Problèmes D'amour (All Versions)

SlothBoogie Presents: Dancing With Friends Volume 2

Felipe Gordon - Avalancha

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Celebrating the 50th Anniversary of one of dance music's most iconic record labels 'Philadelphia International' the Basement Boy's Teddy Douglas has paid tribute to Kenny Gamble and Leon Huff with the release of a 10 track album of his reworks and remixes of some of Philadelphia International's finest ever moments via @quantize-recordings

Included are stand out versions of legendary tracks Don't Leave Me This Way, You Can't Hide From Yourself, Free Love and our premier today Teddy's reproduction of @john-morales and Thommy Davis's Was That All It Was. 

The album features a who's who of Soulful house's hottest producers and vocalists all at the top of their game. It's a superb tribute. Check out the premier here and jump over to LV online for more information on the release via:  https://levisiteuronline.com/music/lv-premier-john-morales-thommy-davis-ft-carmen-brown-was-that-all-it-was-teddy-douglas-reproduction/

Was That All It Was  (Teddy Douglas Reproduction)

John Morales & Thommy Davis Ft Carmen Brown - Was That All It Was (Teddy Douglas Reproduction)

Nilo Senn-Echo Routine (jE jE Music Recordings)

Who killed JackWasFaster?

Was it the post‑pandemic skyrocketing BPMs and the slow death of soul in club music? The exhausting 90s revival — dredging up even its least glorious moments? Maybe it was the nightlife crowd: more “intense,” with Jäger‑tainted breath, white-powdered noses, and the same recycled small‑talk clichés. Or the current musical climate, obsessed with constant novelty over meaningful transformation. Perhaps it was the mainstreaming of tacky spectacle — DJs dressed as mermaids, horses, or bullfighters — a bargain‑basement sublimation of kitsch.

Or maybe it was suicide. A slow collapse brought on by the inability to find new ways to express oneself in this environment; the blur between conviction and inertia; the endless déjà‑vu; the weariness; the age. Like in Murder on the Orient Express, maybe everyone took a stab.

This posthumous EP gathers the final tracks JackWasFaster worked on, a re‑imagined take on his debut cut Bitter Pill, and a blistering remix from Anatolian Weapons. Maybe they’ll help crack the case. Or maybe one day JackWasFaster will rise from the dead.

Until then, peace and love.

https://rottencityrecords.bandcamp.com/album/who-killed-jwf

JackWasFaster - Spiaggia La Pelosa [Rotten City Files]

auxin

Always

Always (ft robert owens) (Trackheadz Vocal Mix)

he same generation as Carl Craig and Jeff Mills, Terrence Parker is one of the early Detroit pioneers who emerged shortly after Juan Atkins, Derrick May and Kevin Sanderson drew the world’s attention to the city.
Having flown the globe as a headline DJ, Terrence has also released on scene leading labels such as Nervous Records, Defected, Planet E Communications and Classic Music Company.
Trademark of his timeless sound that’s inspired generations, this EP fuses rising piano loops with deep pads and understated vocals.

Terrence Parker
https://soundcloud.com/terrence-parker
https://www.facebook.com/OfficialTerrenceParkerMusic/
https://twitter.com/terrenceparker

Local Talk
https://soundcloud.com/localtalk
https://www.facebook.com/LocalTalkRecords
https://twitter.com/thelocaltalk

Problèmes d'Amour (Instrumental)

AlexanderRobotnick

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