Film Music By Toru Takemitsu 1 Kobayashi Masaki

Toru Takemitsu - Karami-Ai

Veils
for voice, flute, clarinet, violin and percussion | 2021

Written for and performed by TAK Ensemble
Recorded by David Bird at The DiMenna Center for Classical Music
Mix and Mastering by Murat Çolak


Text
Trim November light rakes across the fields,
Veils itself within a… 
Its calm ruffled by a light breeze. (Digenis Akritis)
Never a glimpse of unplumbed depths. (Auerbach, Mimesis)

Veils (2021) / TAK Ensemble

RISING FROM THE SWAMPS
A night swamp for the environment analogy of forms in various distances and the point of rising above the collective cluster

Aldes - Rising From The Swamps

for organ, pre-recorded ensemble (Cornetto, Recorders, Theorbo, Renaissance Trombone, Renaissance Organ, Choir, Percussion) and spatialized loudspeaker array

commissioned by Vancouver New Music

More info: https://stefanmaier.studio/tractatus-de-umbra-manus-2022/

Tractatus De Umbra Manus (1447): The Fifth Hammer (Excerpt, Live at Vancouver New Music, 2022)

Sätze - Wörter - Zeichen (2022)-E-Mex Ensemble- #Tonedmelisma MusikFestival

"What did you hear?" I heard my phone imitating a typewriter. "What did you hear?" I heard a voice message and thought about the people who listen to voice messages by holding the phone to their ear and the people who instead play them through the speaker. "What did you hear?" I heard that sound “is not the object but the medium of our perception. It is what we hear in.” "What did you hear?" Last year, I heard a performance of a piece by George Lewis that inspired me to write this one. "What did you hear?" I heard the sound my finger makes touching the screen (pıt, pıt, pıt) and realized this letter doesn’t exist in the English alphabet. I don’t know how an Anglophone refers to this sound. "What did you hear?" I heard the phone recordings I made of the detuned piano in Mete’s old apartment (the piano was there before he moved in and stayed there after he moved out) and thought of sending him a voice message. "What did you hear?" I heard that “sound is simply another way of saying ‘I can hear.’”

Quotations from Timothy Ingold, “Against Soundscape”; Ultra-red, “Organizing the Silence”

live recording from the premiere performance by Chicago Composers Orchestra, cond. Allen Tinkham.

copy-paste diptych

High-quality downloads and CD of the studio recording is available at
https://dalniente.bandcamp.com/album/object-animal

SWAN (2016-17)

a - Korridor/Karaoke Mahshar - 00’00’’-19’42’’

b - Rod Modell - 19’43’’-28’49’’

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Recording of the premiere performance at the Constellation Chicago, 02/19/2017.

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Murat Çolak - Score & Electronics

Ensemble Dal Niente - Amplified Instruments:
Michael Lewanski - Conductor
Emma Hospelhorn - Flute, cymbals
Anna Velzo - Oboe
Katie Schoepflin - Clarinets
Gregory Beyer - Percussion
Mabel Kwan - Piano, bass synthesizer, percussion
Tara Lynn Ramsey - Violin
Chris Wild - Cello

Dan Tramte - Video (Excerpts: www.youtube.com/watch?v=eO5EQIlIf24 - www.youtube.com/watch?v=qG70iw4TSFU )
Nolan Chin - Live Sound
David Zuchowski - Recording

Live recording mixed & mastered by Murat Çolak

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Video of the premiere performance: https://www.youtube.com/watch?v=RwNBIJ2KKLE&feature=share

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Interview with Emma Hospelhorn: http://www.dalniente.com/news/2017/3/26/interview-murat-olaks-swan

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Thanks: Ben Melsky, Grace Heatherington Tilka, Constellation Chicago, Frequency Series.

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SWAN is commissioned by NewMusicUSA

SWAN

territories III (2017)

For ensemble, radio and modular synthesizer

Talea Ensemble
Stefan Maier live-electronics

Commissioned by Vancouver New Music 

12.03.2017

https://newmusic.org/

territories III (Live at Vancouver New Music, 2016-17)

Juliette Raffin-Gay, mezzo-soprano. Sivan Eldar, live electronics. Jérémie Bourgogne, sound engineer. Recorded live at Festival ManiFeste 2017.

Original text by Cordelia Lynn. Lighting and concept by Aurélie Lemaignen.

Created at IRCAM under the supervision of Hèctor Parra and Jean Lochard (Cursus 2016-17)

http://www.sivaneldar.com/youll-drown-dear

Sivan Eldar: you'll drown, dear (Juliette Raffin-Gay, IRCAM)

voce immobile for Bass Clarinet, Richard Haynes, January 22, 2018-Huddersfield

quelle'd for ensemble-E-Mex Ensemble

alican çamcı’s output includes concert music, electronic and electroacoustic works, sound installations, and sound design for film and media art. His work features an investigation of sound as a documentary medium, explored through combining instrumental and electronic layers with field and speech recordings and found sounds.

copy-paste diptych

alican çamcı

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