Love the swirling maelstrom of sound you create here. Top stuff!

Great composition with a wonderful swell at the end.  Much fun to listen to~

i love this composition, keep up the good work

Wow, only just now discovered your tracks. Very beautiful! Enjoyed a lot listening to them.

Truly mesmerizing ! You can feel the hypnotic call of the sirens. The performance is delicate and evocative. Brava Alisa.

Departures - Fleursonseaux
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Departures

Performed live using loop pedal.

Website: https://alisawunder.com/
YouTube Channel: https://www.youtube.com/@AlisaWunder/featured

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Sirenen

Rainfall

Muffled scream of pain and dismay at Putin's vile attack on Ukraine

Seq93 O   VIVAT UKRAJNA,  UKRAJNA   VIVAT   02  24  2022 .. but why did  Putin Invade Us?

Life will bring with it many challenges. That's just the way it is. But determination and perseverance helps us overcome these challenges. Do not give up, and keep pushing. Make your endeavors count.

Lasting Endeavors

Lasting Endeavors (Instrumental)

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - I. English Sparrows (Washington Square) (Edna St. Vincent Millay)

ALFONSO LLORENTE: ACOUSTIC GUITAR

Fadding out from SC while I share my music in my dreams

G.O.T.A.  (Alfonso Llorente Sardi)

Many paths before us are clear and many are hidden. Our only inner confidence is that we can even recognize the hidden path and step on it.

بسیاری از راه های پیش روی ما واضح و بسیاری پنهان هستند تنها اطمینان درونی ماست که میتوانیم حتی راه پنهان رو تشخیص بدیم و قدم در آن راه بگذاریم

Hidden Path

ALFONSO LLORENTE: LYRICS, VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS, CELLO, SYNTHS, DRUMS.
MRS. A.: VOCALS

SUEÑOS DE LIBERTAD (Alfonso Llorente)

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THE DROP - DRILL LOOP 140 Bpm @A2RBEATZ

When We Were Happy

Composer and violinist. Educated at the Munich Academy of Music and Performing Arts, and at the Saint-Petersburg conservatory.

Sirenen

Alisa Wunder

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