Where It All Ends

One of the tracks from the upcoming Zvuku LP on Heat Death.

This record needs funding! Head to the indiegogo page to find out how you can help make this a reality.

FUND!

Zvuku - Coldsong

In their project "Ferntrompeten" eletronic musician and sound poet Marsen Jules and jazz trumpetplayer John Dennis Renken explore the fields of ambient, avandgarde electronic and modern jazz in an exciting live performance.

www.marsenjules.de

Marsen Jules & John Dennis Renken present  "Ferntrompeten" Live-Preview 2014

Here is a beautifully wintry track from the upcoming album, "Allusionen" from German artist, Himmelsrandt...please enjoy! Available for pre-order on 12/03/2021.

Allusionen

Himmelsrandt "Allusionen"  Ausklang

Unreleased Demo of "You'll Miss Us One day".
The final version is released on "Gravity" / Ad Noiseam Nr.168.
http://www.adnoiseam.net/adn168

Ben Lukas Boysen - Variation (Unreleased)

from 'Blossoms In Red' [CD|LP|DIGITAL]
Denovali Records · den243
available on all formats at [http://denovali.com/ensembleeconomique]

Based in Californian Humboldt County, Brian Pyle wanders the world on his countless travels. Far from being restless, he has his very own Pylesque way of travelling. Much like a Lynchian version of Hemingway, he has an eye for the thin layer between restlessness and relaxation, gloom and serenity. Wherever he goes, he ardently absorbes these nuances, rarefies them and moulds them into a seamless array of glimmering styles, from drone and ambient to shoegaze and post-wave, giving birth to yet another creation of his prolific Ensemble Economique project.
On his by now eleventh album and fourth Denovali release "Blossoms In Red", Pyle combines and perfects elements of his previous output into a cohesive narrative. The opener "From The Train Window, Red Flowers On The Mountain" is a surprisingly scarce ambient piece, which feels like an almost infinitely stretched precious moment of time. Despite being austere, it is warm, sublime and incredibly captivating and after listening to its full 8 minutes, one cannot help but to rewind and replay. Having barely escaped this seductively infinite loop, one encounters the title track "Blossoms In Red" featuring Portland electronic duo Soft Metals. Starting off with a characteristic sluggish programmed beat, one is immediately overpowered by the onset of the towering combination of a warm bassline and a shimmering synth ambience. As the track flows, these elements writhe around each other in a delicately beautiful fashion, absorbing the materialising wailing guitar which almost sounds like an ethereal voice, as well as the occasional melodic and rhythmic accents. The next track sees this guitar return in a rather pure form. "On The Sand", featuring jack-of-all-trades Peter Broderick, is essentially just reduced analogue drums, electric guitar, a simple vibrating bassline and hoarse almost spoken vocals. Slowly and methodically, these constituents form a captivating erotic ritual, much like a beguiling and hypnotic mandala procession of imperturbable blissful individuals on the beach. As proven on numerous occasions, Pyle can easily lead all his trumps in the presence of female lead vocals, and "Blossoms In Red" makes no exception. Indeed, "You, By Candlelight" is easily the best Ensemble Economique track with female vox to date. Pyle manages to embed the vocals just in the right minimal amount of instrumental layers, making the track radiate an elusive tranquility. The fifth and closing track "Nothing Is Perfect" is a classically tinged piano piece with only very little processing and sparse field recording samples. With all pieces of the album, Pyle manages to create tracks which feel like being composed only of two or three layers of sound, that are nevertheless allowed to develop a life cycle which seems incredibly long - track lengths vary from 6:30 to 8:10 - but still feels just right. Thus "Blossoms In Red" is probably Ensemble Economique's most minimalistic album, but at the same time - or maybe just for this reason - his most skilled work.

Blossoms in Red

Ensemble Economique - From The Train Window, Red Flowers On The Mountain

Order CD + Digital here: https://futuresequence.bandcamp.com/album/subsiding 

Prominent Iranian artist Siavash Amini continues a triptych of works with ‘Subsiding’, an album of instrumental ambient drone. His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting.

Complete with striking cover photography by Alex Kozobolis, “Subsiding” will be available on glass-mastered CD in digipack sleeves (run of 200) and digital formats.

Subsiding by Siavash Amini

Collapsing Horizons

Tangent - Distorted Perspective

The first track from Lucy Claire's upcoming EP, String Works, out 9th March 2018 on 1631 Recordings! 

