is that a record of you.. the picture is also very traditional.. i liked

Tanburi Cemil Bey - Şedaraban Saz Semaisi

Peşrev
Makâm : Segâh
Usûl : Devr-i Kebir 28/4
Bestekâr : Neyzen Yusuf Paşa

Segah Peşrevi (Yusuf Paşa)

Kürdilihicazkar Saz Semâîsi - Reşat Aysu

سَماعي حِجاز كار كُرد ،، أَلْحان رَشاد آيسو

Kürdilihicazkar Saz Semâîsi - Reşat Aysu

Sultânî-Yegâh Saz Semâîsi - Kanunî Hacı Arif Bey

سَمَاعِي مِن مَقَام السُّلْطَانِي يَكَاه
أَلْحَان : القَانُونِي حَاجِي عَارِف بيك

Makam: Sultâniyegâh
Usûl: Aksak Semâî
Bestekâr: Kanunî Hacı Arif Bey (1831-1885)

Haci Arif Bey (1831-1885) was a Circassian Turkish composer from Istanbul, most known for his compositions in the şarkı form, the most common secular form in Turkish classical music.
He was a very prolific composer, who on some days, composed more than 6-7 songs. He is also grandfather of one of the most important and powerful politicians in Turkey, Hüsamettin Özkan.

حَاجِي عَارِف بِيك (1885-1831) ، مُلَحِّن تُركِي شَرْكَسيّ مِن اسْطَنبُول ، مُعْظَمُ أَلْحَانِهِ كَانَت فِي قَالب الشَّرقي (şarkı) ، وَهُوَ الأَكْثَر شُيُوعَاً فِي المُوسِيْقَى التُّرْكِيَّة الكلاسِيكِيّة.
وَقَد كَانَ مُلَحِّنَاً كَثِيرَ الأَلْحَانِ وَالإِنْتَاجِ ، حَيْثُ أَنَّهُ فِي بَعْضِ الأَيَّام كَانَ يُلَحِّنُ أكْثَرَ مِن 6 إلى 7 أَلْحان.
وَهُوَ جَدّ أَحَد أَهَمِّ السِّيَاسِيّين وَالأَكْثَرِ نُفُوذَاً فِي تُرْكِيّا ، حُسَام الدّين أُوزْكَان.

#semaisi #saz_semaisi #Haci_Arif_Bey #Saz_Semâîsi #Sultâniyegâh #Sultânî_Yegâh #سماعي #سلطاني_يكاه

Sultânî - Yegâh Saz Semâîsi - Kanunî Hacı Arif Bey

Bûselik Saz Semâî - Reşat Aysu

سَمَاعِي مِن مَقَام البُوسلك
أَلْحَان : رَشَاد آيْسُو

Makam: Bûselik
Usûl: Aksak Semâî
Bestekâr: Mehmet Reşat Aysu (1910 - 1999)

Mehmet Reşat Aysu was born in Tekirdag in 1910, the fifth child out of six siblings.
In 1947, he played second and first violin in the City Orchestra founded by Madam Amati.
From 1945-1948, he taught at the Izmir Musical Society, and began playing violin at Izmir Radio in 1949.
He composed about three hundred pieces in various forms.

وُلِدَ مُحَمّد رَشَاد آيْسُو فِي تيكيرداغ عَام 1910 ، وَهُوَ الأَخ الخَامِس مِن سِتَّةِ أُخْوَة.
فِي عَام 1947 ، عَزَف الَكَمان فِي أُورْكِسْترا المَدِينَةِ التِي أَسَّسَتْها مَدام أَماتي.
مِن عَام 1945 إِلى 1948 ، دَرَّس فِي المُجْتَمعِ المُوسِيقِيّ الأَزْميريّ .. وبَدَأَ العَزْف عَلَى الكَمان فِي إِذَاعَةِ أَزْمير في عَام 1949.
وَقَد لَحَّنَ حَوالَي ثَلاثُمِئَةِ لَحْنٍ مُوسيقِيّ فِي قَوالبَ مُتَنَوِّعَةٍ.

Kanun : Savaş özkök
Ud : Bülent Anıtsoy
Keman : Hasan Dağ
Viyolonsel : Tuğberk Çelikkol

وَقَد أَحْبَبتُ أَن أَنْشُرَ هَذا السَّماعِي بِسَبَبِ إِعْجِابِ صَديقي الدُّكتُور أَمِين بِهِ .. وَمَحَبَّتِهِ لَهُ .. فَأَحْبَبْتُ أَنْ أُقَدِّمَهُ لَهُ كَعُرْبُونِ صَدَاقَةٍ ..

