Stream/Buy: ffm.to/Norlto 

Calabrian Woods’ is the new single by Indian Wells, the project of producer Pietro Iannuzzi from southern Italy. Introspective and engaging, the track mixes influences of Radiohead and Aphex Twin within a capsule of emotive techno and humanised electronics. It’s the first track to be taken from his upcoming album ‘No One Really Listens To Oscillators’, set for release on 15th July 2022 on Max Cooper’s Mesh imprint.

The album’s conceptual input comes from an article in The New York Times talking about a new conceptual architectonical style. The term “Incompiuto” (Unfinished) was theorized by Alterazioni Video & Fosbury Architecture and concerned unfinished works that reveal the inability of projects to make infrastructures useful and sustainable for the community. 

“The head of this article was a photo of an escalator in the middle of nowhere in Calabria, where I live,” explains Pietro. “Which is from where the track gets its title”. I knew this escalator very well and I immediately realized that my perception of this "reality" could be really different from people who have never lived in this area. It can be said that I grew up in the unfinished - between unfinished houses and other half-built works that are now an integral part of the landscape, without really noticing. In reality, our experience is influenced by everything that surrounds us and this context shapes us to make us live a distorted reality, which we very quickly get used to.”

Indian Wells’ last album, 2017’s warmly received ‘Where The World Ends’, was supported by an array of tastemaker press (“Soaring euphoria” Mixmag Top 50 Albums of 2017, “Tender, pulsing techno” Resident Advisor, “A standout cut in the realm of emotive techno” XLR8R, “Techno with an artful, emotive edge” Clash, “A refreshing vision of club music” Electronic Sound, "The album simply glows" A Closer Listen) and standout track ‘Cascades’ received plays across BBC Radio (Gideon Coe, Huw Stephens, Jamz Supernova, Pete Tong, Phil Taggart, Tom Ravenscroft). 

‘No One Really Listens To Oscillators’ is set for release on 15th July 2022 on LP and digital formats.

No One Really Listens To Oscillators

Calabrian Woods

Electronic innovator Max Cooper steps up to Atomnation with one of his standout remixes.

https://atomnationrec.lnk.to/EveMaxCooperRemix

Cooper is someone who combines his academic background and science PhD with high concept electronic music-making. He has worked with machine learning specialists, often uses video to enhance his music and is someone who brings personal emotion as well as technical skill to his work. It comes on his own Mesh label as well as Fields and most recently in the form of his acclaimed Unspoken Words album back in March.

His take on Awe Kid's 'Eve' is built on breakbeats that float through space. Plunging bass dives down deep as the celestial ambient pads float up top. There is tension in that duality that tugs at you both emotionally and physically as well-crafted synth patterns unfold in their midst.

This is a heady, pensive track that is perfectly suited to those late-night moments on the dance floor and compliments Awe Kid's lush debut LP 'Body Logic' that was released in April this year.

Awe Kid - Eve (Max Cooper Remix)

Buy Projections Double LP vinyl / Stream / Download: https://ffm.to/projections

Respected producer, DJ and sound designer Alex Banks presents his third studio album ‘Projections’, returning to Max Cooper’s Mesh imprint. The work follows up critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune, where he remixed Bonobo, and his sublime sophomore album ‘Beneath the Surface’ from 2019.

Produced in his studio in Brighton, UK, the album is an immersive nine-track masterstroke covering the gamut of electronica, techno, breakbeat, bass and IDM, fit for clubs and home-listening alike. The project was born in the early stages of 2021. With little outside stimulation to draw inspiration from, Banks
invested in new gear including a Moog Matriarch, DFAM and a host of Eurorack Modules - and set about immersing himself in the possibilities of his new semi-modular synths. In terms of sonic reference points, he found himself in new territory, too. “Usually going to a club night, or concert, or even the
simple things in life that you take for granted all feed into a melting pot of things that inspire me to create. But without these, I instead found myself drawing on memories of experiences, and imagining new ones for the future to come. I began to feel like these were projections, almost like memories of experiences I had been projecting via the music I was creating,” he shares, adding that memories of clubbing trips to Berlin, London and Brighton fuelled his vision for the album.

Furthermore, the seclusion we collectively experienced allowed Banks to philosophise on the nature of human connection, which fed into the album concept: “I started to think about how during our period of relative isolation, we are all projecting into the digital ether, searching for a connection in an increasingly virtual world where shared human contact and experiences have
become scarce.”

Projections

Resonate

What We Have

Introspective

Recall Mindset

Into The Realm

Transition

Before The End

Spartan Passage

'Providence' Out Now - 
Ninjashop / Stream / Download: https://nathanfake.lnk.to/providenceSO

Taken from 'Providence' released 10h March 2017 via Ninja Tune.

Listen to Ninja Tune New Releases on Spotify: http://ninjatune.lnk.to/new/spotify

Follow Nathan Fake -
Facebook: http://found.ee/nfake-fb
Twitter: http://found.ee/nfake-tw
Spotify: http://found.ee/nfake-sp
Soundcloud: http://found.ee/nfake-sc

Artwork by Matt Bateman http://flat-e.com

DEGREELESSNESS feat. Prurient / Now We Know

Nathan Fake - 'DEGREELESSNESS feat. Prurient'

Alex Banks is a DJ, producer and multi-instrumentalist from Brighton, UK. Praised by the likes of BBC Radio 6, Mixmag, Clash and Uncut, he makes music aimed at the dancefloor that thrills with its sonic intricacy and warm human feeling.
His prismatic sound design decorates rhythms influenced by jungle, broken beat and dubstep, while techno effects hiss and clank, and off-world IDM melodies snake around the arrangements. Bank’s sound carries instantly recognisable motifs and an impressive quality. All the while he consistently pushes the envelope with an adept technical skill and sound design which commands repeated listens.
‘Projections’ is the title of Banks’ third studio album that is set for release on Max Cooper’s Mesh in summer 2022. Characterised by his passion for analogue gear and experimentation, the work is a pure distillation of his production expertise and love for emotive synth sounds. The project includes visual collaborations with award-winning motion graphic designer Matthew Clugston and Tosh Fieldsend from renowned VFX house The Mill.
His other work includes critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune and Hunter/Game’s Just This. Remix credits have seen brilliant re-works of Bonobo, RY-X and Raven Bush. On the collaborative front Banks is just as selective, linking with Max Cooper and Sasha respectively, the latter set for an April release on LNOE as part of the ‘TEN’ compilation. 
A musical polymath, when not immersed in the electronic world, Banks works as a sound designer, composing for film, TV and advertising campaigns. Notable achievements include projects for Global brands such as Nike, Heineken and Honda. 
Alex Banks is entering a fresh and exciting chapter in 2022. A master craftsman in the studio pushing his sound into inspiring new directions, he'll augment the eclectic  'Projections' project on Mesh with a new live AV set up, taking his creative output to a new level.

Introspective

Alex Banks

Recent comments

тнιѕ ∂αяк мαттєя

Jasmina Markovic

Related tracks