Session 1

The Day was written in a hotel room in Spain at dawn when I hadn’t slept. It was a beautiful hotel room, a beautiful perfect hotel room and it was six or seven in the morning. I wrote it on a acoustic guitar and recorded it on my phone, brought it home and re-recorded it with old broken down electronics that I have in my studio

The Day

07 - Racing With the Sun

Underwear - FM Belfast

Joe Strummer & The Mescaleros - Mondo Bongo (Kill The DJ Mix)

Originally written and recorded by Sam Phillips

All Night

Wave Machines - Keep The Lights On (Artwork Remix)

Solarfist - Moonlight Sonata (remix)

Haltija

Breton has announced the release of a brand new single ‘Population
Density’, due for release on 5th November 2012 on FatCat Records.
Recorded between festivals over the summer at the band’s creative HQ The
Lab, the band road tested it for the first time at the Route Du Rock festival
in France last month in front of 7,000 people – it was one of the highlights of the
set.There are two additional tracks on the single – ‘Governing Correctly’,
taken from the band’s debut much laude album ‘Other People’s Problems’
and a dub remix of ‘Governing Correctly from Ed Banger head honcho Busy
P.

The band have been playing festivals all over Europe throughout the summer
and have just embarked on their first headline tour of the States, Canada and
Europe, including a show at the Scala in London on 24th October.

September

7th – The Middle East – Cambridge, MA, USA
8th – Casa Del Popolo – Montreal, Canada
9th – The Rivoli, Toronto, Canada
11th – Magic Stick Lounge – Detroit, USA
12th – The Empty Bottle – Chicago, USA
13th – The Electric Owl – Wanvouver, Canada
14t - Barboza – Seattle, USA

15th - Rotture – Portland, USA
16th – The Echo – Los Angeles, USA
18th – Black & Mortar Hall – San Francisco, USA
21st – Festival Zikametz – Metz, France
22nd – Festival Jour et Nuit – Grenoble, France
23rd – Le Consortuim – Dijon, France
24th – Le Grand Mix – Lille, France
25th - Lun Des Pirates – Amiens. France
26th 6 par 4 laval, France
27th - Gaite Lyrique – Paris

28th – Temp Machine – Tours, France
29th – RDV De Terres Neuves – Begles, France

October
2nd – Abart – Zurich, Switzerlans
3rd – Yverdon – Amalgame, Switzerland
4th – Rockhouse Yeah Club – Salzburg, Austria
5th – B72 – Vienna, Austria
6th – Lucema – Prague, Czech Republic
8th – Rotor Salon – Berlin, Germany
10th – Ekko- Utrecht, Netherlands
11th - Botanique/Orangerie – Brussels, Berlgium
13th - Insanitus/Fluxus Ministerija – Kaunas, Lithuania
17th – Le Vauban – Brest, France
18th – Antipodes – Rennes, France
19th – Chabada – Angers, France
20th – Le Normandy – Saint Lo, France
24th – Scala – London, UK

December
7th – Club Control – Bucharest, Romania
11th – Les Adventuriers – Salles Jacques Brel – Fontenay-sous-Bois,
France

For further information please contact Heather Finlay at Sainted on 07747
611110 or at heatherfinaly@saintedpr.com.

Breton - Population Density

Taken from new album 'Hands Of Glory' out in the UK on Wegawam Music - Oct. 30th digitally and Nov. 6th physically. A companion release to 'Break It Yourself' out earlier in 2012.

Three White Horses by Andrew Bird

Chico Mann is to release the ‘Same Old Clown EP’ on 4 March through Soundway Records ahead of his forthcoming full length album ‘Magical Thinking’. Featuring the sultry vocals of New York based Kendra Morris, the slinky and catchy album version of ‘Same Old Clown’ is joined here by deeper re-workings from USA DJ and re-edit king Kon (Kon & Amir, Nitetime), who provides both a vocal and dub remix as well as UK producer Linkwood, known in underground circles for his groundbreaking mix of future-boogie, house and detroit techno on Scotland’s excellent Firecracker Recordings imprint.

