Opening (Philip Glass) Live At Chapel 2013

voor een vrouw die rust, liefde en hoop zoekt nadat ze een relatie heeft gehad waarin ze is mishandeld, heb ik bijgaande melodie geschreven, Rust 250508

Rust 250508

PS: dank u luisteraars (ik dacht, zet 't er maar eens bij)
https://www.youtube.com/watch?v=-C9l09C4hns

video

Improvisation_032a

Minute Bagatelle

Leaving

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

My second album "Different Ways" is now on Spotify!

https://open.spotify.com/intl-tr/album/1KKm4xk6RZ4Ty4O5dGjxY5?si=EIb-PsrLSxOwN-pBk-FTKQ

Chaos

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

PRE-ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Erased Tapes Collection IV

Ólafur Arnalds - Poland

Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio

Debut album "The Monarch and the Viceroy" available now as CD|LP|DIGITAL on Denovali Records.

Get the full album here: denovali.com/carloscipa/

The Whole Truth

Metamorphosis, the 2nd single from Hiroco.M's upcoming solo piano EP Still. This piece is an intimate reflection on the cyclical nature of life ; on the choices we make on our path and the inevitable transformations we take along the way... orcd.co/hm-metamorphosis

Still

Metamorphosis

Download

Hiroco.M - Metamorphosis

New album Néo-Romance out on 31.03.2023


Management:
Worldwide – Emmanuelle Girard
eg@ccbeau.co

Label & Press: 
Worldwide – Secret City Records  – Magali Ould
magali@secretcityrecords.com

Booking:
Canada: Emmanuelle Girard eg@ccbeau.co
Quebec: Lucas Pharand luca.pharand@equipespectra.ca
Europe: Colin Keenan colin@atc-live.com

Music Licensing:
Worlwide – Justin West
justinwest@secretcityrecords.com

Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio

Alexandra Stréliski

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