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cuarteto de cuerdas no. 1

violín I - Julián Martínez
violín II - Viridiana Hernández
viola - Lucía de la Serna
violonchelo - José Luis Gálvez

19 de Abril del 2018, Sala Niños Cantores, Morelia, Mich.

Cuarteto De Cuerdas No. 1

/ en astillas - Eduardo Partida.
Interpretada por Luis Mora y Eduardo Partida.

Biblioteca Vasconcelos. 26 de Mayo de 2018.

En astillas

Viola - Iván Orlando Mora Zamora

Sala Magda, Colegio de San Juan Siglo XXI, Matamoros, Tamps, México

Monolet III

Aurora

Vacío (2011)

Flauta Baja: Wilfrido Terrazas +
Violín: Julián Martínez +
Electrónica 

Todo es vacío
Escandalosamente insciable
Abismal
Eterna Obviedad [...]

Primera lectura sonora del poema "Vacío" de Xésar Tena

Grabada en CatapultaStudio
Ingeniero: Luis Ortega

Vacío llegó en uno de esos momentos de lucidez, cuando no hay tanto filtro ni técnica y sí muchas pretensiones. O sólo tenía hambre. Dicen que nací con el alma vieja pero mis letras son futuristas. Espero llegar a tener la edad para entender todo aquello que predije... o saber como revertirlo.
Oegf es un compositor que con el que siempre me ha gustado relacionarme. Crecimos juntos y a pesar de que llevamos años sin vernos, nuestra obra sigue dialogando. Me pregunto si cuando nos crucemos nos reconoceremos como personas. Y su silencio bastará para sanarme.

Xésar Tena

"
"Vacío" came in one of those moments of lucidity, when there is so much filter and technique but many pretensions. Or I was just hungry. They say that I was born with an old soul but my lyrics are futuristic. I hope I had the age to understand everything I predicted ... or to know how to reverse it.
Omar is a composer that I've always liked to relate to. We grew up together and although we have not seen each other for years, our work continues to dialogue. I wonder if when we cross we will recognize ourselves as people. And his silence will be enough to heal me.
"
Xésar Tena

Video: http://www.youtube.com/watch?v=sWhhu4xM4f4
Score: https://www.scribd.com/document/334420420/Vacio

Vacío

Short excerpt from 'the traces that remain', performed by members of the LSO at LSO St Luke's July 2018.

for 3 Gramophones, Stroh Violin, Stroh Cello, Bass Clarinet, Percussion, Sine Waves

for video of full piece please see:

https://www.youtube.com/watch?v=QQcX3aU0Pxs

the traces that remain LSO (Excerpt- full vid below)

de cada poro resuelto de mi piel /
Eduardo Partida
para 1 intérprete, 4 bocinas y 2 micrófonos.
Versión de estudio.

De cada poro resuelto de mi piel(studio version)

Song 35/100 - "Jamón"

Devorar al Saturno.   

Composición para soporte fijo de Alejandro Franco Briones. 
**Originalmente compuesta para sistema multicanal.

"Perhaps time has come to an end, the sun has grown weary of rising, Chronos dies of starvation for want of victims to devour, the ages and the seasons are turned upside down,"

 										Italo Calvino







Devorar al Saturno (stereo)

Alfonso Mendoza Covarrubias. 1988, México. Studied Music Composition at Las Rosas Conservatory from 2007 - 2015, Morelia, México with Samuel Cedillo, Eduardo Solis. Has gotten lessons of his music with Robert Hp Platz, Hilda Paredes, Michael Maierhof, Germán Romero, Michael Pisaro, Kaija Saariaho, Mark Andre, Alberto Posadas, Dmitri Kourliandski, among others. Has participated in different courses and festivals as Young Artists Fest Editions 2010 and 2011 (Morelia, Mex.) White.Noise Fest 2014 (México, DF), Contemporary Music International Festival Morelia (Morelia, Mich), New Music International Forum Manuel Enríquez (México, 2014), Art and Music: Sound Correspondences (Santiago de Compostela, Spain, 2015), Impuls Academy 2017, 2019 (Graz, Austria). Scholarship in the category of Young Creators FONCA 2013-2014 (México).

Monolet III

alfonso mendoza

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