The Bas Lexter Ensample - Celias Baile (edit)

[eng]
Composed, recorded, produced and mixed by Turing Tarpit, February 2015.

Inspired by the American actress and inventor Hedy Lamarr.

Tracks:
- Audio samples related to Hedy Lamarr, launched randomly by a program written in ChucK programming language.
- Simulation of message encoding using the Frequency-hopping spread spectrum technique, written in ChucK programming language. In this case the message is the trumpet solo. Hedy Lamarr contributed decisively to develop the Frequency-hopping spread spectrum technique, that is still used in current technologies such as Bluetooth or Wi-Fi.
- Guitar + effects improvisation.
- Trumpet improvisation.

Frequency-hopping spread spectrum (FHSS) is a method of transmitting radio signals by rapidly switching a carrier among many frequency channels, using a pseudorandom sequence known to both transmitter and receiver.

Hedy Lamarr and composer George Antheil patented in 1942 a "Secret Communication System" that implemented a version of frequency hopping that used a piano-roll to change between 88 frequencies.

Adaptations of the FHSS technique in the ChucK code to get an audible and interesting result:
- Use of audible frequencies (sequences of musical notes).
- Frequency changes every 2 seconds (much faster in real FHSS).
- The Chuck program takes a sample of the signal (the trumpet solo) every 0,5ms.

See the ChucK code in our site http://turingtarpitmusic.com

---

[cat]
Composat, grabat, produït i mesclat per Turing Tarpit, Febrer de 2015.

Inspirat en la figura de Hedy Lamarr, actriu i inventora estatunidenca.

Pistes:
- Samples de material relacionat amb Hedy Lamarr, llançats i troçejats aleatòriament amb un programa escrit amb el llenguatge ChucK.
- Simulació feta amb el llenguatge de programació ChucK, de la codificació de missatges usant la tècnica d'espectre eixamplat per salt de freqüència, que Hedy Lamarr va col·laborar decisivament a desenvolupar. Aquesta tècnica (o variacions) s'usa en tecnologies actuals com per exemple bluetooth o alguns estàndards Wi-Fi. En aquest cas el missatge és la improvisació de trompeta. 
- Improvisació de guitarra elèctrica + efectes.
- Improvisació de trompeta.

L'espectre eixamplat per salt de freqüència (Frequency hopping Spread Spectrum o FHSS) és una tècnica de transmissó en què un senyal s'emet sobre una sèrie de radiofreqüències aparentment aleatòries, saltant de freqüència en freqüència sincrònicament amb el transmissor.

Hedy Lamarr i el compositor George Antheil van patentar el 1942 un "Sistema Secret de Comunicacions" que implementava una versió del salt de freqüències utilitzant un piano-roll per canviar entre 88 freqüències.

Adaptacions de la tècnica que s'han incorporat al codi ChucK per a obtenir un resultat sonor interessant:
- Us de frequències audibles (sequències de notes musicals).
- Canvi de frequència cada 2 segons (en realitat és molt més ràpid).
- La senyal a transmetre és la digitalització de la improvisació de trompeta del tema. S'agafa una mostra cada 0,5ms.

El codi ChucK es pot veure al nostre web http://turingtarpitmusic.com

Ecstasy

"Dear Catherine, I’ve been sitting here thinking about all the things I wanted to apologize to you for. All the pain we caused each other. Everything I put on you. Everything I needed you to be or needed you to say. I’m sorry for that. I’ll always love you ’cause we grew up together and you helped make me who I am. I just wanted you to know there will be a piece of you in me always, and I’m grateful for that. Whatever someone you become, and wherever you are in the world, I’m sending you love. You’re my friend to the end. Love, Theodore."

▸ ᴀʙᴏᴜᴛ ʀʏᴏᴋᴀɴ ʟᴏᴜɴɢᴇ

"Ryokan Lounge" is a project by Takk Iori that embodies a serene and immersive experience centered around music, art, and culture. A ryokan is a traditional Japanese inn that offers guests a unique experience of the lifestyle treasured and handed down by the Japanese people. Following that path, "Ryokan Lounge" offers a musical journey drifting between ambient, breaks, experimental, IDM, drone, leftfield, trip hop, electronic, downtempo, bass, and dub techno.

