sons

Dj set live recording from Pralnia Club Rooftop in Wroclaw.

TRACKLIST

Jonas Saalbach | Dj Set | Klub Pralnia Rooftop, Wroclaw

Playlist

1. Christian Löffler – Licht - Ki Records
2. Kiani & His Legion – Voigt Kampff - Something Happening Somewhere
3. Ichinen – A Morning Without Glory (Etapp Kyle Remix) – Last Drop Records
4. Ryan Davis, LMNSKT – Kope (Luis Junior Remix) - Klangwelt
5. P. Leone – Atria - Work Them Records
6. Clavis – Alcine - Freerange Records
7. Olafur Arnalds & Nils Frahm – 0026 Ryan Davis Rethink - Erased Tapes Records
8. Daniel Avery – Sensation (Rrose Remix) - Phantasy Sound
9. Architectural – Elastic Matter - Non Series
10. Bjarki – Can A Man - Trip
11. Speaking Minds – Monongahela (Denis Horvat Remix) - Aeon
12. Redshape – Tel Aviv - Running Back
13. Mikael Jonasson – EXILE004 B1 - EXILE
14. Audiofly, Georgia Lewis – In The (Last) Moment (Robag's Ponk Pramen NB Remix) - Crosstown Rebels
15. Lazaros – Selene - KX
16. A_Idric – Sphaerotilus - InFine
17. Rival Consoles – Johannesburg - Erased Tapes Records

Photo by Jörn Wilke

Frank Elster

Frank Elster Podcast

Une fois par mois l'équipe d'InFiné prend les platines de Rinse FM France pendant deux heures.

Mix en exclusivité signés par les artistes et invités, présentations en avant-première de sorties du label et de coups de coeur de l´équipe !

Au menu de l´emission du 14 septembre - une première de Bass Music obscure et immersive signé par le tunisien https://soundcloud.com/shinigami-san - contributeur de la dernière compilation #Explorer3. 

En deuxieme heure, https://soundcloud.com/parakat qui vient de signer sur InFiné son premier maxi, Aerial montre ses crocs. 

Enjoy !


Rinse France Podcast

InFiné Show - Rinse France 14.09.2016 - Shinigami San & Parakat

It’s not everyday that pianist and composer, Francesco Tristano, joins forces with one of the Belleville Three — the godfathers of Detroit techno — and yet, anyone who’s followed the Luxembourg artist will know that expectation is not a currency he deals in. 

Set for release on Transmat, the groundbreaking label from said techno pioneer, Derrick May, Surface Tension is not just the latest album from the prolific Tristano, but perhaps the most significant in his ongoing explorations into electronic music. Described by the man himself as his “most techno and synth-based project yet,” the eight-track effort is both a celebration of electronic instrumentation and the first record May has worked extensively on for the better part of two decades. “I had to lure him into my studio,” Tristano says of May with a smile, “he was like Alice in Wonderland when he saw the synthesizers.”

Originally developed as a way create new material for Tristano’s p:anorig project — a unique live set-up debuted at Barcelona’s Sónar festival earlier this year, which finds the artist surrounded by large array of keyboards, synthesizers and other equipment (although ironically, no piano) in full view of the audience — Surface Tension grew into a project in its own right. Now 34 years old, Tristano explains that he is only now at a time in his life where he has a studio he can truly call his own. “I can hook up all these synthesizers that I’ve picked up over the years,” he continues, “it’s the fulfillment of that.” With an instrumentarium of analogue, digital, classic and modern gear — ranging from Prophets to Moogs, to Rolands and Yamahas — at his and May’s disposal, Tristano has aimed to keep processing to a minimum from the word go. The pair aren’t just using these synths, they’re paying tribute to them, honoring the rich, recognisable sound palettes that have made them household names.

The result is an album that feels, at once, nostalgic and fresh; that feels like an old friend, but one who never ceases to surprise. From the ambient vision of ‘Esoteric Thing’, drifting along to the sound of birdsong, to more beat-centric pieces such as ‘The Mentor’ and the quirky ‘Xokolade’ , the equipment, and the love it’s been treated with, shines through. Both Tristano and May’s individual presences are obvious too, yet work in a way so complimentary to each other as to blur the lines at which they cross. ‘Pacific FM’ is a lesson in uplifting techno, keys fluttering over padfoot bass; the futuristic Detroit dance of ‘In Da Minor’ is undercut by eerie, unpredictable glass synth-work; ‘Rocco's Bounce’ is free-form jazz tugged into line by structured four-to-the-floor; there’s even an itchy, jittering, Decca Records-sanctioned remix of Japanese pianist and general Renaissance man, Ryuichi Sakamoto’s classic ‘Merry Christmas, Mr. Lawrence’.

Those hoping for a Francesco Tristano piano album: be duly warned. “The piano is there, but it’s more like the shadow of the piano. We don’t have the mass of that sound, it’s more like the reminiscence of that sound,” says Tristano. But it’s this which gives Surface Tension the aforementioned significance. Tristano hasn’t abandoned his roots — they’re deep, but there, for those who wish to find them — yet has simultaneously transcended what it means to be a pianist in the 21st century. Tristano and May have brought together old and new, within themselves and on a wider musical level, and in doing so, rekindled the spirit of futurist expression that techno was first founded on all those years ago.

Francesco Tristano Feat. Derrick May - The Mentor(Snippet)

Shadow Banger is my contribution to #savefabric

http://www.fabriclondon.com/store/save-fabric.html

Shadow Banger

What attracts us to Chilean-born artist Ricardo Tobar is the notion of intersection, and although fusion is nothing new, as a concept it will always pull our heartstrings. Applying influence is amateur, we see this over and over again as we endure trend-driven appropriation of cultures the world over, but the epiphany when an artist finds true synergy between heritage and influence is a pivotal moment that the inspired will seek, even though it may take the length of one’s career to behold. As pretentious as that may sound, it is precisely the hybrid born from that place of intersection that excites us at the ESP Institute, the “A plus B that equals 3”. We hear this in Ricardo’s music — the Latin American instinct in his drums and percussion, sometimes tightly aligned with body movements and other times hauntingly mis-aligned and chaotic, intersects with his rock influence of ethereal (micro) melodies that slowly layer and layer until we’re climbing a glorious (macro) wall of sound — but most importantly we hear where these different parts of his life come together to further create one unique voice. On both sides of his ESP Institute debut 'Liturgia', Tobar couples one pulsing dance-driven track with another atmospheric and immersive track, requiring we educate ourselves in the polarity of this language he’s building, one that will expand to tell a broader story later this year with his debut album. We welcome Ricardo Tobar, another forward-thinking artist, to the ESP Institute, and are proud to support any direction his compass points from here, as we believe he’ll never follow but will always lead

[ESP057] Liturgia

Liturgia

Buy from ESP

[ESP057] RICARDO TOBAR - A1 - La Dormida

56 minutes of real talk with a singular techno artist. 

For more, visit Resident Advisor: https://www.residentadvisor.net/podcast-episode.aspx?exchange=423

@ternesc

sons

Alexis Gauduin