Love the original of this, surprised I missed your edit until now.  Would love to spin this out ...

hell yes... doubleplusgood! thanks for the download Alex... delightful work.

Edits 6

Kool & The Gang - Hangin' Out (LUP INO Rework) Free

www.MOMFAM.com
Big thanks for the production assistance from D Tek

BEING WITH YOU (Gordo Remix)

Dj Vas - Bring Us Back Together
https://djvas.bandcamp.com/track/bring-us-back-together
https://www.junodownload.com/search/?facet%5Bmirror_artist_facetm%5D%5B%5D=dj+vas

Bring Us Back Together

Number One (Fingerman's Classic Edit)

Released 29th March 2015 on SedSoul Records

Back For More 12' mix (feat. Eugene Wilde)

Alfonso - I'Il Be Around    *Groove Edit

An update of my earlier edit of Oliver Cheatham's "Get Down Saturday Night".
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Thanks for listening!

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Get Down Saturday Night (CBS ReWork)

In remembrance of Maurice White

Produced & Mixed by Volt Age for UKNOWY Music
Artwork by Maximilian Braun

https://soundcloud.com/ageofvolt
https://soundcloud.com/uknowymusic

© 2016 UKNOWY Music

Bandcamp

Earth, Wind And Fire - Runnin' (Volt Age Edit)

READ - http://inverted-audio.com/premiere-go-get-it-opolopo-tweak

Sure to light up the most unlively audience, @opolopo revisitation of the balmy disco tune 'Go Get It' breaks on you like a tornado of red-hot brass, P-funk bass and a fiercely heady guitar riff to keep you hooked from start to finish as the trumpets and luscious choirs achieve lifting you off the ground and into some unreal pleasure dome.

Go Get It (Opolopo Tweak) [Version Galore]

Another one coming up to XMAS from our personal stash.
The intro is about 3 mins long and heavily dubbed out, pretty much a track in it's own right. Created after a 3am stint hearing Danny Krivit at the Ministry of Sound.....use wisely and wait till the dancefloor is tripping out :)

Free DL

D Train - Keep On (SBR's Seriously Twisted Intro)

Track two Christmas gift ,, for all my friends and supporters..

this is the unedited full version .. get it while you can 

this is for M+M 5 and may change prior to time of release

Janice McLaine - Smack Dab In The Middle M+M Mix

Bill Brandon - We Fell In Love While Dancin (Babyface In Love Edit)

War (a Discobody better way)

Norman Whitfield & Barrett Strong wrote the anti-Vietnam war protest song “War” in 1969 for the Motown artists The Temptations. But as Motown was worried about how the Temptations fans might receive such a political theme track, Whitfield re-recorded it with Edwin Starr on vocals. Starr’s intense rendition rocketed to #1 on the U.S Pop chart in 1970 and remained there for three weeks becoming his signature track and the most popular protest song ever recorded.

Frankie Goes To Hollywood revamped it on their 1984 multi-platinum debut album “Welcome To The Pleasuredome” produced by Trevor Horn. Their take is superbly electro-funk flavored though it lacks Edwin’s dramatic performance.

On this mix I reconstruct Frankies version adding Starr’s vocals and infusing it with extra rhythms and lots of twists. War’s aggressiveness and Hope’s better-way are described thru the rough bangin’ beats and the dubby groovy sound. 
Enjoy!

This mix lyrics:

“Listen to me

Ohhh, war, I despise
Because it means destruction
Of innocent lives
They say we must fight to keep our freedom
But Lord knows there's got to be a better way

War means tears
To thousands of mothers eyes
When their sons go to fight
And lose their lives
Ooooh, war
It's an enemy to all mankind
The point of war blows my mind

War, whoa, yeah
What is it good for
Nothing, nothing, nothing

There's got to be a better way
Yeah, better way
Yeah, nothing, nothing

War!!

Good God y’all!
Stand up & shout it
Stand up & shout it
Ooooh Lord
War!
What is it good for?
Absolutely nothing
Stand up & shout it
Good God now..