#semaisi #saz_semaisi #Reşat_Aysu #Saz_Semâîsi #Saz_Semâî #Bûselik #buselik #Aksak_Semâî #سماعي #بوسلك #رشاد_آيسو

Bûselik Saz Semâî - Reşat Aysu || سَماعي بوسَلِك - رَشاد آيسو

Kürdîlihicâzkâr Saz Semâî - Kemani Tatyos Efendi

سَمَاعِي مِن مَقَام الحِجَاز كَار كُرْدِي
أَلْحَان : طَاتْيُوس أَفَنْدي

Makam: Kürdîlihicâzkâr
Usûl: Aksak Semâî
Bestekâr: Kemani Tatyos Efendi (1858-1913)

Tatyos Ekserciyan (1858-March 13, 1913), or Tatyos Efendi, was a famous composer of classical Turkish music, and his works continue to be among the best-remembered and often played pieces of the genre.

Tatyos Efendi:
http://i.imgur.com/H3wyOs4.jpg
Nota :
http://i.imgur.com/6EkQB5G.jpg

#semaisi #saz_semaisi #Tatyos_Efendi #Saz_Semâîsi #Kürdîlihicâzkâr #Kurdilihicazkar #Kemani_Tatyos_Efendi #Aksak_Semâî #سماعي #حجاز_كار_كردي

Kürdîlihicâzkâr Saz Semâî - Kemani Tatyos Efendi || سَماعي حِجاز كار كُردي - طاتيوس أَفندي

Muhayyer Saz Semâî - Tanbûrî Cemil Bey

سَماعي مِن مَقام المُحَيَّر
أَلحان : جَميل بيك الطنبوري

Makam: Muhayyer
Usûl: Aksak Semâî
Bestekâr: Tanbûrî Cemil Bey (1873-1916)

Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, is an equally renowned Turkish tambur virtuoso.

Tanbûrî Cemil Bey:
http://i.imgur.com/lnYKrgX.jpg
http://i.imgur.com/wTP4BXd.jpg

Nota:
http://i.imgur.com/bHtWKEM.gif

‪#‎sufi‬ ‪#‎sufism‬ ‪#‎ney‬ ‪#‎neyzen‬ ‪#‎vecd‬ ‪#‎wajd‬ ‪#‎semaisi #‎tanburi #‎tanbur #‎kanun #‎ritm #‎nota #‎sazsemai ‪#‎saz_semaisi‬ ‪#tanburi_cemil_bey‬ ‪#‎Saz_Semâîsi‬‬ ‪#‎muhayyer‬ ‫#‏سماعي‬ ‫#‏وجد #‏محير

Muhayyer Saz Semâî - Tanbûrî Cemil Bey || سَماعي مُحَيَّر - جَميل بيك الطنبوري

اسْتَمِعوا إِلى هذا الجَمال

Acemaşîrân Peşrev - Neyzen Salih Dede

بَشْرَف عَجَم عُشَيْران
أَلحان : صالِح دَدَه
أُصول : دور كبير 28/4

Makam: Acemaşiran
Usûl: Devr-i Kebîr
Bestekâr: Neyzen Salih Dede (1810-1888)

#acemaşîrân #peşrev #pesrev #neyzen #salih_dede #makami #devri_kebir #bestekar #بشرف #سماعي #مقام #عجم _عشيران #عجم #عود #ناي #قانون


Acemaşîrân Peşrev - Neyzen Salih Dede || بَشرَف عَجم عُشَيْران - ألحان صالح دَدَه

سماعي حجاز كار كرد طاطيوس افندي
Nathan Fischer performing ud
16 May 2016
Subang Jaya, Malaysia


Samai Hijaz Kar Kurd by Tatyos Efendi (2016)ud by Nathan Fischer سماعي حجاز كار كرد طاطيوس افندي

« Julien Djelal Eddine Weiss, voyageur musical, prête l’oreille, désormais, aux splendides musiques de cour ottomanes. Toutes les odeurs, toutes les fragrances de l’Orient profond – turc, arabe, perse notamment – se retrouvent dans la pureté cristalline de ces chefs d’œuvres de la tradition » Salah Stétié 
A la recherche d’une spiritualité perdue, Julien Djelal Eddine Weiss réunit de remarquables musiciens venant de différents horizons, : Turcs, Syriens, Egyptiens, Azéri afin de mêler émotions, exaltation, esthétique et affect ; de fusionner Tarab, Hal, Ruh, Saltana ; de réveiller l’esprit de dialogue et d’échange qui devait régner dans les ensembles de Cour du XVIIe siècle.

Taqsim Tanbur Neva

alkindi

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