Electronic Concentration

Download "Blue Sunshine": http://www.theghostlystore.com/products/htrk-blue-sunshine
Pre-order "Psychic 9-5 Club": http://www.theghostlystore.com/products/htrk-psychic-9-5-club

HTRK - Blue Sunshine

1432 R 001

Debut release from Mikael Seifu, an electronic artist from Addis Ababa, Ethiopia. 

Mikael Seifu - Dropleton

Track recorded live februari 3rd 2014 at ll150.
from the album 'SPOEL' released on Sicsic Tapes!

Gamut

iTunes: http://geni.us/Actress
Amazon: http://geni.us/ActressAMZ
!K7 Store: http://bit.ly/Actress_K7

"Bird Matrix" was made just after Actress finished writing his most recent album Ghettoville. “My studio was going through a transition, so I was testing all the equipment, and that was one of the first tunes that came out of those experiments,” he explains. It’s a fittingly exploratory tune for a mix that balances traditional functionality with dance music’s cutting edge. 

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Actress - Bird Matrix [DJ-Kicks Exclusive]

Taken from the forthcoming Luke Abbott LP 'Music For a Flat Landscape' - official soundtrack to 'The Goob'.

Available via Buffalo Temple Recordings 25th May 2015
pre-order 12" vinyl and digital at: http://www.musicglue.com/luke-abbott/ 
more information and shows at www.lukeabbottmusic.com

Night Bike

Mikael Seifu - Brass

Ep. Time to Farm
> Farm time
> I feel
> Thoughts

Premiere / Thoughts

Imagine this - demo only

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

Learn more at RVNG: http://smarturl.it/frkwys13-rvng
Add to your collection at Bandcamp: http://smarturl.it/frkwys13-bcamp
Download + stream everywhere else here: http://smarturl.it/frkwys13-digital

From FRKWYS Vol. 13: Sunergy. Out everywhere September 16, 2016.

℗ and © 2016 RVNG Intl. / www.igetrvng.com

FRKWYS Vol. 13 - Sunergy

Closed Circuit

Kaitlyn Aurelia Smith & Suzanne Ciani - Closed Circuit

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

Compro

Skee Mask - Session Add

Sum Clouds

Soft Grains

In Our Deep Sleep

The Bright Spot

Long/Ephemeral

Long

Stratum

Developed in Ableton using samples from Kelly Moran's music and a few hits from an Elektron drum machine. Kelly generously gave permission for me to upload this. Imperfect, preliminary, but building the sounds has been such a useful learning experience.

Skee Mask - Session Add

Aliaksei Lyutarevich

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