Film Music By Toru Takemitsu 1 Kobayashi Masaki

Toru Takemitsu - Karami-Ai

Veils
for voice, flute, clarinet, violin and percussion | 2021

Written for and performed by TAK Ensemble
Recorded by David Bird at The DiMenna Center for Classical Music
Mix and Mastering by Murat Çolak


Text
Trim November light rakes across the fields,
Veils itself within a… 
Its calm ruffled by a light breeze. (Digenis Akritis)
Never a glimpse of unplumbed depths. (Auerbach, Mimesis)

Veils (2021) / TAK Ensemble

RISING FROM THE SWAMPS
A night swamp for the environment analogy of forms in various distances and the point of rising above the collective cluster

Aldes - Rising From The Swamps

for organ, pre-recorded ensemble (Cornetto, Recorders, Theorbo, Renaissance Trombone, Renaissance Organ, Choir, Percussion) and spatialized loudspeaker array

commissioned by Vancouver New Music

More info: https://stefanmaier.studio/tractatus-de-umbra-manus-2022/

Tractatus De Umbra Manus, 1447 (Excerpt, Live at Vancouver New Music, 2022)

Sätze - Wörter - Zeichen (2022)-E-Mex Ensemble- #Tonedmelisma MusikFestival

As in numerous other political, cultural, and social situations, Turkish Republic’s Westernization program had crucial effects on its musical culture. The ‘polyphonization’ of the then monophonic/heterophonic Turkish music was seen as the way-out from its ‘backward’ origins to its integration to the global musical culture – a modern sound that refers to its roots. 

The title of my piece böcekçe (literally ‘insect language’) is a reference to the 1943 orchestral composition by the Turkish composer Ulvi Cemal Erkin. Erkin’s piece Köçekçe is a dance rhapsody which makes use of numerous folk songs, harmonized and orchestrated in Western tradition. In a way, this is a paradigmatic moment in defining the destiny of a composer in this geography: to think about the technique of the west and the material of one’s own ‘blood’.

My piece is a series of attempts at harmonizing, serializing and deconstructing (all Western techniques) of a made-up melody, trying to put the solution of fusion of cultural elements into question at every moment. 



böcekçe (insect polyphony)

High-quality downloads and CD of the studio recording is available at
https://dalniente.bandcamp.com/album/object-animal

SWAN (2016-17)

a - Korridor/Karaoke Mahshar - 00’00’’-19’42’’

b - Rod Modell - 19’43’’-28’49’’

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Recording of the premiere performance at the Constellation Chicago, 02/19/2017.

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Murat Çolak - Score & Electronics

Ensemble Dal Niente - Amplified Instruments:
Michael Lewanski - Conductor
Emma Hospelhorn - Flute, cymbals
Anna Velzo - Oboe
Katie Schoepflin - Clarinets
Gregory Beyer - Percussion
Mabel Kwan - Piano, bass synthesizer, percussion
Tara Lynn Ramsey - Violin
Chris Wild - Cello

Dan Tramte - Video (Excerpts: www.youtube.com/watch?v=eO5EQIlIf24 - www.youtube.com/watch?v=qG70iw4TSFU )
Nolan Chin - Live Sound
David Zuchowski - Recording

Live recording mixed & mastered by Murat Çolak

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Video of the premiere performance: https://www.youtube.com/watch?v=RwNBIJ2KKLE&feature=share

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Interview with Emma Hospelhorn: http://www.dalniente.com/news/2017/3/26/interview-murat-olaks-swan

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Thanks: Ben Melsky, Grace Heatherington Tilka, Constellation Chicago, Frequency Series.

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SWAN is commissioned by NewMusicUSA

SWAN

territories III (2017)

For ensemble, radio and modular synthesizer

Talea Ensemble
Stefan Maier live-electronics

Commissioned by Vancouver New Music 

12.03.2017

https://newmusic.org/

territories III (Live at Vancouver New Music, 2016-17)

Juliette Raffin-Gay, mezzo-soprano. Sivan Eldar, live electronics. Jérémie Bourgogne, sound engineer. Recorded live at Festival ManiFeste 2017.

Original text by Cordelia Lynn. Lighting and concept by Aurélie Lemaignen.

Created at IRCAM under the supervision of Hèctor Parra and Jean Lochard (Cursus 2016-17)

http://www.sivaneldar.com/youll-drown-dear

Sivan Eldar: you'll drown, dear (Juliette Raffin-Gay, IRCAM)

voce immobile for Bass Clarinet, Richard Haynes, January 22, 2018-Huddersfield

quelle'd for ensemble-E-Mex Ensemble

alican çamcı’s output includes concert music, electronic and electroacoustic works, sound installations, and sound design for film and media art. His work features an investigation of sound as a documentary medium, explored through combining instrumental and electronic layers with field and speech recordings and found sounds.

böcekçe (insect polyphony)

alican çamcı

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