Premiere given by Ben Wahlund and Alexander Hunter at Northern Illinois University, 2004

1995 (2004) for double bass and vibraphone

Premiere performance given by Pesedjet (Carrie Henneman Shaw - soprano, Jesse Langen - guitars, Mabel Kwan - keyboards) as part of Constellation's Frequency Series, Chicago, 12 April 2015 

Lise Meitner (2014) for soprano, electric guitar and sustaining keyboard instrument

Piece for String Quartet and Four Projectors (2005) With four Films by Kiril Kirchev - premiered at a Composers Concert at Northern Illinois University 

Piece for String Quartet and Four Projectors (2005) with four films by Kiril Kirchev

Emmy Noether (2013) for electric guitar and piano – recorded by Mabel Kwan and Jesse Langen – for Parlour Tapes in Chicago, September 2013 - http://parlourtapes.bandcamp.com/track/emmy-noether-4-episodes-mabel-kwan-jesse-langen-and-alexander-thomas-hunter 

Emmy Noether (2013)

Two Vibraphones, Piano, Violin And Double Bass (2009)

Some Words And Music (2014) - Featuring Professor Mick Dodson AM

Oboe, Violin And Electric Guitar (2008)

Soundtrack composed by Alexander Hunter featuring Alexander Hunter and Charles Martin, for the film 'Avoidance Behaviour' (2015) by Elyse Howe, recorded at the Australian National University School of Music Recording Studio by Alexander Hunter and Charles Martin

Avoidance Behaviour (2015) soundtrack

Two preview tracks from the new dance work 'FUSE'. Conjuring visions of a dystopian future, Fuse explores the relationship between musician and dancer. Guided by sound, the dancer will perform a series of ‘tasks’, loosely based on the ancient Greek myth of Heracles. The actors’ intentions remain ambiguous throughout the work – is the musician controlling or guiding? Is the dancer’s struggle personal or political, and what has he done to deserve it?

Fuse is part of the Ralph Indie program presented by Ainslie and Gorman Arts Centres. Now in it’s second year, Ralph Indie provides support for emerging artists to develop and present new performance works in the Ralph Wilson Theatre at Gorman Arts Centre. Tickets available now through agac.com.au.

Fuse runs from Thursday-Saturday September 7-9. http://www.agac.com.au/event/fuse-ralph-indie/

FUSE - scene 5

FUSE - scene 2

Dr Alexander Hunter is a composer with Scottish, German and Red River Métis heritage.

 

He is currently working as the Composition Convenor and Undergraduate Convenor at the Australian National University School of Music on unceded Ngunawal and Ngambri Country.

 

Hunter studied composition, double bass, viola da gamba and ethnomusicology at Northern Illinois University, and received a PhD in composition from Edinburgh Napier University. In 2014 he relocated to Canberra to take up a lecturing position at the Australian National University School of Music. He has taught composition, music journalism, multimedia performance, theory and history, founded the ANU New Music Ensemble and Experimental Music Studio, and co-founded the ANU Laptop Ensemble (LENS).

 

His work as a composer is based on open works, which encourage a fluid relationship between composer, score and performer. As a composer Hunter has worked with the following performers/ensembles: Mabel Kwan (Chicago), the Quiet Music Ensemble (Cork), Pesedjet (members of Chicago-based Ensemble Dal Niente), the Chimera Ensemble (York), the Edinburgh Quartet (Edinburgh), Scottish Voices (Glasgow), ensemble a.pe.ri.od.ic (Chicago) and others.

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Hunter’s current performance-led research is based on collaborative multimedia works, most recently with visual artists Mike Parr, Martyn Jolly, Ngaio Fitzpatrick, Andrew Quinn, John Carolan and Janet Meaney; and dancers Jack Riley and Liz Lea. He is also half of the electronic music duo 'Andromeda is Coming...' with Charles Martin.

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As a researcher his work has been focused on the music of the New York School; reductionist improvisers and other improvisers and improvisation ensembles; the writings of Rob Haskins and Jonathan D. Kramer; feminism, anarchism and leftist politics in composition and performance; open musical forms and notation; and cross-disciplinary models of tertiary arts education.

Alexander Hunter

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