This is a hybrid track, written for orchestra, synths, hyped percussion and sound design. Perfect for dramatic tension and suspense building to physical action. 

Photo by Victor Grabarczyk on Unsplash. https://unsplash.com/photos/wN9DU73b8_s

They've Arrived (Dramatic Tension, Action)

This was written for a car racing video game. The developers wanted a track in the style of trance, to represent one of the European street circuits.

Photo by sippakorn yamkasikorn on Unsplash. https://unsplash.com/photos/hTHSNVq4nQU

Just Drive (Trance - Driving Game)

This is a track from a recent short film project set in Scotland, Sacred Skin. The film tells the story of a Selkie (a creature in Scottish mythology) who has her skin taken from her. 

I created a number of the sounds and instruments used on the sound from raw recordings of the sea, and then processing the samples electronically using reverbs, delays, pitch shift, eq, etc. I also created sounds from bagpipes and whistles, to help produce a really ethereal atmosphere while sonically associating the soundtrack with Scotland and Scottish culture.

Watching The Storm (Soundtrack - Scottish vibe - Drama)

This is a track from my rescore of Frozen (2005) directed by Juliet Mckoen, and starring Shirley Henderson and Richard Armitage, which formed part of my final portfolio for my MA in Composing for Film and TV.

I created a number of the sounds used on this soundtrack from 'found sound' - i.e. sounds from every day life that I have recorded and the process electronically using reverbs, delays, pitch shift, etc.

The Search Continues (Psychological Drama - Mystery - Hybrid)

The Lane (Soundtrack - Mystery - Psychological Drama)

Seeing Annie (Emotional - Reflection - Drama - Piano & Cello)

This is a track from my rescore of Fables of Forgotten Things (2008) directed by Toby Meakins, and starring Muriel Barker and Paul McGann. This piece was written as part of my portfolio of work for my MA in Composing for Film and TV.

I created a number of the sounds used on this soundtrack from 'found sound' - i.e. sounds from every day life that I have recorded and the process electronically using reverbs, delays, pitch shift, etc.

Left Alone (Drama - Psychological Thriller - Jump Scare)

This is a track from my rescore of Frozen (2005) directed by Juliet Mckoen, and starring Shirley Henderson and Richard Armitage, which formed part of my final portfolio for my MA in Composing for Film and TV.

I created a number of the sounds used on this soundtrack from 'found sound' - i.e. sounds from every day life that I have recorded and the process electronically using reverbs, delays, pitch shift, etc.  The main 'bell' sound was created from a sampled recording of a metal drinking cup, and processed to add a 'cold' element to the soundscape for the film.

I also created the airy pads from low whistle recordings and samples of the sea taken at my local beach.

Frozen (Titles - Psychological Thriller - Mystery)

From The Sea (Drama - Found Sound - Scottish traditional vibe)

This is a track from the score for the short film, On the Edge of Hope (2023).

I Still See Him When I Sleep

The Atholl Highlanders

Scotland The Brave

Rowan Tree

Highland Cathedral

Green Hills Of Tyrol

A May Morning

Loch Rannoch

Wild Mountain Thyme (Will Ye Go, Lassie, Go )

Sleep, Dearie, Sleep

Skye Boat Song

Loch Etive - Side

Loch Duich

Going Home

Flowers Of The Forest

Danny Boy

Amazing Grace

Ae Fond Kiss

A sci-fi track written in collaboration with Guy Michelmore

On The Run

The Misunderstanding

Media composer | Music producer
Collaborator
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Alistair Brown Music

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