( -_-)旦 ~ Good morning Skylab Radio

B.C.P.A. = BIG Crimbo Pressie Alert: 

Ok, this is a special one we have been holding on to for over 10 years. Yes that's right this mix was recorded over ten years ago but only came out on Good Morning Tapes last year... Only a few people heard it before, can you believe it? 
Now things are coming even more Full Circle as it was aired live for the first time last week on Crimson's "Pink Eyed Blue" show on https://radiozora.fm/ I thought this was fitting as I will also be playing with him this summer at THE Ozora Festival! Those who know, know ;-) 
Anyways hope you will enjoy and have a great Christmas and New Year Celebration.

Some lovely words below from my great friend TC aka The Ch... for those that wish to read further! Enjoy...



The empty longings of nostalgia exist as a far cry behind taking from the past with a view to understanding a new place it might hold in the future. Now - with the 90’s revival in something of a full swing - Good Morning Tapes finally gets the chance to release a pivotal 10 year old mix that didn’t just ignite a curious wave of reflection and appropriation, it marked a culmination in the shifting sonic sands for its creator Mr. Alexis Le-Tan. His name needs little light trust upon it in these hallowed cosmic halls, with his enduring and ever present mixes being a staple for those that know. Back to Disco Valley is arguably his most important mix - it both recontextualised a dirty and forgotten sound of the past, and facilitated a wave of new freedoms for those wishing to look backwards in order to move forwards. Most importantly it planted the seed for everything Full Circle to come.

Back to Disco Valley is above all else a personal reckoning for Alexis and Joakim, it marked a moment when many problems inherent in a trapped older sound - with a sublime yet dated history of its own - could breath fresh life in the present day; a new slower realm was born. The slowing down of dance music is nothing new, and certainly where peak time beats have existed a spiritual shadow that revels in a slower ethereal space to dance has never been far away. Stylistically on one level, Back to Disco Valley might seem to build on what Baldelli or Loda were doing many years ago, and it certainly has that effortless charm, but it goes much further, not just in its re-appraisal of the frenetic fast paced sounds of Goa, but as a signifier of where many wanted to head on the dancefloor - towards a slower oasis - incorporating new releases and modern sounding rarities along the way. Indeed, in selecting the 33rpm dial rather than that marked 45, Full Circle at once opened up the new space inside a music some of us went bananas to 30 years ago, and at the same time made sense of a crucial yet forgotten heritage; a confession became a badge of honour.

Coming back to Full Circle and its genesis: it was only a matter of time before the old Goa records would come back down from the racks and spawn a new life, and perhaps whilst Le-Tan cemented something a lot of us knew, Disco Valley somehow liberated many of those early records from their stylistic shackles initiating a creative project that - along side the collaborative work with Joakim - has released a wave of inspirational edits and re-imaginations. Full Circle - in all its conceptual & metaphorical majesty - really has come to represent the most stylish of takes on past sounds, both in the realm of selection and re-working. It is certainly true that Back to Disco Valley - sounding now as it did then (to the select tuned ears that got to listen) - reflects a perfect meeting between an off-tempo past, present and future, being more than a functional assemblage, it revives many a lost memories, inspiring a new batch of ideas. There is nothing wrong with looking back, as long as it has a purpose.

Tom Colebrook

Full Circle - Back To Disco Valley (GMT 52)

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Time is but a mere measuring device, but never has time been more precious, time away, time to yourself, and time with loved ones. This particular time we have Prague-based magician Sasha Nevolin offering up a beautiful mixed bag of pure audible nourishment. Sasha delivers a pinball machine approach to an organised pandemonium-esque operation, bouncing around between all states of being with an overarching deep sense of joy. Wind the windows up and strap in. 

Bless. xo

his sounds >>>> https://soundcloud.com/sashanevolin

FHUO # 94 // Sasha Nevolin

Brin Not Brian is back on Trushmix! With an amazing smasher mix as always! The London DJ, record collector, label owner, top selector and in general music encyclopedia has made a two hour of genre spanding eclectic musical journey. With a heavy focus on various dubbed out house related excursions. A flawless mix, tempo shifts, and a jump between genres. Always keeps it on point and in the groove. Instead of mentioning the genres of this mix, just sit back, enjoy and let yourself be surprised!

Enjoy music from the top as always!

Trushmix.com

Trushmix 228 - Brian Not Brian

Bakk Heia Podcast No.1 - Vladimir Ivkovic (Live at The White Hotel) 

We begin our podcast series with a recording from one of the great DJs of our time, Vladimir Ivkovic, playing the final 3 hours of Bakk Heia at The White Hotel in May 24. 

In typical Vlad fashion there is a distinct and unique narrative quality to the mix. Whilst genre defying psychedelia churns into spikey IDM, and wailing post punk iterations flow into mainline acid stomp, there is an over arching sense of tenderness to the selection. Vlad told us after the lights came on that it was his intention to hold and take care of us that night. Transforming the spiralling chaos of the club environment to one which nurtures, rather than obliterates, our frenzied minds. 

We hope you enjoy listening as much as we did dancing.

