October '15 - Woon & Flo

D.D Dumbo - i woke up covered in sand

Pink Mountaintops 'Get Back' out April 29, 2014 on Jagjaguwar. 

Pre-order now at
iTunes http://smarturl.it/pinkmountaintops2
Amazon http://smarturl.it/pinkmountaintops3
SCD Bundle http://smarturl.it/pinkmountaintops
Indies http://smarturl.it/pinkmountaintops4

Pink Mountaintops
Artist Page: http://www.jagjaguwar.com/artist.php?...
Facebook: https://www.facebook.com/pages/Pink-M...
Twitter: https://twitter.com/pinkmtps
Instagram: http://instagram.com/stephenmcbean

Pink Mountaintops - "North Hollywood Microwaves" from 'Get Back' out April 29, 2014 on Jagjaguwar.

Buy on iTunes

Pink Mountaintops - North Hollywood Microwaves

Copyright © 2014 Arash Parsee and Brendan Thompson, Brendan Thompson Music Publishing (ASCAP) and Triple AM Music Publishing (ASCAP). All rights reserved.

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California I Follow

Copyright © 2014 Arash Parsee and Brendan Thompson, Brendan Thompson Music Publishing (ASCAP) and Triple AM Music Publishing (ASCAP). All rights reserved.

Like us on Facebook www.facebook.com/corsicaartsclub
Follow us on Twitter twitter.com/corsicaartsclub
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Untamed

Hypercolour

www.jamiewoon.com
iTunes - http://po.st/JWSiSO 
Spotify -http://po.st/JWSharpnessSP 

Never been so inside it
When I give in to you
Never been so existing
You can't know unless you feel it

Come back
Body's aching
From the want and the waiting
I get this pain when you're leaving 
Never felt this before
Never felt this before

Is it written on my back?
Take it back and then let it go
Let it go
Is it written on my back?
Take it back and then let it go

Every day is the day that you save me
Light into darkness
Cut on the sharpness of you

Never been so inside it
And fallen into ya
Never been so resisting
You can't know unless you feel it

Come back
Body's aching
From the want and the waiting
Coming down with a sickness
Staying in control
Steady and in control

Is it written on my back?
Take it back and then let it go
Let it go
Is it written on my back?
Take it back and then let it go

Every day is the day that you save me
Light into darkness
Cut on the sharpness of you

I want to love you, baby

Making Time

Sharpness

Buy/download track here → http://apple.co/1UYSOTM

Produced by Ross James and James Lyell at the ECHO Creative
Mixed by Karl Cash at Studios 301, Sydney
Mastered by Leon Zervos at Studios 301, Sydney
Additional engineering by Elliot Heinrich at Heliport Studios

Additional Musicians:
Luke Davison | drums, percussion

© 2015 Words and Music by Jonathan Bowden, Toma Banjanin, James Lyell and Ross James.

Pieces

Sign up for updates and exclusives: http://auntieflo.in

Auntie Flo Auntie Flo returns with his ‘Theory of Flo’ LP masterpiece, his first release on H+P in over 3 years!

Following his critically acclaimed ‘Future Rhythm Machine’ LP, ‘Theory of Flo’ is a bold step ahead from FRM, as it takes us on the trip of a lifetime; spanning continents, genres, languages and cultures to create a wholly unique listening experience; and one which is only possible in 2015. 

Teaming up with long term collaborator, Esa Williams, the album also features collaborations with the incredible Ghanaian singer, Anbuley (who last appeared on the Autonomous Africa hit ‘Daabi’), Shingai Showina (of The Noisettes / Matthew Herbert / Dennis Ferrer fame) and has experienced a lengthy recording process between Havana, London and Glasgow - with outstanding results. 

‘Theory of Flo’ lands this November, in the meantime, his ‘So In 
Love’ smasher and the spellbinding ‘Waiting For A (Woman)’ drop on limited 10”..

Auntie Flo - So In Love Feat. Shingai

Matt returned to Berry to perform Monday, live in one take. You can the new video for 'Monday' here: https://youtu.be/pPnA-Vs5ATU

Get the 'Telluric' album: http://smarturl.it/telluric.itunes

Follow Matt Corby -
Website: http://www.mattcorby.com/
Facebook: https://www.facebook.com/mattcorby
Twitter: https://twitter.com/mattcorby
Instagram: https://www.instagram.com/mattcorby/
YouTube: https://www.youtube.com/user/MattCorbyau
Spotify: https://open.spotify.com/artist/7CIW23FQUXPc1zebnO1TDG?si=x5KriS8bTBKiaj-UunFqAA
Apple Music: https://itunes.apple.com/au/artist/matt-corby/268919290
Google Play: https://play.google.com/store/music/artist/Matt_Corby?id=Aigc6ic4xccdc2aig7jipv553bu&hl=
Youtube Music: https://music.youtube.com/channel/UCR2iuWSzShNMhtoRWaMFQdw

#SCFIRST #Soul #Alternative #AltIndie #Indie #R&B #RNB

Monday

"Evangeline" is from Cass McCombs' 'A Folk Set Apart,' out December 11th on Domino. 

