This track is an extract of an FM-radio broadcast, from the FREQUENZEN on 30-May-2005, presented by Alexander Wendt for Resonance104.4FM.
Supercollider programming, synthesis and field recording by Andrew Robinson

Frequenzen Broadcasts

Snow (extract from FM broadcast)

It was International Dawn Chorus Day. Since we are living rural, in an AONB (area of outstanding natural beauty), we thought I would be a great idea to get up at about 3:45 before the first bird, and to go on a walk through misty darkness and open our ears at about an hour before sunrise to experience the transition from night to day. I captured an hour starting at 4:26AM catching the first birds in a small woodland, on a hill covered in bluebells yet hidden by the misty morning’s fog. You can (re-)listen to the hour here on Soundcloud.

Recordings GPS data - Approximately
Latitude: 51°6'39"N, 
Longitude: 0°3'31"E

0426AM_Dawn Chorus 07-May-2023

Lit is a cinematic composition of real time video, sound and light for deceleration by Alexander Wendt, consisting of 30 minutes black and white video with commissioned soundtracks by various artists curated by Alexander Wendt. Lit was presented at cinema, symposia/conferences and exhibited in art gallery context. It was shown at film festivals eg. Drone Cinema (NL)and symposia eg. Sound | Image Colloquium(UK)in 2015 and Goldsmiths University 2016.
Lit - sunshine recorder was presented as a video/sound installation at KammerMachen No.09 – International Festival for Theater, Music & Sonic Arts in Chemnitz, Germany. In October 2015 the Produzentengallerie OSCAR presented the work with five soundtracks alternating on daily basis.
This 7 minute extract of Lit – Sunshine Recorder is the live soundtrack mixed and recorded by Alexander Wendt on 10-October-2015 with recordings and compositions by Jasper Leyland, Robert Curgenven, Jez riley French, Sandra Ka & Alexander Wendt

VIDEO

Lit - Sunshine Recorder 2015 Live mix (extract)

cyan I-IIII is composed exclusively from processed source material from Kenneth Kirschner's Post Piano release on 12K, New York City 2005. It was published as CDR and distributed under creative commons license agreement.

cyan was produced by wendt in London, 2005 

Download 4 U [donate]

CYAN I-IIII

Answering a call for works by Sonic Arts Network UK for pieces encircling the subject of lists, this track was conceived and produced from lists. Working with definitions, databases, and text files converted to sound by Alexander Wendt and published as part of the Resonance104.4FM benefit compilation FREQUENZEN List. Presenting various artists that appeared on Wendt's radio programme between 2003 - 2006.

Lists

Extract of a larger composition utilizing pencils and pencil sharpener only. The original material of this was created for Wendt's [wɔ:l bɔ:l] AV installation, a large scale interactive design, GUI installation produced in collaboration Dr Elaine Thomazi Freitas (MaxMSP) and Luke Hastilow (hardware electronics) in 2008-2009. WallBall was exhibited at New York City Electro-acoustic Music Festival (NYCEMF) in the USA, at Institute of International Visual Arts (InIVA)UK and with three different gaming options at KammerMachen Festival for Theater, Dance and Sound Arts in Germany. However these pencil sounds and it's associated gaming interface never made it into the selection for any of it's presentations.

Pendrive - [wɔ:l bɔ:l] Tests With Pencils And Pencil Sharpener 1

14-April-2016 about 6AM / dawn chorus + first car

Good Morning

Version 4 of the multi-channel soundtrack project Lit. This is a "slow cinema" experience, a cinematic composition of real time video, sound and light for deceleration by Alexander Wendt, consisting of 30 minutes black and white video with commissioned soundtracks by various artists curated by Alexander Wendt. See also the trailer: https://vimeo.com/alexanderwendt/lit-trailer

Lit - Sunshine Recorder

Contact

Lit - Sunshine Recorder [soundtrack version4]

Storytelling through Phonography ? Sound mapping ? Whatever the motivation behind this composition of unprocessed (monophonic)recordings was, it remains to be evocative of a place, time and space, imagined or real.  
The sound recordings you hear, were captured on various walks, testing Field Recording equipment, sometimes with a 6-months old little toddler on my back. 
Easter 2007 recorded in Cornwall, in and around the area of Looe, St Martins, UK.

Cornish Eastern

Be~tw~ve

Temp(ot)est  [Wat San Soi]

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