https://takkiori.com
https://instagram.com/takkiori    

Enquiries: konnichiwa@takkiori.com
Produced by https://streamflow.cat

▸ ʀʏᴏᴋᴀɴ ʟᴏᴜɴɢᴇ ᴠᴏʟ. 𝟼 - ᴛʀᴀᴄᴋʟɪsᴛ

Perko - Edie
YAI - Visitation
Le Motel, Yvonne Quỳnh-Lan Dương, Phapxa Chan, Bui Thi Oanh - The Universe Is a Rabid Creature / Vũ trụ là con thú điên
Ian Van Dahl - lame mart
GAS - Pop 2
Autechre - Foil
Altjira - Ybxc
Colin Self - Dissimulato
Whatever The Weather - 3°C
Corin - lux aeterna
Batu - half speed
Jonny From Space - Live
Pepe - And Everything Glimmers
Bell Curve - Deep End

Ryokan Lounge Vol.6

Memòries d'Àfrica?

Download the album at https://djshadow.lnk.to/tmwfso

DJ Shadow, widely acknowledged as a crucial figure in the development of experimental, instrumental hip-hop, has returned with ‘The Mountain Will Fall’ via Mass Appeal Records [and Believe Digital in France], his first full length release since 2011. The 12-track album finds DJ Shadow exploring new realms in addition to the deep samples and kinetic soundscapes that helped to launch his career 20 years ago. On ‘The Mountain Will Fall’ he’s shifted further toward original composition, a vast experimentation of beats and textures, synthesizers and live instruments including horns and woodwinds. The album features Run The Jewels, Nils Frahm, Matthew Halsall, Ernie Fresh and more.

"Occasionally, I make a beat that demands a specific vocal treatment and  attitude. In the case of 'Nobody Speak,' I wasn't going to settle for anyone other than Run The Jewels; in my mind, it was them or no one. Fortunately, they  agreed, and they took the track to a place I could never get to on my own. That's the definition of a rewarding collaboration." – DJ Shadow

"Shadow is a legend and a friend. When he makes music he often changes music forever.  When he asked us to jump on the record we didn't blink.” 
– El-P of Run The Jewels 
 
The album is available in all formats with artwork designed by Paul Insect including a gatefold double LP. Order 'The Mountain Will Fall' here: https://DJShadow.lnk.to/TMWFYT
 
ALBUM TRACK LIST:
1. The Mountain Will Fall
2. Nobody Speak feat. Run The Jewels
3. Three Ralphs
4. Bergschrund feat. Nils Frahm
5. The Sideshow feat. Ernie Fresh
6. Depth Charge
7. Mambo
8. Ashes To Oceans feat. Matthew Halsall
9. Pitter Patter feat. G Jones & Bleep Bloop
10. California
11. Ghost Town
12. Suicide Pact
13. Swerve (iTunes Bonus Track)

Pre-order

DJ Shadow - Nobody Speak feat. Run The Jewels

IMPORTANT NOTICE: If you use this loop in any creation you must remember that is published under a license: http://creativecommons.org/licenses/by-nc-sa/3.0/

Thank you very much for listening to the loop of the day!

The Daily Loops Project is an idea generated by the musician Marcelo Acosta, also known as "Los Sabios Duendes"(trad: The Wise Elves) All the days composes, records and publishes a loop in this site.

Musicians from all over the world download these loops and create new works from them which are then published on https://soundcloud.com/daily-loops-the-works. The main idea of this project is the creation of a network intenacional creative exchange between composers.

If you want to be part of this project, follow these instructions:

1) Download a loop

2) Listen and fire your creative engine

3) Modify, add layers, experiment, play!

4) Create a new music

5) Share it! Send your work to: lossabiosduendes@gmail.com (REMEMBER: your work will be published under a license: http://creativecommons.org/licenses/by-nc-sa/3.0/)

6) Join the network intenacional creative exchange between composers.

You are invited to join the project at any time!

Greetings!

Marcelo Acosta (a.k.a. Los Sabios Duendes)

for more information about the author of this project:

http://lossabiosduendes.com/

The Daily Loops Project

10-01- 18 Daily Loops

Synthwave By ModeAudio - Mind Mechanics

Featuring Graham Coleman, Alexandra Varela, and Alfonso Pardo.

