdrecords
twitter.com/dirtybird_SF
@dirtybirdrecords


Early Access on Drip

Ardalan - Wake Up [PREVIEW]

Libex - Riodron (Original Mix) cut

Paolo Pellegrino & Libex - Prika (original Mix) preview cut

Shamash - (Original Mix) [Preview cut]

Libex - Stub (Original Mix) [preview cut]

Technokultur im monovielfältigen
erfahren der Musik ist ein Ziel eines jeden Interpreten 
so auch meine....diese nicht so klingen zu lassen!!!
Monoton ist nix was ich an Musik bevorzugt höre!
Breite Klangkulisse mit viel Rhythmen weg vom Schema-F''''
Tanze Danze bis zum Morgengrauen so muss eine Technoparty enden.........kennt ihr das der Dj macht leise die Lichter geh'n an und IHR ey was machen wir dann nun???

Never ever gäb es das in meinem Clubraum openEnd Gäste kommen nicht um zu gehen.....Freiheitsgefühl im bleib solange Du willst hier bist Du genau richtig!!!
So auch meine Neuauflage PlanB second chance!!!
Talent hierfür hab ich ganz gewiss listen 
my famos Tracklisting....this is my music Landcard.....
A lot of techno inside!!!!

So wie auch bei mir MiSk_oNe ein Stereotyp macht 
Stereomusik 

Need 2000 bugs for enjoy my dream'

Bring out MiSk_oNe the Dj Liveact......

Kontakt: 
a.kluth1980@googlemail.com

