Name: It's Raining Again (Alex Compton Bootleg) - Mavado by Alex Compton
Duration: 4 min 17 s
Description: Out to @korma-seattle for mastering this thing :-)

Out to @korma-seattle for mastering this thing :-)

It's Raining Again (Alex Compton Bootleg) - Mavado

(146) ENEMY WITHIN EDIT

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

Mun Sing - Frolic

✱ 𝓢𝓦𝓘𝓝𝓔 𝓟𝓡𝓔𝓜𝓘𝓔𝓡𝓔 ✱ We are delighted to present you the song "Amili Amili" from the upcoming debut studio album "Your Excellence" by one and only, Slovak wizard @kodiki via our favourite Czech  electronic label @ginandplatonic

➽ 24 years old, the self-proclaimed "clothed and courageous" kodiki definitely is one of the most promising artists to emerge from (not only) the Slovakian electronic scene in recent years. First and foremost, the jovial and ever-kinetic enigma is a producer, model, and performer known for his engaging stage presence that feels more like a performative adrenaline rush than a standard guy+laptop situation. After self-releasing a couple of singles, including '300dB' and the 'Muliebre' EP, he later doubled up with a well-received '600dB' EP, all while being busy playing prominent triple-A festivals as well as off-the-grid ratholes.

➽ While live, kodiki’s signature animated self-puppetry embodies the sound itself to the extent that it becomes an inseparable part of his real-time sonic narration. Highly recommended to catch him live with his highly anticipated debut album, which Gin&Platonic is now honored to present.

➽ Precise sound design and high-octane rhythms, every beat dares to be both pristine and primal. Each one fabricates a pulse-pounding joyride through sun-faded ambience, perpetually veering from trancey euphoria into glitchy chaos and all the way back.

✿ Written & produced by Miroslav Čuridlo (@kodiki)
✿ Mastered by Samo Benko / www.instagram.com/samo_benko_
✿ Artwork by Jiří Macků / instagram.com/jiri_macku

G&P029 🎩

Bandcamp

[Swine Premiere] kodiki - Amili Amili (Gin&Platonic)

Labuta (ft. Yvu) (Iguana Remix)

W.ANNA.W - Petals of Nehan [OMB017]

Petals of Nehan unfolds as a sonic journey where powerful and unpredictable movements of sound intertwine with cultural influences and personal sensibilities. Each track shifts in form at times intense, at others restrained yet quietly imbued with an inner strength evoking petals drifting with intention. Through these evolving textures, the EP explores the power of music to bridge the inner and outer worlds.

In the collaborative track “Forsaken Voices” with xato, a flowing current of sound emerges from the merging of sensibilities, leading to a deeper musical exploration.

The EP also features remixes by Sweden-based duo Quit Life, France-based artist Ytem, and Austria-based Kenji Araki. Their contributions bring distinct perspectives shaped by their diverse cultural backgrounds, expanding the sonic landscape of the release.

W.ANNA.W is a Japan based artist, vocalist, and producer who weaves ambient, experimental, and organic sounds into intimate yet expansive sonic landscapes. Her music transcends genre boundaries, evolving freely with quiet, expressive depth. Through her work, she invites listeners into a reflective, introspective dialogue a space to pause, listen, and feel.

NÜ PREMIERE : W.ANNA.W - Veil of Lies (Kenji Araki Remix) (OVER MY BODY)

Original song by Linea 77.
Additional production and fuckedupness by noumeno
Artwork by Nemo (@nemoblazarr) and noumeno

Linea 77 - Fantasma (noumeno's little haunting)

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

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estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

Premiere de “No Me Hables Más”, una colaboración transcontinental entre @mystictearz , productor con base en Nueva York/Houston, y @Rattlesnakke, la DJ/productora argentina con su estilo crudo, directo y sin filtros.
El track fusiona ritmos urbanos con una producción impecable, donde la tensión emocional y el desamor se sienten en cada momento. Jetty con su sonido hipnótico,nos lleva a su universo sonoro, mientras que por su parte, Rattlesnakke lanza una vocal intensa, una mezcla perfecta de vulnerabilidad y resignación.
Bandcamp:https://mystictearz.bandcamp.com/track/no-me-hables-m-s

PREMIERE: Rattlesnakke & Jetty - No Me Hables Mas

@satellitenavigation
@thebigoilrecordingcompany

PREMIERE : SATNAV - In One World, We Were Two Towers on Opposite Shores, Facing Each Other for 3,000 Years

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

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Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

Red Star 
#Headless

"Euphoria Spell," Magdalena's Apathy, 2025
https://www.discogs.com/release/33860973-Alex-Compton-Euphoria-Spell

"Alex Compton & VCRHEADCLEANER," Spektator, 2023
https://www.discogs.com/release/28337389-Alex-Compton-2-Vcrheadcleaner-Alex-Compton-VCRHEADCLEANER

It's Raining Again (Alex Compton Bootleg) - Mavado

Alex Compton

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