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Scientist
"Your Teeth In My Neck"
Greensleeves 1981

Creation Rebel/New Age Steppers
"Chemical Specialist"
Cherry Red Records 1982


Jah Woosh
"Woodpecker Sound"
On-U Sound 1981


Creation Rebel/New Age Steppers
"Last Sane Dream"
Cherry Red Records 1982


Bim Sherman & Dub Syndicate
"Mafia"
On-U Sound 1989


Sugar Minott
"Rough Ole Life/Babylon"
Black Roots 1982



Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Release date: November 14, 2023
Record label: Broque (Munich) https://www.broque.de 
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2 https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Frozen Music

Breeze

Marie Wilhelmine Anders - Breeze

This is something new Im working on its not nearly even done. I just wanted to put it out to see what you guys think. Let me know much love guys.

Follow Dub

My most favorite thing to do is spend time exploring a new synth or effect and seeing how I can manipulate it in different ways. From a day in the studio doing just that I came up with this interesting sounding lead line made possible by my friend Adam from Veus instruments and his Veno-Echo.

The Berlin Effect

For Real

All tracks by John Jastszebski.
A vinyl only selection of my favourite tracks; tech-house fans will appreciate, only a couple of glitches here and there.... 

1. Murphy's Law, Aybee Remix
2. Would Be Back, Nail Remix
3. Original Spirit
4. Seasick
5. Would Be Back
6. Dream of Jeannie
7. Supavision
8. Little
9. Season
10. Murphy's Law
11. Villa
12. Fevrier
13. Tea Break, Delano Smith Remix
14. Volvo
15. Work
16. Holdin' Back
17. Graceland

John Jastszebski - This is Tech Mix

Passion & Trip

Recorded december 1992 as a demo tape for my gig at "Gratis" in Senigallia, Italy, 23 january 1993.
Korg Ms20 synthesizer, e.guitar, Yamaha Emp100 effects unit. 4-track cassette deck mix, straight into a stereo cassette deck.

(1992 retrospective) AND SHE SAID ''Help Me, I Feel Pain''

Advent Day 11 - Grove: Soulful Harmonies

CxAxB - MMIII Future Ruins
performed live in Rennes at BxHx blindspot birthday november 2023

CxAxB - MMIII Future Ruins (live cut)

We are sooo scared // FAKE_TRAILERS IN LONDON 08/12

Selectah P and the Birdman taking it back to the original soundsystemstyle of AL HACA ! the poor soundquality is owed to the technical circumstances, but who gives a fuck ...?
this snippet is all we were able to save from our 3 hr set on saturday

AL`HACA soundsystem - RESET THE SPEED! - fusion-festival 2010

Pres. Heavy Bass In A Deadly Soundsystemstyle - since 1993!

AL`HACA soundsystem - RESET THE SPEED! - fusion-festival 2010

AL`HACA soundsystem

Recent comments

CRUNCHTIME ™

AL`HACA soundsystem

AL`HACA soundsystem

AL`HACA soundsystem

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