Remix our track ‘Irreversible Damage’ featuring Zack De La Rocha and win the chance to have your remix officially released (subject to T&Cs), a Special Cranker pedal (courtesy of EarthQuaker Devices) and our album discography on vinyl. 
 
Open to individuals residing in the UK (excluding Northern Ireland), the USA and Germany only. 
 
How to enter:
1.	Download stems from this playlist or at https://algierstheband.com/remix
2.	Use the stems in your preferred music software to create your remix of the track
3.	Upload your remix to Soundcloud with #algiersgotshook in the title and tag
4.	Complete the sign up form and link to your remix here: https://algierstheband.com/remix
 
This Competition runs from 5 December 2022 until 30 January 2023. You can find full Terms & Conditions here: https://algierstheband.com/remix/#terms

#algiersgotshook Remix Competition

Bite Back

Bite Back (feat. billy woods & Backxwash)

Bite Back (Edit) [feat. billy woods & Backxwash]

https://soundcloud.com/algiers/sets/algiersgotshook-remix Remix Competition

Irreversible Damage

Irreversible Damage (feat. Zack De La Rocha)

#algiersgotshook

I Can't Stand It!

I Can't Stand It! (feat. Samuel T. Herring & Jae Matthews)

Shook

Everybody Shatter (feat. Big Rube)

As It Resounds (feat. Big Rube)

A Good Man

All You See Is…

Cleanse Your Guilt Here

Green Iris

Out of Style Tragedy (feat. Mark Cisneros)

Cleanse Your Guilt Here (Live at National Sawdust) [feat. Fatboi Sharif]

Can the Sub_Bass Speak? (Shook Sessions Version)

Out of Style Tragedy (Live at National Sawdust) [feat. Patrick Shiroishi & Mark Cisneros]

Spook

Cold World (Alternate Version) [feat. Tardast]

Liberation (Live at National Sawdust) [feat. LaToya Kent & Big Rube]

Mute Studio Sessions

Blood (Mute Studio Session)

Algiers

Remains

Blood

Irony. Utility. Pretext.

The Underside of Power

Walk Like A Panther

Cry of the Martyrs

Dispossession

Void

There Is No Year

Wait For The Sound

Unoccupied

Nothing Bloomed

Losing Is Ours

Chaka

Repeating Night

We Can't Be Found

Hour Of The Furnaces

As the globalised economy churns in swells ‘neath our feet, suturing us together and tearing us apart, heads angled hellward, we bellow, Algiers!

Algiers is the danse macabre between here and nowhere, movement and stasis, order under hell, and chaos under heaven. The situation is excellent.

Algiers is a band of musicians born in Atlanta, Georgia, the rotten hub of the Ol’ American South, where W.E.B Dubois once saw a riot goin’ on, and where the hell and highwater swirls ‘round to the knees.

Holed up in our perches in London, New York and a small town in France, plague up to our necks, we conjure the dead sound to life.

The click clack of the keyboard brings us to worship. The shrieks of slaves and rebels pummeling through.

Our tongues, twisted in the service of Paul Robeson, Lee Moses, Selda Bağcan, et al, slur a call in the darkness.

Algiers is the experimental gospel noise soul pulp response, slurping Francophilia - Gainsbourg and Dutronc, Saint Just and Fanon, Badiou and Baurdillard - Black Power - Nina Simone, Public Enemy, James Baldwin, Fred Hampton, DJ Premier, and Fela Kuti – and Southern Gothic - William Faulkner, Nick Cave and Flannery O’Connor - into a stew thicker than bourguignon in the Algierian sun.

Algiers is Franklin James Fisher (b. North Carolina, l. NYC) / vocals, guitar, keys, programming, and percussion; Ryan Mahan (b. Georgia, l. London) / vocals, bass and percussion; and Lee Tesche (b. Georgia, l. London) / guitar, vocals, programming, and percussion.

Algiers

Pinned to spotlight

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