Flex 3

live audio recording from an instrumental show at the Chapel - fall 2013.

Opening (Philip Glass) Live At Chapel 2013

A Rainy Season

30.3 Piano Jazzy Em Improvisation 20250513-3

Minute Bagatelle

Leaving

Broadchurch

So Far (feat. Arnór Dan)

For Now I Am Winter

Only The Winds

So Close (feat. Arnór Dan)

You can PRE-ORDER Living Room Songs on CD/LP/Download or Special Edition CD&amp;DVD here: 
http://www.erasedtapes.com/store/index/ERATP037

ABOUT LIVING ROOM SONGS:

Icelandic contemporary composer Ólafur Arnalds created and released a new song, one per day for one for one whole week during the month of October 2011. The songs were recorded and filmed live in the living room of his Reykjavik apartment and released instantly for free as streamed videos and mp3 downloads.

Thousands of fans followed this exciting project online at: livingroomsongs.olafurarnalds.com

Living Room Songs will now also be released on CD, Vinyl, Ltd. Special Edition CD &amp; DVD and as High Quality Downloads on December 5th via Erased Tapes.


Following in the spirit of Ólafur Arnalds’ critically acclaimed Found Songs (2009) now comes Living Room Songs. This time Ólafur takes the idea further and invites the audience into the comfort of his living room, where the songs were recorded live and the whole process filmed. The songs were instantly released in form of a free mp3 download and video stream- straight from Ólafur's Reykjavik apartment.

IN HIS OWN WORDS: ‘One night I was just playing my piano here in this apartment and I was writing a new song and I didn't have my phone on me which I usually use to record ideas. So I actually took out my MacBook and I didn't want to open like a proper recording program, so I just opened Photo Booth and recorded a video of myself playing the song so that I would remember the song. And I really liked the atmosphere of that video and that's when I thought I should do a series of songs in my living room...’             – Ólafur Arnalds


Born in the suburban Icelandic town of Mosfellsbær, a few kilometers outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide since his 2007 debut Eulogy for Evolution. Ólafur Arnalds’ second full-length album ...and they have escaped the weight of darkness, continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements. Ólafur is currently touring with Ryuichi Sakamoto on his Trio Tour throughout Europe.

'The indie kid who knows the score’ – Guardian’s Observer

'Timeless and sublime’ **** – Uncut

'An artist of immense maturity' (9/10) – Drowned In Sound

'Hotwired to the soul. ...will reduce you to wordless tears'  – The Quietus


 
TRACK LISTING: 

I. Fyrsta 
II. Near Light 
III. Film Credits 
IV. Tomorrow's Song 
V. Ágúst 
VI. Lag Fyrir Ömmu 
VII. This Place Is A Shelter


Near Light

Ólafur Arnalds - Near Light

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

My second album "Different Ways" is now on Spotify!

https://open.spotify.com/intl-tr/album/1KKm4xk6RZ4Ty4O5dGjxY5?si=EIb-PsrLSxOwN-pBk-FTKQ

Chaos

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

PRE-ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Erased Tapes Collection IV

Ólafur Arnalds - Poland

...and they have escaped the weight of darkness

Loftið verður skyndilega kalt

Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio

Debut album "The Monarch and the Viceroy" available now as CD|LP|DIGITAL on Denovali Records.

Get the full album here: denovali.com/carloscipa/

The Whole Truth

Metamorphosis, the 2nd single from Hiroco.M's upcoming solo piano EP Still. This piece is an intimate reflection on the cyclical nature of life ; on the choices we make on our path and the inevitable transformations we take along the way... orcd.co/hm-metamorphosis

Still

Metamorphosis

Download

Hiroco.M - Metamorphosis

New album Néo-Romance out on 31.03.2023


Management:
Worldwide – Emmanuelle Girard
eg@ccbeau.co

Label & Press: 
Worldwide – Secret City Records  – Magali Ould
magali@secretcityrecords.com

Booking:
Canada: Emmanuelle Girard eg@ccbeau.co
Quebec: Lucas Pharand luca.pharand@equipespectra.ca
Europe: Colin Keenan colin@atc-live.com

Music Licensing:
Worlwide – Justin West
justinwest@secretcityrecords.com

Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio

Alexandra Stréliski

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