Order the album 'A Folk Set Apart' from the Domino Mart: http://smarturl.it/AFolkSetApartDM

Cass McCombs - Evangeline

Who Are You?

iTunes: http://apple.co/1iaeGcN
Spotify: http://spoti.fi/1Lzee2d
7" Vinyl: http://bit.ly/1R9vxIE

Song by Tarek Musa
Music by Spring King (Tarek Musa, Peter Darlington, James Green & Andrew Morton)
Saxophone by Steve Darlington
Recorded, Mixed and Produced by Tarek Musa
Mastered by Robin Schmidt at 24-96 Mastering
Collage by Dr Me

Many thanks to Claire Southwick and everyone who has supported us. A special thank you to PRS for Music Foundation who helped us make this release possible. 

℗ & © 2015 Spring King / Distributed by [PIAS] / Highs and Lows / SK001V

Who Are You?

The Courtneys -  Tour

Coming Down

ARCHITECTURE LECTURE

ALI BARTER: A SUITABLE GIRL

Growing up is kind of like a pop song.
The structure is familiar; you know how it goes. But the ebbs and flows — the bold, uplifting highs and softly-tread lows — they’re quite another thing to really feel. Australian musician Ali Barter knows all about those pop-induced moods.
From the heart-stirring catharsis brought on by the anthems of her youth, to her own candid musical outpourings today, the artist understands a thing or two about capturing frank, sometimes messy emotions in memorable song form.
Her debut album,  A  Suitable Girl, is the result. And a new generation of music fans get something they need now perhaps more than ever. A kind of mirror. A voice that says simply and authentically “I get it.” Ali Barter is that voice.
The former choirgirl and triple j unearthed winner has been in no great rush to push out a full-length album. Sin ce 2015’s  AB-EP she’s been busy living, and it was through living that she captured a couple of formative years worth of emotional growth. But the kind of scruffy growth that only comes through raw honesty — imperfect and unfiltered.
On her debut single ‘Girlie Bits,’ it manifests in frustration. Written on her holiday in a moment of beachside insecurity that most people could relate to, Barter says she was thinking “’I’m not skinny enough or not pretty enough’ and it just f*cking pissed me off that I was thinking that way.”
With its wry lyrics on gender expectations and bold, burning rallying cry of “you don’t understand what it’s like to be a man,” (uttered by an ex in a moment of amorous ignorance, apparently) the track is already being blasted in thousands of bedrooms across the country.
The melodic sway of ‘Cigarette’ conjures the puncturing experience of romantic invalidation (“I’m not the girl you wanted me to be”) with graceful command and rattling guitar. Meanwhile ‘Please Stay’ captures the gentle pleading of a woman feeling messed up and craving affection, with an adeptly Nina Gordon-like, almost cinematic affectation — both sweet and muddy.
In fact, those filmic sensations are the curling, pulsating waves Barter rides across the whole record. “I kind of wanted to write an album like a movie soundtrack,” she says. “When I have too much time on my hands I imagine what part of the movie each song would play in.”
The scene in which ‘Live With You’ plays would be right at the film’s climax — a revelatory moment that calls for long, breathy vocal highs and blistering guitar solos. The kind of song that could make anyone burst into a liberating run while out walking.
 
The honeyed crescendo of ‘Tokyo’ on the other hand, showcases Barter at her most vulnerable, emotionally — hurt and even hopeless. Yet there is power even here. With her heart on her sleeve and electric guitar strapped, Barter’s poignant yet common meditations become her listener’s medicine.
And in that sense, the entirety of  A Suitable Girl, with all its nuanced emotional snapshots, becomes one big cleanse. Kind of like the feeling you get when you cry bittersweet tears at the peak of your favourite movie.
Takin g its name from Vikram Seth’s novel, A Suitable Boy, the album is also about the power of self-acceptance. Like rock music, that’s a power that reverberates. It can spread out and touch listeners like a wave. And it’s as simple as “owning the thoughts that go through your head,” says Barter. “I have them, you have them. We can let them go.”
She continues: “I just want a song that makes me feel good. I wanna know that the chorus is going to lift me up, and it’s going to be big and bright. Like a release.”
And if that involves turning up the volume, jumping on your bed and screaming the lyrics, even better.
Ali Barter’s debut album,  A Suitable Girl, is out now.

Hypercolour

Ali Barter

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