Livecoding Jam Session

~~ALGORAVE 2019/07/19 
//(drummachine missing due to characters limit)
/////////////////
//DEFINE SYNTHS//
/////////////////

(
//--------------------------------------------------------------
//1.SOFT-BEEP

SynthDef(\soft,{arg freq=50, sup=0, ampsoft=1; var sig, env;
	sig=SinOsc.ar((freq+sup).midicps,0,0.1);
	env=EnvGen.kr(Env([0,1,0],[1,10],curve:0),doneAction:2);
	Out.ar([0,1],sig*env*ampsoft);
	}).add;

SynthDef(\beep,{arg freq=50,sup=0, ampbeep=1; var sig, env;
	sig=SinOsc.ar((freq+sup).midicps,0,0.2);
	env=EnvGen.kr(Env([0,1,0],[0.01,0.05],curve:5),doneAction:2);
	Out.ar([0,1],sig*env*ampbeep);
	}).add;


//4.ARPEGI

SynthDef(\arpegi,{arg freq=38, dur=0.1, amp=1, lpf=300, delay=0.1; var sig, env;
	sig=LPF.ar(Mix(Saw.ar([1,4,8,3]*freq.midicps+SinOsc.ar([1,3]*freq.midicps),[0.3,0.2,0.1,0.5])),lpf);
	env=EnvGen.kr(Env([0,1,0],[0.01,dur]));
	sig=CombN.ar(sig*env,delay,delay);
	sig=sig*EnvGen.kr(Env([0,1,1,0],[0.1,3,0.1],curve:'step'),doneAction:2);
	Out.ar([0,1],sig*amp);
}).add;

)

////////////////
//DEFINE TDEFS//
////////////////

(

//---------------------------------------------
//1.SOFT-BEEP
~ampsoft=0;
~ampbeep=0;
Tdef(\tsoftbeep,{
	inf.do{
		[0].do{|s|
			[50,54,50,59,57].do{|i|
				Synth(\soft).set(\freq,i,\sup,s,\ampsoft,~ampsoft);
				0.wait;
				40.do{|j|
					Synth(\beep).set(\freq,i,\sup,s,\ampbeep,~ampbeep*(((j+1)/40)*(1-((j+1)/40)))*4);//(i+[0,12].choose)
					0.125.wait;
				};
			2.wait;
}}}});



//----------------------------------------------
//3.PIANO

Tdef(\piano,{
	~pianofreq=[50,54,0,0,57,0];
	~pianodur=1;
	~pianoamp=0;
	inf.do{
		6.do{arg i; var freq=~pianofreq, dur=[1,3,0,0,2,0]+~pianodur;//anar sumant valors fins a 15 o baixarlos
			(freq:freq[i].midicps,dur:dur[i],amp:~pianoamp).play;
			1.wait;
}}});


//---------------------------------------------
//4.ARPEGI
Tdef(\tarpegi,{
	~arpfreq=[50,52,53,55,57,59,60,62];
	~arpamp=0;
	~arpdur=[1,1,1,1,1,1,1,2]*0.1;
	~arplpf=300;
	~arpdelay=0.1;
	~arppos=7;
	inf.do{
		([59,64,62,65,64]).do{|j|
			~arpfreq[~arppos]=j;
			3.do{
				8.do{arg i ;
					Synth(\arpegi).set(\freq,~arpfreq[i],\amp,~arpamp,\dur,~arpdur[i],\lpf,~arplpf,\delay,~arpdelay);
			(1/8).wait;
					};
			};
		};
}});

)



//////////////////
//PLAY ALL TDEFS//
//////////////////

(
//1.SOFT-BEEP
Tdef(\tsoftbeep).play;

//3.PIANO
Tdef(\piano).play;

//4.ARPEGI
Tdef(\tarpegi).play;
)



///////////
//CONTROL//
///////////

//1.soft-beep
~ampsoft=0.1;//1 ***FER MES SOLAPAMENT!!
~ampbeep=0.1;//1
//3.piano
~pianoamp=0.00;//0.1
~pianofreq=[50,54,0,0,57,0];//59
~pianodur=2;

//aqui falta un drone nota llarga
(
~m=0.5;
Ndef(\a,{Mix(SinOsc.ar(Array.rand(10,110*~m,110*~m+0.1)*[1,2,3,4,5,6],0,0.01))!2});
)
Ndef(\a).fadeTime=5;
Ndef(\a).play;
Ndef(\a).clear(10);
//4.arpegi
~arpamp=0.0;
~arpfreq=[50,52,53,55,57,59,60,62];//reverse, pyramid
~arpdur=[1,1,1,1,1,1,1,2]*0.1; //anar augmentant el 2 o el 0.1
~arpdelay=0.1;//molt sensible. baixant mola.
~arplpf=300;
~arppos=7;
//

OrangeParadise

alfonsofonso

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