Violin - Marie Schreer, John Garner 
Viola - Francis Gallagher
Cello - Naomi McLean
Double Bass - Gwen Reed
Piano - Lucy Claire

It Is Winter Here

Miracle, Mystery and Authority

I was excited to see this wonderful collection of little piano vignettes released by Nils, one of my favorite piano players and people. The simplicity of these pieces and the honesty I feel in the music communicated a sense of ease and exploration that I immediately connected with.  This is my rework of a beautiful passage contained in the song "Re". 

http://www.unseen-music.com

http://reworked.nilsfrahm.com/

Nils Frahm - Re (Helios Rework)

Dronarivm achieves a new orbit. The Aquarius project is a whole constellation of emblematic names. Specially for this conceptual compilation iconic figures of the ambient scene from 10 countries of the world  recorded 14 exclusive tracks. Gradual submersion into the cosmic ocean turns into a meditative diving in the subconsciousness, deep-water exploration of the internal Universe. Unsteady acoustic space changes every moment its unstable shape, but in this state of zero gravity one feels completely at ease. Every musician’s style is inimitable in its individuality and readily recognizable, but all tracks have one general concept, and every track takes its niche in a well thought-out composition of the album.

Featuring: Federico Durand / The Green Kingdom / Pjusk / Melodium (offthesky drone mix) / Simon Whetham / Loscil / Marsen Jules / Fabio Orsi / Pillowdiver / Machinefabriek / Hakobune + Hiroki Sasajima / Francisco López / Pleq + Mathieu Ruhlmann / Yann Novak + Segue (bonus track, only digital download)

Release date: February 28

Compiled by Bartosz Dziadosz (Pleq)
Designed by E. Plushbeareat
Managed by Dmitry Taldykin
Mastering by Jason Corder

Order your copy - http://dronarivm.com/2013/02/25/va-aquarius/

Purchase CD

Loscil - Hemlock (from "Aquarius" compilation)

From the collaboration album with Loscil - 'Intervalo' (http://loscil.bandcamp.com/album/intervalo)

Endless Falls Reprise (Loscil)

Snowdrops - Trapezian Fields

Haingeraide

Here I Am

Two years after the release of his acclaimed Erased Tapes debut, ‘The Transition’, Californian singer, songwriter and multi-instrumentalist David Allred returns with a solo piano perspective on the album, aptly titled Felt The Transition — out December 18.

"Felt The Transition is a new minimalist solo piano perspective on my experimental chamber folk album previously released in 2018, called The Transition. This music is reinterpreted on my 114 year old upright piano which was very kindly donated to me by my friend Adam Selzer who previously ran a recording studio in Portland called Type Foundry. This piano is very sentimental to me as it was used by a handful of my favorite musicians on their albums over the past 20 years, namely Peter Broderick’s ‘How They Are‘ and ‘Two Balloons’.” — David Allred

Felt The Transition

The Garden (Solo Piano)

Stream & order LP · DL

David Allred - The Garden (Solo Piano)

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Miscellany

Origamibiro - Circle Fifth

This song is entirely based on vocal recordings that were processed by using a sampler, based on granular synthesis. All sounds that you can hear are our voices being stretched, squeezed, cut, pitched and sent into an fx chain.

@annamarjamaki

Taken from my recent record "Confidence".

Memum : Illuminate (feat. Anna Marjamäki)

It seems that almost every other day, I am excited to discover a new album, a new artist, a new publisher, and today is no exception. Sébastien Guérive may be new to my ears and these pages, but he comes out with a punch. First, there was a mesmerising music video, released in January, which has already been granted numerous film festival awards [more on that later], then I've got a private preview of his upcoming full length, titled Omega Point [it's out on March 19th], but today I am happy to share with you this exclusive premiere of a single, "Bellatrix," taken from the very same album. Listening to these atmospheric, neo-classical, and cinematic pieces, I immediately recognize that this is not the first foray into contemporary production for this French composer. The harmonically rich melodic progressions pleasantly enchant my attuned ear; the combination of acoustic instruments, such as piano and strings, breathe sustenance and life into an intriguing cinematic journey; the sound design on vintage analogue and modern digital synths cuts through with technical prowess and talent; and then, of course, being a sound engineer himself, Guérive carefully sculpts every layer, each textured aura, each instrument's exclusive timbre, into its own devoted space. And all of this is so sublime that I have even bumped a plug to share my very own new single out today. :)


The harmonically rich melodic progressions pleasantly enchant my attuned ear; the combination of acoustic instruments, such as piano and strings, breathe sustenance and life into an intriguing cinematic journey; the sound design on vintage analogue and modern digital synths cuts through with technical prowess and talent; and then, of course, being a sound engineer himself, Guérive carefully sculpts every layer, each textured aura, each instrument’s exclusive timbre, into its own devoted space. And all of this is so sublime that I have even bumped a plug to share my very own new single out today. 🙂 [for real!]

‘Omega Point’ is an instrumental album inspired by the form of a sci-fi movie soundtrack. This unique recording is a mix of ambient atmospheres with a strong presence of sound design and minimalist melodic themes. […] Long-term modulations and transformations have been generated so that each sound source approaches the richness of expressiveness of an acoustic instrument.

Omega Point

Bellatrix

TRACK PREMIERE : Sébastien Guérive - Bellatrix

Liquid Dub • Future Garage•  Deep House • Progressive House • Melodic House • Promotional Label • chill • rap • hiphop • rnb •  alternative •

Where It All Ends

Alix P