Guitarist with the band Antibalas, multi instrumentalist and guitarist, Chico Mann (AKA Marcos Garcia) has in the past worked with the likes of TV On The Radio, The Roots and Dam Funk as well as remixing Little Dragon and Alice Russell amongst others.

His most recent LP ‘Analog Drift’ (2010) was released through Wax Poetics Records, an album that he toured throughout the US. Jon Pareles (NY Times) praised his live show’s “far-reaching electronica” that had the ability “to dissolve decades, along with borders”.

Where previous Chico Mann material drew heavily on his afrobeat roots, his upcoming LP ‘Magical Thinking’ taps in to a new vein of thinking, where the 80′s funk, boogie and electro sounds of New York and Miami dominate the sonic landscape. Featuring a selection of guest vocalists, and mixed by Brooklyn producer / musician Jeremy Page (That Handsome Devil), ‘Magical Thinking’ is Chico Mann’s most ambitious and accomplished project to date.

Chico Mann - Same Old Clown (Featuring Kendra Morris)

Last Dance

CHROMATICS / CHERRY

Available here...https://itunes.apple.com/gb/album/better-man-than-he-single/id598595529


Sivu - Better Man Than He (Thom Alt J Δ Remix)

In 2009 Spectrals began life as a one man band. That one man was Heckmondwike, Yorkshire resident, Louis Jones, and he played everything on his early releases himself. A number of singles were released on labels such as Captured Tracks, Tough Love, Underwater People and Moshi Moshi; somewhere along the way Louis recruited his brother, Will, to play drums; touring band members came and went, but the core of the two brothers remains to this day. 

In 2011 Spectrals signed to Slumberland (in North America) and Wichita (for the rest of the world) and those labels released the debut album, "Bad Penny." Recorded by Richard Formby (Wild Beasts, Spectrum etc.), the album was critically acclaimed, with Pitchfork giving it a 7.5 and described it as having “a youthful spirit but rooted in a classic sound”, whilst the NME gave it a 7, welcoming “another intelligent, funny, soul-baring songwriter to the fold”. They also named Louis as “the Slacker Poet... a mantle not lightly bestowed” in a more recent article  about their favourite recent lyricists.

But what of the new album?

Well, after an understated guitar intro, a buzzsaw starts up and 'Let Me Cave In' comes sliding in. At once it is obvious that "Sob Story" oozes a new confidence not heard on Bad Penny or his earlier releases. The songs sparkle: they are catchier, poppier, more direct into your ears than ever before.

The album displays Louis's wide-ranging influences – many loves developed on family car journeys growing up – from Big Star and The Rolling Stones, through Nick Lowe, Tom Petty and Slade to Galaxie 500 and even blink-182. Some of these sounds are more obvious than others but it is legendary Welsh rock 'n' roller Dave Edmunds that Louis names as the key influence on his songwriting and the sound he wanted on this record, saying that he was “trying to cop some of those Country and Rockabilly licks he does”. 

Louis takes all these influences and puts them together to create something that is undeniably Spectrals. You might argue that he does this in a similar manner to his very favorite musician (“that's my guy”), the one and only, Elvis Costello (on a recent run of solo shows, the only song that Louis played that was not taken from his new album was a cover of an early, rough Costello demo, 'Cheap Reward'.)

Much like Jones on this new album, Costello has always been a musician who could traverse many styles across an album but who never lost his own style and voice whilst doing so. 

And speaking of voices, what really stands out as you listen to "Sob Story" is how the once shy Jones, who would hide his vocal in a cloak of echo, can be heard singing more clearly, strongly and proudly than ever before. Long gone are the reverb-soaked days when Louis would be heard at gigs asking the soundman to turn the reverb on his vocals up between every song, whilst also requesting they not even turn it off between songs when he speaks to the audience (something that is a commonplace practice for most musicians) because he didn't like to hear himself in the monitors without it.

So what has caused this undeniable leap in confidence? It could well be the result of two years on the road, touring with the likes of Real Estate (and as support act, as well as backing band, to the R.E. side-project, Ducktails), Cults (two months across North America), Best Coast, The Cribs and many others, including GIRLS. 