Listen to me
War can't give life
War can't give life, life
War can't give life 
War, war, has shattered
Many a young mans dreams
Made him disabled, bitter and mean

War can't give life
War can't give life, life
War can't give life
It can only, only 
War can only, only
Take it away

Look out
It ain’t nothing but a heartbreaker 
Nothing but a heartbreak 
It ain’t nothing but a heartbreak..
It ain’t nothing but a heartbreaker 
Nothing but a heartbreak 
Friend only to the undertaker

There’s got to be a better way!

Yeah, aha yeah
Say it again
What is it good for?
Nothing, nothing
Good God y’all
I say it again
Ooooh Lord
What is it good for?
God, Good God y’all
I say War!
What is it good for?
I say it again
Ooooh Lord, ooooh
I say it again
Ooooh Lord, 
What is it good for? Ooooh
Nothing

War has caused unrest
Among the younger generation
Induction then destruction
Who wants to die?

War 
What is it good for?
Absolutely nothing

War-huh
What is it good for?
Absolutely nothing
Say it again 
War-huh
What is it good for?
Absolutely nothing, nothing
Listen to me

It's an enemy of all mankind
No point of war
'cos you're a man
War means tears
To thousands of mothers how
When their sons go off to fight
And lose their lives

I said
War-huh
War!
What is it good for?
Absolutely nothing

War!!

Say it again y’all
War has shattered
Many young men's dreams
They've got no place for them today
They say we must fight to keep our freedom
But lord, there's just got to be a better way

Peace, love and understanding, tell me
Peace, love and understanding, you tell ‘em
Peace, love and understanding, say it
Peace, love and understanding
There's got to be a better way-yeah
There's got to be a better way
Better way
Got to be a better way…
OooooLord!!”

War (a Discobody better way)

U're The One 4 Me (a Discobody loud shout)

New York based duo D-Train released their first single "You're The One For Me", mixed by François Kevorkian, in late 1981 on Prelude Records. It was an instant success, hitting #1 for three weeks on the U.S. Hot Disco/Dance chart in Jan 1982 and #13 on the U.S. Soul chart. It also entered the UK Pop top-30. Larry Levan hammered it and made it a determinant Paradise Garage anthem. 
Among those who sampled it over the years are N.W.A. for their 1988 “Something 2 Dance 2”, Heavy D & the Boyz for their 1991 “Swinging With Da Hevster”, Pete Rock for his 2001 “Take The D-Train” and Prodigy for their 2004 hit “Girls”. 

It’s one of my 10 all-time fave dance tracks. The beat is sizzling hot, the bassline rules, the synths are dominant, the lyrics are so inspiring and James "D. Train" Williams’s voice is fascinatingly rich, this track is perfection through and through. 
On this mix you get lots of different sounds, extra percussion/bass/bells, longer funky intro, more breaks & reformed bridges and spiritual outro. Enjoy the loud shout!

This version’s lyrics:

“Get up
Get up on the funky D-Train
Funky D-Train

Bustin' up on a cloud, shout out loud 
You're the one for me 
With your love by my side 
The world will be mine 
You're the one for me

With this true love I found 
Picks my feet up off the ground to fly away 
With this true love my dear 
Takes away my every fear, don't go away 

You just don't know what you did to me 
But I'm not the same 
Since you gave me 
Love that's sheltered from the rain 

You just don't know how you make me feel 
Your sweet lovin', girl, is so unreal 
I've got love, love desire 
From your lovin' my soul's on fire 

Bustin' up on a cloud, shout out loud 
You're the one for me 
With your love by my side 
The world will be mine 
You're the one for me

You're the one for me, yeah 
Ooohhh, the one for me
I got to stand on up for your love
I got to stand up
For your love
Yeaaahooo!

I'm ridin' on a cloud 
Got to shout it out loud, you're my all 
Baby, hold on tight 
For the rest of my life, don't let me fall 

You just don't know what you did to me 
But I'm not the same 
Since you gave me 
Love that's sheltered from the rain 
You just don't know, no, how you make me feel 
Your sweet lovin', girl, is so unreal 
I've got love, love desire 
From your lovin' my soul's on fire

Bustin' up on a cloud, shout out loud 
You're the one for me 
With your love by my side 
The world will be mine 
You're the one for me 

With the love I have inside of me 
We can turn this world around 
We can live through all eternity 
And we'll never touch the ground 
We'll take a chance to ride upon a star 
To a place that's far away 
The light of love will shine on us 
Forever and a day 

