joyas

Arvo Pärt- Spiegel Im Spiegel

watch: https://youtu.be/-ul7M0MPw2M?si=HrWTttKxswSaBsv5

Christina Perri - Jar of Hearts (forgiving piano)

Lee Junglimg - Ballet Class Music (Vaganova 1,2 Grade)

바가노바 1,2레벨의 템포와 리듬에 맞추었고 
특이사항으로는 barre에서 preparation입니다.

전체 카운트 앞부분에 써있는 
3+4count는 앞에 예비3음이 있고 4count의 preparation을 나타내고
3 은 느린 3음만 전주로 썼다는 표시입니다.

1레벨은 성인 발레 앨범과는 달리 앞에 3음을 준비 카운트로 쓰고 
preparation을 2count나 4count로 경우에 맞게 들어갑니다. 
이 앨범은 4count intro위주로   매우 느린 것이 특징입니다.
기본기를 탄탄하게 할수 있는 이 앨범으로 수업에 좋은 쓰임이 되기를 바라는 마음입니다.

위 앨범은 대부분 동작에 맞춘 Vaganova Style 리듬의 즉흥곡으로 구성이 되어있습니다.


Rond De Jambe À Terre 1(3+4count intro)(64)

The clouds of my past (我的过去的云彩)

Amos Lee

Arms Of A Woman

Supply And Demand

Sweet Pea

Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter’s gorgeous score to ‘infra’ is deservedly given life of its own in this album-length release from FatCat’s instrumental/orchestral imprint 130701 Records.

The initial setting for ‘infra’ was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, ‘infra’ comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a “studio album” in the strictest sense. The composition resonates with Max’s characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes.

Richter’s work on the ballet came initially from McGregor’s invitiation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot’s ‘The Wasteland’ and named after the Latin term for ‘below’. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max’s score is an appropriately close reference to the traveling theme:

“I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler’s notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece.“

The recording of ‘infra’ took place in one day at London’s AIR Studios – recorded onto 2” tape, engineered by Nick Wollage and overseen by Max - before a return to the mixing studio (Max’s StudioKino and Trixx in Berlin) for Max’s typically intricate and lengthy process of crafting completed pieces from the recordings.

Clair de lune

Alexis Weissenberg

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