Bakk Heia Podcast 001 - Vladimir Ivkovic (Live at The White Hotel)

Dubwise dreams and groovy percussive house with the low end dwelling Moonshoe producer @angusmills

Q. What can you tell us about the mix?

A. Thanks so much for having me on the series, I've been a big fan for over a decade now 🙂 So the mix has been curated with my interpretation of the MDC spirit in the front of my mind. I’ve loved how so many mixes over the years have danced thoughtfully between home listening and warm fictional dancefloor settings. I wanted the music to reflect some of the sounds and feelings that I love and which you’ve touched upon in your next question. Hopefully the music translates back to the listener in whichever setting they happen to be in. Recently I’ve been listening back to the mix at home while standing in our light filled kitchen making dinner, looking over at our whippet Olive while she snores on her bed. 

Some of my favourite tracks in the mix include Erzulie (Temple Dub Mix) by Mind Over Rhythm from 1992, Tranquillity by Bamboo Curtain, Nick Kelly’s Track – Dew U Feel Me from Trip ‘N Spin Recordings from San Francisco and the track I close out the mix with is a song that really resonates strongly with me, Soundtrack to a Dying by Phil Western. 

Q. You’ve clearly got a real appreciation for deep hypnotic rhythms, tell us about how you became entrenched in this sound, and how long had you been refining things before your debut Moonshoe release came out?

A. Thanks Myles, that’s very kind of you to say. Yeah, I’m pleased with how that release turned out and am just starting to get back to writing some new music again after a busy work period which feels exciting. Shoutout to Jackson as well who heard a couple of early iterations of those tunes and decided to take a risk on working towards a release for me, couldn’t have imagined a better home for the music than Moonshoe.

I’ve been producing music since the start of 2011 and released some stuff under a few different monikers over the years but wasn’t completely confident with my productions until about 2020. I started studying architecture in 2018 and during the degree, didn’t really have much capacity to work on my own music. I was still heavily listening to music throughout the degree and found that having a break from producing during this time helped me to relearn to love making music again. Perhaps there was something about shifting some creative energy away from music for a period?

Q. On your Moonshoe affiliations, I know you have been working with the label for a little while now, tell us about that experience and what have you got in the works?

A. Yes so, Jackson/ Cousin and I have known one another for a while now through going out to parties around Sydney, I used to go and see him and Brad play a lot around town. He met my partner Claudia years back before we’d even started dating and funnily enough, she suggested that we’d probably get along well. I was sending Jackson a bit of music around 2018/2019 and one of the tracks, Transient ended up coming out on the second Limbs compilation, From Inside Out. Jackson ended up getting a job at Sydney University with me in the AV team which hilariously employs many creatives from the Sydney music scene, and we just started hanging out more and regularly grab lunch together. One thing led to another, and he started helping me put Alva together, doing an excellent job of A&R, giving me regular feedback and suggestions for improving the music. I was also giving him some feedback on his own releases for some other labels, which kind of shifted organically into helping him narrow down some music for his upcoming EP on Moonshoe ‘Wake the Town’ which is a 6 tracker coming out in the next couple of months. In the meantime, Cousin has some individual tunes that didn’t quite make the EP coming out through the Moonshoe bandcamp over the next couple of months which I’ve done some mastering work on. Definitely keep watching this space for music coming out on Moonshoe over the course of next year!

MDC.301 Angus Mills

Here's a recording from a great night in Leeds last November, where I was invited by https://soundcloud.com/simonexodusscott to play at his Levitation party. As I'm coming back up North on Saturday to play in Manchester for the https://soundcloud.com/bakkheia_records crew, it seems like the right time to share it.

Live @ Levitation, Leeds 02/11/24 (2:00am - 4:00am)

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube and futureintelradio.com.

Orpheu The Wizard ╚═ Future Intel ═╗ 21 11 2024

@richard-akingbehin: "The second half of my set at NYE 2025 by Diega, Victoria, Australia—a dreamy three hours at sunset on New Year's Eve. Enjoy!"

Image @chawks

Richard Akingbehin Live @NYE 2025

batshit (instrumental)

Funk & Grooves Vol. 1 is the first chapter of compitations of the last boogie, funk and nudisco music by Manuel Costela.

GIRLS OF THE NIGHT (2025 MIX)

After stumbling into some fluoro drapes and mad psychedelic music somewhere in a field around 93, the path to becoming a Goa Trance DJ was inevitable.
Before the turn of the millenium and after having lived the dream, I realized there was maybe a bit more to life and sailed towards a different journey. Meeting many friendly music heads along the way who always helped broaden my horizons... Spinning round the block and back a few times... Carrying on my mission to spread the music or the word, I eventually came back to the sound of my youth and gave it a new twist. 
In life, things always come Full Circle and you will find a good representation of that here… 
Been trying to slow things down as much as I can in these modern days where we all live in the fast lane! 
Check in when you can for regular updates, see you on The Other Side, or on the dance floor somewhere soon…

Booking enquiries: claudia@brainsurgeryhq.com

Full Circle - Back To Disco Valley (GMT 52)

Alexis Le-Tan

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