This is my new piece. I've got the inspiration from perfomin with the harp player.

Desert classic

When I moved to Berlin I got the idea to creat a seria of a solo violin pieces and arrangements. This is the first one. 

Many special thanks for:

Kevin Reiter - Kaleidoscope Studios for the recording
https://www.facebook.com/KaleidoscopeStudios

Christina Kleid for organizing everything
https://www.facebook.com/christyclydemusic
https://soundcloud.com/christy-clyde

Aletchko:
http://www.facebook.com/Aletchko
http://www.alexeyviolin.com
https://www.youtube.com/channel/UCav5-2kGdCDR_kzmhhKf_Ig

Bach in Berlin / Aletchko

One of the 13 tracks recorded by Aletchko trio @LegatoStudios. 
Year 2015 

Babajan Aletchko

I'm very excited to represent my first electronic deep oriental track. My three basic attraction in music are - violin, oriental music and, since I live in Berlin, electronic. I'm trying to blend three of them in one. I'm looking not just to hit violin solos on beat, but to build a coherent matter from dry oriental percussion sound, some violin leaks and electronic beats. It's a fascinating process of research and here is my first result. Hope you like it!
You can buy/download this track here:  https://aletchko.bandcamp.com/album/urban-violin

Dry like a desert

Water Drops on the Desert Stones

Groovey Balkan violin and electronic beats.

Aletchko Balkan Violin remixed

This track was created for the inspiring competition leaded by Native Instruments and Deru. During the work on this track I decided to take a challenge and use only the 18 samples from the Deru package, Ableton and the 29 minutes Form synth's demo)  
I can say it was really a turn point experience for me. You probably know this situation when you are looking for hours in samples and presets to find a kick or bass you like.  But now it made me to go deeper into crafting my own sounds by using effects and extreme editing and modulation.  I think I've learned a lot out of it and I'm really happy to make this track, independently from getting any prise for it or not. Because it's all about a journey! Thanks Native Instruments and Deru!
Mix & master by Idan Altman: www.idanaltman.com
My FB: https://www.facebook.com/Aletchko
#deruxform

Trans-Formation

My demo for Bulgarian folk tune The lost heard.

The lost herd Electronic version by La Basta Band

La Basta Band MISSERLOU

One of the most famouse Bach's pieces Air.

J.C. Bach Air Hakanar Alexey La Basta Band

In 2020 partly because of the massive cancelation of live shows and partly because I wanted so, I started to make music for cinema, and to be honest I like it. 
This piece was the first done this year. It's an intro for a 50's style noir film by Celina Schmidt and her student film project for Deutsche Film- und Fernsehakademie Berlin (DFFB) - Double Indemnity.
Composed, recorded, mixed and downgraded to sound like 50's by truly yours.

Double Indemnity

This track was made for the trailer of Laila in Haifa, the movie of Amos Gitai which was screened as a part of the official program of 77th annual Venice International Film Festival on 8 September 2020.
www.imdb.com/title/tt12716170/

Laila in Haifa - Trailer Theme

In May 2020 I've got the funniest assignment to make music for a children puppet theater Bubales. The best part was, that it had to be a mixture of Turkish, Jewish and modern pop music. I've never worked in this genre before (I mean pop music), and that's why it made me even more curios. Also we were in the middle of the first lockdown and there was not much else to do. Also it was a LOT of FUN!

So Tayfun Guttstadt composed this song, sang it and played Ney. I've arranged it and probably changed a few notes. And Shlomit from Bubales was curating the process and giving us the best Jewish-Turkish hospitality.

Bubales
http://bubales.de/bubales.html

Weltall Lied ft. Tayfun Guttstadt

It was the summer of 2020. The lockdown just got unlocked, and we all started to have a bit of hope. Then Rachel Clarke from the Storytelling Arena asked me to make music for her podcast Hoffnung! Das grosse Erzählen, which was reflecting on people's lives in the lockdown through the prism of hope for the better future. This was an exciting task to work on and here is the music which came as a result of it.
--
www.storytellingarena.com
https://hoffnung.podigee.io/7-grosse-erzahlung
The podcast series by the Storytelling Arena (funded by Fonds Soziokultur

Hoffnung! Das grosse Erzählen by the Storytelling Arena

On October 25, 2020 the work Ghislaine|Gabler by Kristin Winters was presented at Bloomsbury Festival. This theater performance brilliantly puts together two horribly narcissistic personages: an imaginary Ipsen's Hedda Gabler and the real world's Ghislaine Maxwell, Jeffrey Epstein's literal partner in crime. The idea behind the project - artistic exploration of an immoral, sick mind and the harm it can cause to the surrounding and itself. 
The musical composition is meant to reflect this phenomenon. Starting with a slightly melancholic waltz it explodes into an evil, monstrous middle part, and after the monster hides, the ashamed waltz melody returns, scarred and disfigured after the events of the middle-part.
---
https://www.kristinwinters.net
https://www.alexeyviolin.com

Ghislaine|Gabler - Main Theme

Berlin Oriental Quartet
5 String Theory
Music for cinema and theater

Alexey Kochetkov

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