BIG DATA

We once again call upon Jorg Kuning for his sonic offerings. In answer, he has delivered four bubbling, pulsating tracks that ooze with organic vitality. The fruit of Jorg’s labour comes shrouded in morning mist from the Black Mountains, their meticulous details expanding and collapsing like dew drops in earthly pools.

The record begins with ‘Simmons’. Deep, amphibious sub bass drives the elements in perpetual forward motion. Atonal squeals wriggle through the undergrowth, cutting swathes of space to make room for the chords; whose arrival descend like manna to nourish us in all their microtonal glory.
We then ramble onto ‘Transplant’. Joyful squelches tumble around an Entish kick drum; the healing vibrations of which swell with the clinical serenity of the jazz indebted stabs. Pads swell and shine above the vegetation, leaving fractal trails in their wake.

The B side marches on with ‘Dripgroove’. The crystal clear, angular elements are playfully squeezed out of Jorg’s machines. The rhythm section approaches us with primeval generosity, until the quaking tension is finally released and the dam is open.
The holistic ‘Bodyscan’ concludes the trip. Beginning with gentle warming movement, the energy quickly takes a decidedly more twisted turn. When the sun sets on the shimmering keys, Jorg’s synthetic seagulls signal our return to the murk; the ensuing groove driving us deeper towards the earth’s core.


A1 Simmons
A2 Transplant
B1 Dripgroove
B2 Bodyscan


Releasing on Vinyl/Digital formats May 2022.

Mastered at Curved.

Artwork by Sam Tomson.

BH005

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2567 E.P.

JFT FEAT TAYLOR E. BURCH

Hyper Simplexity (Faded rework)

Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.

Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.

Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.

The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.

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11888

Image by Akira Yokoyama (http://www.yokoyamaakira.com/index.html)

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One of the musical finds of the past couple of years, Dutch pairing, Huminal, have risen the crest of a successful wave with a stellar collection of original and remix material. No better was this talent illustrated than with the July 2016 "We Dwell in the Past" original EP, the title track now receiving two world class remixes from Spanish and Chilean Proton Music debutants.

Dimas Carbajo needs little in the way of introduction to the dance music cognoscenti. Through his D-Formation alter-ego, Dimas has taken the underground scene by storm in both the world of DJ and production with over a quarter-of-a-century's experience to his name. Owner of 'Beatfreak Group' business alliance since the late 1990s, the D-Formation name has thus led Spain's assault on the dance industry with his influence extending far beyond its borders. Winner of the "Spanish DMC DJ Championship" aged 17, DJ appearances across the globe subsequently followed in such cosmopolitan venues as Womb (Tokyo), Space (Miami) and Ministry of Sound (London), alongside such stars as Marco Carola, Carl Cox and John Digweed. Furthermore, an illustrious production career has seen the D-Formation name allied to a plethora of high-profile imprints that include Suara, Yoshitoshi and Toolroom as well as a double-century for his own Beatfreak Recordings.

Making his debut on Proton Music, the D-Formation remix is a truly joyous affair. A crisp new rhythmic shell provides a delicious dance-floor underpinning as the melodic themes so central to Huminal's original are given a new workover, intelligently entwined with a raft of new production material from the D-Formation studio. The result is a highly prized interpretation that bristles with dynamic energy and soaring synth lines bringing an innate sense of skill and technique to proceedings.

Chilean artist, Rodrigo Gallardo, from the Santiago capital in central Chile, is an artist who has shot to prominence in 2016. With his work for the massively successful Sol Selectas label, Gallardo's twin appearances on the number one best-selling "Summer Sol" compilation saw him become a huge commercial success, thrusting him into the deep house limelight with a unique and innovative sound. Beginning his production journey in 2012, the "Bachiana Brasileira No. 5" EP for Aires Music was followed a year later by a remix for Copycow, before 2016 brought even greater success.

A welcome debut appearance on Proton Music now sees Rodrigo Gallardo create a sumptuous laid back groove that brings an entirely different character to Huminal's work. Remixing "We Dwell in the Past", a gradual evolution of the emotive melodic sequence so central to the original, gradually filters into listener consciousness, lilting enticingly in its new rhythmic pattern. Weaving in and out of the percussive cadence in perfect harmony, the resulting work is a piece of skill and unadulterated joy.

With two new remixes from D-Formation and Rodrigo Gallardo, Huminal's "We Dwell in the Past" still has a very bright future ahead.

Directed by Jay Epoch
A&R by James Warren
Mastered by D-Formation, Cid Inc.
Design by Ben Mautner
Text by James Warren

We Dwell in the Past (D-Formation, Rodrigo Gallardo Remixes)

We Dwell in the Past (Rodrigo Gallardo Remix)

Buy on Beatport

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Gorzow Philharmonic Orchestra performing live the 7th Symphony by Beethoven under Piotr Borkowski conducting. September 2011.

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Album @spotify @bandcamp

https://robam.bandcamp.com/album/whitewash

https://open.spotify.com/album/3IZlFed52iMPlQKibzlbUH?si=gp89kIOUS-C45s0pYv1cWA

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numbers, fractals & faces

kontserdid :&#13;
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281212 tulilind&#13;
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140412 kõue müsteerium&#13;
060112 vilmsi tn. kodukontsert&#13;
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060811 kuru krill&#13;
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080110 suvi&#13;
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121109 une-näo-pidu&#13;
040909 kongress/eclectica&#13;
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250709 suveööelektroonika&#13;
290509 protoeclectica&#13;
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121208 abstraktsioonide festival&#13;
101008 Performance "Triple Double U"&#13;
061008 eclectica&#13;
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020606 kumu öö&#13;
070406 plektrum&#13;
060406 soundscientifics

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