You're the one for me, yeah 
Ooohhh, the one for me

Get up on the funky D-Train

With the love I have inside of me 
We can turn this world around 
We can live through all eternity 
And we'll never touch the ground 
We'll take a chance to ride upon a star 
To a place that's far away 
The light of love will shine on us 
Forever and a day”

U're The One 4 Me (a Discobody loud shout)

"The label with the giant sound is back for release number fifteen, Kojak's the name and edits are the game. Having previously played host to the likes of Nicholas, Maxxi Soundsystem and Al Kent, DJ Ionik's imprint has developed a pedigree for classy edits by players at the top of the game. For release number fifteen Ebony Cuts rolls up to the party, adjusts his tie and puts the champagne on ice. 

Up first under the scalpel is Jesse Gould's "Out of Work", an uptempo disco funk track with filtered guitar matched by a bouncing bassline.  This is one of those bumping disco funk tracks for peak time enjoyment. Ebony Cuts has stitched the vocal and instrumental versions from the original P&P release together and come out of it with a raw funk bomb. Samples are slightly off and bass drums double over each other, but I don't care and neither does Ebony Cuts. A wild disco edit that can hide a shoddy mix, perfect.

On the flipside Ebony Cuts extends Roy Ayers' "Can't You See Me" into a finger clicking, shoulder popping groovathon. Thanks to a subtle restructure of the track, the smooth jazz funk of the original is given some extra dancefloor dynamics, with each instrumental break looped up for full impact. This is the classiest of cocktail disco, the kind of track Dimitri plays while he sips on a white russian."

- Piccadilly Records

"Hot new Kojak Giant Sounds release! These never hang around long and there’s no repress!"

- Rush Hour

"Two Ebony Cuts edits /reworks - Jesse Gold's killer P&P driving boogie disco groover gets its beef chunked up , flip for Roy Ayers - 'Can't You See Me' with a more percussive backing groove!"

- Vinyl Underground

"名作エディット２連発！！Al KentやKool DJ Dust、Nicholasも作品を残すフィンランドの人気ディスコ/エディット・レーベルKojak Giant Soundsから待望のニュー・シングルが到着！！今回は、1977年にJesse Gouldが名門P&P Recordsから放った名作「Out Of Work」と、近頃再発もされたキング・オブ・ヴァイブスこと大御所Roy Ayersが1978年にリリースしたガラージ/ダンス・クラシックス「Can't You See Me」を、Tropical TreatsやSelfmade Millionaire名義でもお馴染みのハンブルグのネタ師Ebony Cutsがエディットしてしまった要注意な一枚！！オリジナルの雰囲気をダイレクトに伝えてくれると共に、フロアでの機能性も重視された激キラーなエディットが施された問答無用の仕上がり！！ネタがネタだけにフロアを大爆発させてくれること間違いなしの一枚です！！！！"

- Technique

"オープニングのドラム・ブレイクを引き延ばし、中盤のインストパート→フック→本編と絶妙に再構築されたRoy Ayres「Can't You See Me」のエディットが最高！！

フィンランドのDJ Ionikが主宰するオブスキュア・エディット・レーベル【Kojak Giant Sound】の15作目は、あのSelfmade Millionaireを手掛けていたハンブルグのディスコ・フリークEbony Cutsによる2トラックEdit！

何と言っても注目したいのが「Roy Ayers / Can't You See Me」のエディットとなるB「Can't You See Me (Ebony Cuts Edits)」。原曲ではドラムブレイクから本編へとすぐに入っていくため、殆どの場合クイック・ミックスする事が多かったのですが、このエディットではブレイクが引き延ばされ、しかもそこから中盤のヴァイブ＆スキャット・ソロに至るインストパートを用意し、ループと再構築を交えて、ジワジワとしたビルドアップ感を携えて本編へと持っていけるという抜群の仕上がり！そしてAサイドには、Billy Nicholas手掛けた【P&P】産のブギー/ディスコ・ナンバーJesse Gould「Out Of Work」のエディットで、こちらもインストパートを主軸に、そのドライブ感のあるブラック・ディスコ・サウンドを構築していた、こちらも素晴しい仕上がり。オススメです！"

- Rootdown Records

Bill Brandon - We Fell In Love While Dancin (Babyface In Love Edit)

Alex Ferrazzi

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