Fiz para um concurso de remix que ia dar uma grana boa, no final era por votação por Facebook e eu nem sei pentelhar gente pra isso... Mas o resultado final ficou divertido! 

Arranjo/composição/produção feitos em cima apenas do vocal do figura. Música "So Deep" de Styles P.

So Deep (Remix Contest) - Produced by Alex Heinrich

My version of Hans Zimmer song for Bleeding Fingers competition. I turned it into a suspenseful and then romantic 6/8 ballad. I only used Zimmer's Trumpet and Voice stem. Hope you enjoy it! Please share it and vote if you like it! Just click "Login to score".

Bleeding Fingers Contest - Destiny's Door - Romantic Version

This is my second version of Hans Zimmer song. I decided to use something from my particular background and chose a typical brazilian groove to base the song on. It's Maculelê, which became very popular now that is being used in Rio's funk all the time. I figured this would make a nice theme for the (controversial) World Cup, and the strong beat of the drums would represent the brazilian people that finally stood up against the government in an historical movement, and find great revolt in the Cup that will waste all our money that should have been used to at least start trying to fix all the problems and suffering we face. Please vote and check out my other submission! https://soundcloud.com/alexrheinrich/bleeding-fingers-contest

Bleeding Fingers Contest - Destiny's Door - Maculele Version (Submission 2)

One of the recordings we did at our film scoring program at USC. This is a hybrid recording mixing virtual samples with 10 live musicians. Actually, I better say, 10 of some of the best musicians in LA, at the awesome The Bridge Recording studio engineered by the amazing Bobby Fernandez. What a privilege!!

Atlantis

This was writing as a re-scoring exercise for a chase scene in Bourne Ultimatum and then we got to record live percussion with the amazing M.B. Gordy! http://www.imdb.com/name/nm0330708/?ref_=fn_al_nm_1

Moroccan Chase

What an amazing experience it was to record this! Our last recording of the semester at USC led by the great Gary Schyman at The Bridge Recording studio in Glendale, CA. It was for a "FBI X aliens in the 50s" game that called for a "Goldsmith-like" score. Our biggest reference was the music in "LA Confidential" and "Chinatown", and for our surprise, we had in our session the great Armen Ksajikian playing cello, a guy who was and several of Jerry Goldsmith's recording sessions including the one for the movies above...! And if things couldn't be better... we also had the great Dan Higgins on sax and all winds, you probably remember his solos in the "Catch me if you can" score by John Williams. Indeed, lots of fun!

Heinrich, Alex Unwanted Visitors

Dedicated to all the mom's out there (specially my mom, and my wife). A piece I wrote for Bruce Broughton's class at USC. Conducted by the amazing Bruce himself, recorded by Bobby Fernandez at The Bridge Recording with 35 of LA's finest studio musicians contracted by Gina Zimmitti. 
(!!!!!!!!!!!!!!!!!!!!) 

Check out the videos:
https://vimeo.com/153731217

(Scene with dialogue)
https://vimeo.com/153731599

A Mother's Heart

Main Title assignment for my class with Christopher Young. I wrote it to the opening credits of "Jennifer 8" which he scored. 

Ride To The Unknown

USC Scoring Motion Pictures And TV final project recorded with 60 piece orchestra at Eastwood Scoring Stage at Warner Bros Studios. This piece concluded an incredible orchestration class with the great Bruce Broughton.

Soaring Copacabana - Warner Brothers Eastwood Scoring Stage

Música que a Sophia fez pro projeto de escola! Escrevi várias frases musicais e dei uma grade orquestral pra ela compor e orquestrar como quisesse. Tinha que fazer um projeto pra contar 100 unidades, aqui ela contou 100 notas musicais usando frases de 5 notas. Sensacional como ela fez a orquestração ter um 'crescendo' natural e vários contrapontos interessantíssimos!

100 Notes Song

Short Film Directed by Jonatas da Silva
Music by Alex Robert Heinrich

Life On A String - End Credits

Looking Ahead

New Beginnings

Father Figure

The Bob Baker Theater

Short Film Directed by Jonatas da Silva
Music by Alex Robert Heinrich

"Ain't We Got Fun" song composed by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn.

Arranged and produced by Alex Robert Heinrich

Ain't We Got Fun

Short Film Written and Directed by Alexis McDonough
Music by Alex Robert Heinrich

Full Court Press - Short Film

Arranjo de "Clocks" do Coldplay para a banda Jazz Crimes. Sax Soprano: Thomaz Souza, Baixo Acústico, arranjo e programação: Alex Heinrich

Alex Robert Heinrich

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