Spectrum

Introspective, engaging, electronic music exploring the concept of “unfinished” in relation to oneself, art, architecture and surroundings, ‘No One Really Listens To Oscillators’ is the gloriously titled new album by Indian Wells, the project of producer Pietro Iannuzzi from southern Italy. The nine track album is set for release on 15th July 2022 on Max Cooper’s Mesh imprint.

“Before I started to create this album, I cleared my mind,” says Pietro. “I  went back to when I fell in love with electronic music and listened to Radiohead’s Kid A and Amnesiac, Warp artists like Boards of Canada and Aphex Twin, Border Community, William Basinski, Massive Attack. I felt my last album was unfinished, and realised something had to change in my music.” 

The album’s first conceptual input came from an article in The New York Times talking about a new conceptual architectonical style. The term “Incompiuto” (Unfinished) was theorized by Alterazioni Video & Fosbury Architecture and concerned unfinished works that reveal the inability of projects to make infrastructures useful and sustainable for the community. 

“The head of this article was a photo of an escalator in the middle of nowhere in Calabria, where I live,” explains Pietro. “I knew this escalator very well and I immediately realized that my perception of this "reality" could be really different from people who have never lived in this area. It can be said that I grew up in the unfinished - between unfinished houses and other half-built works that are now an integral part of the landscape, without really noticing. In reality, our experience is influenced by everything that surrounds us and this context shapes us to make us live a distorted reality, which we very quickly get used to.”

‘No One Really Listens To Oscillators’ was the first track completed and gives the album its title. “I was spending a lot of time working on micro-changes on the oscillator frequency on the lead synth of the track,'' says Pietro. “After a couple of hours I asked myself “Who cares? Will people even notice this?” It’s a way to say that we have lost our ability to notice little things, to go deeper. To develop sensitivity.”

During the recording of the album, Pietro’s daughter was born in April 2020. “My daughter was born with Down Syndrome, which we didn't know anything about, so I started to study and understand how her life could be.” During Pietro’s research he discovered works by the American artist Judith Scott, who was born deaf and with Down Syndrome and read how her condition made her, in the eyes of society, an "unfinished" person. “I was struck by her beautiful and illegible works that are nothing more than pure and simple expression, an end to itself, with no other purpose.” The track ‘Life Of JS' is dedicated to her. 

The album’s beautiful closing track ‘Before Life’ was created soon after discovering his wife was pregnant and starts with a recording of his daughter’s fetal heartbeat. “For me it is a hymn to creation, in a very broad sense. It’s written for my daughter. It’s hope.”

‘No One Really Listens To Oscillators’ is set for release on 15th July 2022 on LP and digital formats.

Contact:
Press/radio Agent (UK)
benjamin.smith@echoempire.net // 077 6492 6719
Press/Radio agent (EU/ROW) 
Alexa Gansera 
ag@centerpoint-agency.com // +49(0)163 4099099
Mesh Label 
Anthony Faulkner - anthony@thewildseeds.com
Management 
Yur Toccacelli - yt@3d-agency.it

09  Indian Wells - Before Life

Alex Banks releases ‘A Way Out’ on Mesh. The track stands as the first single from his anticipated third studio album ‘Projections.

‘A Way Out’ is a heady dancefloor track with a foot in breaks and techno alike. Flanked by the artist’s signature pads and synths, it balances melancholy and optimism with stirring effect.

A stunning video for ‘A Way Out’ has been created by award-winning motion graphic designer Matthew Clugston. He illustrates the track’s contrasting moods with dynamic images of hectic man-made cities, manipulated and warped in time with Banks’ hectic breakbeats. When the emotive pad sounds join the melee, images of mountains and lakes take the place of the concrete streets and buildings, representing serenity in contrast. 

Written, mixed and produced by Alex Banks
Album artwork by Michael Bodiam
Graphic Design by Colin Droz.
Mastering by Bo at Calyx Mastering
℗ 2022 Mesh © 2022 Just Isn't Music Ltd

Projections

A Way Out

Are You Awake

Brandt Brauer Frick - Are You Awake (Extended)

rescue

C O S M

C O S M (Daniel Avery Remix)

I love Brecon's first mini album release, so I wanted to get involved with the remixes, but it wasn't an easy job, they seem to have constructed their music in an extremely efficient and effective manner where everything is optimised and used at it's best, with nothing extra added, if you know what I mean when you hear it! So for that reason I stuck relatively closely to their original track, and just tried to add some of my own flavour to the mix, which in practice meant lots of live jamming with my Prophet and playing around with percussion detailing, along with a new drum pattern and arrangement, and, of course, some enveloping chords.

Brecon - Scattered - Max Cooper Remix

From the album 'Beneath The Surface' out now on Max Cooper's Mesh Label

Download/Stream/Purchase Vinyl here: mesh.lnk.to/BeneathTheSurface

Beneath The Surface

Beneath the Surface

Forever

Tephra - EP

Uber den Vulkan Wolken

Vegueta

Alex Banks is a DJ, producer and multi-instrumentalist from Brighton, UK. Praised by the likes of BBC Radio 6, Mixmag, Clash and Uncut, he makes music aimed at the dancefloor that thrills with its sonic intricacy and warm human feeling.
His prismatic sound design decorates rhythms influenced by jungle, broken beat and dubstep, while techno effects hiss and clank, and off-world IDM melodies snake around the arrangements. Bank’s sound carries instantly recognisable motifs and an impressive quality. All the while he consistently pushes the envelope with an adept technical skill and sound design which commands repeated listens.
‘Projections’ is the title of Banks’ third studio album that is set for release on Max Cooper’s Mesh in summer 2022. Characterised by his passion for analogue gear and experimentation, the work is a pure distillation of his production expertise and love for emotive synth sounds. The project includes visual collaborations with award-winning motion graphic designer Matthew Clugston and Tosh Fieldsend from renowned VFX house The Mill.
His other work includes critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune and Hunter/Game’s Just This. Remix credits have seen brilliant re-works of Bonobo, RY-X and Raven Bush. On the collaborative front Banks is just as selective, linking with Max Cooper and Sasha respectively, the latter set for an April release on LNOE as part of the ‘TEN’ compilation. 
A musical polymath, when not immersed in the electronic world, Banks works as a sound designer, composing for film, TV and advertising campaigns. Notable achievements include projects for Global brands such as Nike, Heineken and Honda. 
Alex Banks is entering a fresh and exciting chapter in 2022. A master craftsman in the studio pushing his sound into inspiring new directions, he'll augment the eclectic  'Projections' project on Mesh with a new live AV set up, taking his creative output to a new level.

Uber den Vulkan Wolken

Alex Banks

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Uber den Vulkan Wolken

Alex Banks

Recent comments

Rodeoclash

Rodeoclash

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