Chronological Tzadik - 2

John Zorn - The Mysteries
Bill Frisell
Carol Emanuelle
Kenny Wollesen

Buy at >> http://tzadik.com/volume.php?VolumeID=710

John Zorn - The Bacchanalia

Geneviève Strosser, alto
Ljuba Moiz, celesta
François Hagenmuller, percussions
La Dolce Maniera
Luigi Gaggero, conductor

Morton Feldman - Rothko Chapel

The Same Sky, by Carolyn Yarnell

Marc Ribot - Silent Movies - Delancey Waltz

John Zorn & Wadada Leo Smith - Demai

Kitty Brazelton - Answer 4 (What is it Like To Be a Bat)

Karlheinz Stockhausen
PLUS-MINUS
Ives Ensemble

From the sleeve:
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in Plus-Minus, a score which specified not sounds but rather a system of organising sounds." Christopher Fox 

KARLHEINZ STOCKHAUSEN (1928-2007)
PLUS-MINUS

1. Refrain No. 11 (1959) 09:53
2. Kreuzspiel No. 1/7 (1951) 11:43
3. Plus-Minus* No. 14 (1963) 51:02
Total time 72:41

First recording* by Ives Ensemble:
Rik Andriessen - flute (3), Esther Probst - Oboe (2, 3), Hans Petra - bass clarinet (2, 3), Jan Willem van der Ham - bassoon (3), Fons Verspaandonk - horn (3), Jan Bastiani - trombone (3), John Snijders - piano (1, 2, 3), Reinier van Houdt - piano/celesta (1, 3), Arnold Marinissen - percussion (1, 2, 3), Wilbert Grootenboer - percussion (2, 3), Fedor Teunisse - percussion 2), Josje ter Haar - violin (3), Ruben Sanderse - viola (3), Job ter Haar - cello (3), Diederik Meijnckens - double bass (3), Richard Rijnvos - conductor (3).

Recorded in Theater Romein, Leeuwarden (Netherlands) 29th June - 2nd July 2002; Sound engineers: Sem de Jongh &amp; Arjan van Asselt; Editing: Sem de Jongh; Recording supervisors: Richard Rijnvos &amp; Christopher Fox; CD-master by Peter Pfister; Liner notes by Christopher Fox; Graphic concept by fuhrer vienna; Produced by Ives Ensemble &amp; Werner X. Uehlinger.

With kind support the Willy A. and Hedwig Bachofen-Henn Foundation.

http://www.ives-ensemble.nl
http://hathut.com



Karlheinz Stockhausen / 1. Refrain No.11 (1959)

Karlheinz Stockhausen
PLUS-MINUS
Ives Ensemble

From the sleeve:
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in Plus-Minus, a score which specified not sounds but rather a system of organising sounds." Christopher Fox 

KARLHEIN STOCKHAUSEN (1928-2007)
PLUS-MINUS

1. Refrain No. 11 (1959) 09:53
2. Kreuzspiel No. 1/7 (1951) 11:43
3. Plus-Minus* No. 14 (1963) 51:02
Total time 72:41

First recording* by Ives Ensemble:
Rik Andriessen - flute (3), Esther Probst - Oboe (2, 3), Hans Petra - bass clarinet (2, 3), Jan Willem van der Ham - bassoon (3), Fons Verspaandonk - horn (3), Jan Bastiani - trombone (3), John Snijders - piano (1, 2, 3), Reinier van Houdt - piano/celesta (1, 3), Arnold Marinissen - percussion (1, 2, 3), Wilbert Grootenboer - percussion (2, 3), Fedor Teunisse - percussion 2), Josje ter Haar - violin (3), Ruben Sanderse - viola (3), Job ter Haar - cello (3), Diederik Meijnckens - double bass (3), Richard Rijnvos - conductor (3).

Recorded in Theater Romein, Leeuwarden (Netherlands) 29th June - 2nd July 2002; Sound engineers: Sem de Jongh &amp; Arjan van Asselt; Editing: Sem de Jongh; Recording supervisors: Richard Rijnvos &amp; Christopher Fox; CD-master by Peter Pfister; Liner notes by Christopher Fox; Graphic concept by fuhrer vienna; Produced by Ives Ensemble &amp; Werner X. Uehlinger.

With kind support the Willy A. and Hedwig Bachofen-Henn Foundation.
http://www.ives-ensemble.nl
http://hathut.com

Karlheinz Stockhausen / 3. Plus-Minus No.14 (1963)

John Zorn - ahaha

You can learn to play this piece. FREE scores and parts, among other materials, are available online: kronosquartet.org/fifty-for-the-future

Composed by Zakir Hussain
Arranged by Reena Esmail
Performed by Kronos Quartet and Zakir Hussain
© 2017 Kronos Arts Publishing
℗ 2019 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded August 2018 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington at Decibelle Recording, San Francisco, CA

Zakir Hussain - Pallavi

Homeland

Laurie Anderson - "Flow"

04 More Spirit Than Matter - III - Spinning Music

03 More Spirit Than Matter - II - Plain Music 1

02 More Spirit Than Matter - I - Ein Bischen 1

Unreleased track from ROPE - HAVE YOU MET MISS BATES?
(El Gallo Rojo Records) c+p 2005
Fabrizio Puglisi piano - Stefano Senni bass - Zeno De Rossi drums

Lilin (John Zorn)

From Zohn Zorn's soundtrack for the 1987 film 'She Must Be Seeing Things'  by Sheila McLaughlin. The vocals are sung by Shelly Hirsch.

John Zorn & Wadada Leo Smith - Demai

Alexandr Vyshnevsky

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