There was a strong mutual-appreciation between Spectrals and GIRLS from the start and having got to know Chet “JR” White from the band, and being a fan of his production work for is own band, it made perfect sense to ask him if he would like to work on the next Spectrals record. Following a meeting at the legendary, if somewhat rough-around-the-edges, Bull & Gate pub in London's Kentish Town, JR said he was into the idea too and plans were made for Louis and Will to fly out to San Francisco to start laying down the songs that now make-up Sob Story at the Decibelle studio.

Working in his hometown allowed JR to call in friends of his to contribute their own magic to moments of the album. Guitarist Jon Anderson added lead guitar to five of the twelve tracks, of whom, with typical modesty, Louis said “it was ace to have a real guitar player around”. The band were also joined on three songs by pedal-steel player, Tom Heyman. “It was a big deal to have a pedal steel player come and play on one of my records”, said the Spectrals mainman, “to me the sound of those things is like a shorthand for "sad" and a thing they have on proper studio albums. I was thinking how I could have the songs sound more sad and knew I had to get a pedal steel in”.

JR even played some of the basslines himself, as well as adding some deft manipulation from behind the soundboard, for example the atmospherics that he created for one of the stand-out tracks, 'Milky Way'. As JR said in a recent interview for Paste magazine, “we had to use a lot of creativity and in the end, it sounds really cohesive and big. It’s not a lo-fi record”.

The central theme of this record is love – that has always been the case with Spectrals, as Jones once said it's all “just about love really” – but this time the lyrics are more reflecting on and questioning of love and relationships. 

There are songs that are clearly loves songs in the classic sense ('Limousine', 'Milky Way', 'Sob Story'). The problems of long-distance relationships are covered in 'Blue Whatever' (“I've been blue as a bruise ever since you went down / 'cause to me it could just as well be another galaxy”); that same topic, as well as the problems caused by being away on tour so much, come up in 'Karaoke' (“If I stop playing guitar / Learn to drive a car / And try and get my head around living in another town”); he discusses how he can be the cause of their problems in 'A Heartbeat Behind' (“I made such hard work of loving you / Love became a hobby too / I'm in no way badly done to / After all, I have you”); and with his characteristic humor, 'Something To Cry About' tackles a question asked by a number of journalists when reviewing Bad Penny – what will he write songs about if he doesn't have trouble in love???

"Sob Story" sees Spectrals back and better than ever, brimming with confidence and the best songs of the Jones brothers' careers so far. It's an album that begs to be played again as soon as it finishes and one that will also create excitement at what is to come next from this band, whether Louis is lucky or unlucky in love between now and then.

Out June 18 on Slumberland Records (North America) and June 3 on Wichita Recordings (rest of the world).


Spectrals - Milky Way


troppens88@googlemail.com
http://bands.fritz.de/g/strahlemann
http://www.facebook.com/pages/Strahlemann-Official

Anthony Hamilton & Elayna Boynton-Freedom (Strahlemanns looking for freedom remix)

The Artwork remix of Breton's Population Density. The track features alongside a Busy P Remix of Breton's Governing Correctly on this exclusive release for Record Store Day, limited to 1000 copies.

Breton - Population Density - Artwork Remix

https://itunes.apple.com/us/album/operate/id794865886?i=794865941

 "..Debut single "Operate" pops into the tape deck and immediately whirrs to life, channeling the nostalgic drama of Miami Vice and classic horror film scores through gorgeous R&B-tinged vocals and temperamental hip-hop snares. It's every bit as cinematic as you'd expect, a smooth operator in the cool of night that makes for a promising debut from the NYC duo" -Neon Gold

http://neongoldrecords.blogspot.com/

ThankYou Neon Gold for your support.  We are so happy to have you guys a part of this release  and helping to get this song launched! -ASTR

ASTR - Operate

Bodies - Sivu

Watch the video here: http://www.youtube.com/watch?v=MZlmrF9P2ys

Available now
https://itunes.apple.com/gb/album/bodies/id636463806?i=636464371

Get three free Sivu tracks here: sivusivu.co.uk/freedownload 

Session 1

alexiphotography