(Previously released in February, 2001)

DON’T TURN BACK is a concept album on alienation, reality distortions and mind experiences mixing electronic music, sound effects, voices and noises samples, drum'n'bass and acid grooves. It's the first album of the trilogy dedicated to human mind and its possible deformations, alienations and inventions, which continued with "Alien in Mind" and ended with "Cul de Sac".
The artwork is by Stefano Calanchi.

DON’T TURN BACK è un concept album sull'alienazione, le distorsioni della realtà e le esperienze della mente, che mescola musica elettronica, effetti sonori, campionamenti di voci e rumori, drum'n'bass e acid grooves. E' il primo album della trilogia dedicata alla mente umana ed alle sue possibili deofrmazioni, alienazioni ed invenzioni, che è continuata con "Alien in Mind" ed è terminata con "Cul de Sac".

Don't Turn Back (2001)

Premonitions

The Liquid Ballet

Previous Life in Russia

The Call of Mrs. Fay

Mind Pollution Train

Mysthic Deforming Temple

Street Juggler

Frames

Composer, keyboards player, singer.

Alex Carpani is an Italian-French composer, keyboards player and singer. He has collaborated with David Jackson (Van der Graaf Generator), David Cross (King Crimson), Bernardo Lanzetti (PFM, Acqua Fragile), Aldo Tagliapietra (Le Orme), Paul Whitehead (Genesis, VdGG, etc.), Tony Spada (Steve Morse, Rick Wakeman, Steve Howe, etc.), Lino Vairetti (Osanna) among others.
The Alex Carpani Band (ACB) has been formed in fall 2006 to perform live Alex’s debut album Waterline around the world and is now one of the top Italian progressive rock bands of the contemporary scene with an International experience having performed in Italy, Japan, England, Sweden, U.S.A., Lithuania, Norway, Mexico, Denmark, Germany, France, Serbia, The Netherlands, Belgium, Canada, Brazil, Spain, Switzerland, Poland, Czech Republic since 2007.
Alex took a graduation in Musicology at the University of Bologna, specialized in music for films at C.E.T. (Centro Europeo di Toscolano), a famous Italian school of music in central Italy, as well as in sound engineering with top Italian sound engineers at the Arte Scenica Foundation in Bologna.
He’s been awarded in several Italian and International composition prizes in the 90s and his repertory ranges from progressive rock to classical music, from electronica to music for films/videos/theatre, electro-jazz, music & poetry, jazz-rock.