POST PUNK / COLD WAVE / NEW WAVE /  SYNTH WAVE / DARK INDE / MINIMAL ELECTRONICS / EBM / INDUS - 2

ITALO DISCO CLASSICS

FIRE (Permanent Vacation)

Charlie - Spacer Woman (Original Mix)

Dance to the Best of ESG

A New Day

Funky Is On

Funky Is On (DJ Rocca Vocal Edit 2014)

I.C. Love Affair

I.C. Love Affair (Italian Version)

KELUAR- SURFACE
ALBUM Keluar - 2014
Listen and Buy on Bandcamp: https://keluar.bandcamp.com/album/keluar


Keluar - Surface

Coldwave / darkwave debut album by San Fransisco based producer Gabriel Ramos.

While the band has gone through a few lineup changes Ssleeping Desiress has essentially remained the brainchild of Gabriel Ramos, who is now the sole member. Ssleeping Desiress is certainly a gem in the electronic underground, the album runs along the boundaries between minimal synth, coldwave, and electro with lyrical themes being gentrification, coping with death, artistic drive and confusion and the ephemeral nature of relationships.

The only Ssleeping Desiress release so far was the great A Voice / Sister 7inch on the FlexiWave label in 2012. They also appeared on numerous new new wave compilations in the last couple of years. The self-titled album presented here takes the project to the next level. Kicking off with an echoing voice over repetitive drums and outbursts of synths & guitars, slowly moving towards a more darkwave sound on the second half of the album.

Gabriel Ramon started making solo recordings while living in Portland, Oregon around 2005. Being inspired by the culminating factors of the DIY drive of the city, hosting live shows at his house, which frequently would host friends' bands from San Francisco and his growing fascination and voracious consumption of music: "I can really trace it to the first time Spector Protector played at my house and getting a tape afterwards from one of the two members, Eric Davis. That and being freshly exposed to groups like Suicide and Arthur Russell was very inspirational to begin recording music on my own, though it is something I had done fairly aimlessly since high school. I make an effort and try and change my process as much as I can (usually through collaboration) and vary the instrumentation. I try and incorporate a late 70s punk vibe, a marriage of dub and krautrock repetition and cavernous space. Definitely not always successful but that is what is usually running through my head when I create music for this band."

Ssleeping Desiress - Preservation

33 Tage in Ketten

Schlaflos nachts (Remastered 2003)

Two generations of Italian music history come together on this split 7″. Milan meets Rome, Fred Ventura meets Alessandro Adriani. For this occasion Adriani and Ventura covered the 82′ evergreen ‘Changing’ by Bill Bruce. The perfect combination to pay homage to this monumental piece of music. On the flip side Fred’s early 80’s new wave band State Of Art got the remix treatment by Alessandro’s moniker Newclear Waves. Another unique match of these two key figures preserving the 80’s underground sound of Italy.

From the Adriani & Ventura / State Of Art - Changing / Venice (Newclear Waves Remix) 7" out on Bordello A Parigi 21st of March.

bordelloaparigi.com/shop/upcoming/a…venice-remix-7/

State Of Art - Venice (Newclear Waves Remix) 7"

Crazy Rhythms

Fa Cé-La

Closer

Twenty Four Hours (2007 Remaster)

Casablanca + Beats Of Love

Movoco Synthaca (2004 Remastered Version)

The Second Album + The First Rehearsal Tapes

Shadazz

Awefull

Disney Boys

Out of Body

Across the Sea

We Need

Cybernetic Love

Cybernetic Love (Vocal)

Livin' Up

MNQ 034 VARIOUS - THE END OF CIVILIZATION LP 

Mannequin has the dual and parallel aim to unearth hidden or unpublished gems, running along a road that starts from the period of reference for this kind of music (late 70s – mid 80s) and comes to nowdays, with a vision deeply influence by Factory Records / 4AD labels. 

Catching the same spirit of such great labels, we asked to the italian synth wave princess Mushy to create a compilation starting from a tabula rasa. The mission was hard. Following her tastes and heart, she had to select a dozen of new bands from all over the world with unreleased and unique for this project tracks, picking up the title and realizing the graphic design and artwork. The full process of "The End Of Civilization" took almost 1 year but the result was touching us ￼deep into our soul. 

Mushy began her career crafting noise bursts and aggressive oblique instrumentals before, in her newest form, blooming into a beautiful, epic and heart-heavy icy synth sound, having both "Faded Heart" (2011) and "Breathless" (2012) as album of the week at Rough Trade. "The End Of Civilization" perfectly represents her double sided synth-wave / kraut-psychedelic soul. Every track she selected for us is an absolute highlight, moving from the analog minimal / cold wave sounds of Police Des Moeurs, ASSS, The Circa Tapes, TEEEL and Rosemary to the tempestuous post punk and psychedelia of Deathday, The Murder Act, Phosphor and The Strange Forces, ending with spectral cold folk of Tablets and The Long Wives. 

- Limited edition of 500 copies on black vinyl 
- Digital distribution by The Orchard 
- Exclusive unreleased tracks 
- Artist Selection and graphic design by Mushy
credits


Police Des Moeurs - Tout Ce Qui Te Fait Mal Te Fait Du Bien

buy here:

https://rarewirirecords.bandcamp.com/album/last-train-to-80s-chapter-two

Blancmange - Game above my Head (Rayko re-edit) [Bandcamp Exclusive]

Colder - Confusion

Songs of Praise

Lampoon

Dark Entries is honored to re-issue the debut cassette by British duo Nagamatzu for the first time ever on vinyl. Expanded with five bonus tracks, “Shatter Days” is a collection of nine songs recorded between 1983 and 1988. Featuring Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and programming and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths and bass  with Andrew Fleck (synths,  occasional vocals). 
Nagamatzu self-released their debut cassette "Shatter Days" in 1983 after messing around with old tape machines, drum boxes and effects. They cite their early influences as SPK, Cabaret Voltaire and Joy Division. All the songs were recorded onto a TEAC reel to reel in the dining room at Andrew's parents' house.  Some of the backing rhythms and sequencers were recorded first and then the band played along live during overdubs. These instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, early New Order or Cocteau Twins. Their sound is full of complex rhythm patterns and dark electronics.
On the flip side of this reissue are five tracks featuring contributions to international compilations ("If God Had Meant Us To Dance He’d Have Given Us Legs,” “Three Minute Symphony,”  Life At The Top" and "Total Recess 3") plus a previously unreleased song.  All songs have been remastered from the original tapes for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket silver and black offset printed jacket featuring the Nagamatzu symbol from the "Shatter Days" cassette.  Each LP includes a 8-page booklet full of photos, reviews and an interview with the band from 1983. Finally rescued from the UK D.I.Y. cassette underground and restored, "Shatter Days" presents a band at their productive beginnings. 

I Remember Kamchaka

AlexanderRobotnick