High Digital boss HANAH renders a pummelling onslaught through explosive genre deconstruction.

'Shortcuts' is out May 17th on High Digital.

@hanahmusic
@high_digital

Premiere: HANAH - More Is More [High Digital]

An older track of mine from 2015. Project file has been lost in time so it deserves to be unleashed in it's destined-to-be form. I really loved this period of my productions; it felt like I was really starting to find my feet with what I wanted to make and a direction I wanted my sound to go in.

Nods to proto-grime from the era along with blatant UK influences rhythmically and sonically. I loved the anxious melodic pad on this, I was just starting to write my own synths at this point and was moving away from samples. Really happy to finally let this one be heard by the world.

Photo taken by Galtier

Terrorem

Terrorem (Breach 2)

Losing your mind in the brainforest at night. Scratching out ancient signs in the undergrowth. Hitting panic mode in an old railway tunnel. Running topless through the trees with camo-dirt smeared on your face. This is what it sounds like.

Beams

NKC - Strak

IM089 - @galtier - Pulchra Es Elementis
Label: Infinite Machine
Release Date: September 24th,2021
Format: 12" / Digital

With 10 years in the ‘biz’ firmly under his belt, Jiah Wells is poised to release the first full-length LP of his Galtier project, Pulchra Es Elementis. Whilst Galtier is arguably one of the originators of the percussive style that would eventually fall under the Hard Drum label, the heightened theatrics of his recent output have seen him channel Blade Runner-styled sonics and move further away from absolute club functionality. Whilst Galtier’s output often seems to soundtrack hypothetical, off-planet words, Pulchra Es Elementis turns the focus inwards: towards Wells’ own emotional constellation, his evolving spirituality and his attempts to tap into planes of existence beyond the tangible. The album’s Latin title translates to ‘Elements are Beautiful’ and encapsulates the artist’s belief that there is grace in all of life’s aspects; pushing past what we deem as good or bad, minuscule or massive.

Pulchra Es Elementis begins with Crystalised Larva, a brooding opener of breathy pad synths and expansive kick drums which reverberate through the mix as if the hits originate from the bottom of a valley. There’s an indistinct sense of tension on this track, in part due to a central melody, which never resolves but only descends lower in pitch. This tension turns to explorative wonder on Wilfull Saviour, where a mirage of musical ideas come in and out of focus. Although the sonic worlds Galtier explores are internal to him, Wilfull Saviour still possesses that sense of a cosmic journey we’ve come to expect from Wells; an ardent fan of dystopian films and literature.

Continuing this emotional odyssey, Bruised, But Not Broken sees the artist push deeper into the psychological undergrowth; its murky tonality juxtaposes crisp, Reggaeton-inspired drum patterns with a heavily compressed one-note synth line that modulates wildly - cutting through the mix like a nagging thought that won’t leave your mind. Next up is U Were, U Are & What U Will Be, one of the more club-ready tracks of the LP, which gets us moving with a snarling bassline and layers upon layers of percussive hits and inflections.

At Pulchra Es Elementis’ mid-point is the LP’s title track, a drumless interlude where blissful, shimmering synths create a patchwork of intensities. Galtier’s approach to songwriting shines through here; ignoring musical pragmatics, he opts to feel his way through his compositions without knowing where they might end up. Following on from that weightless breather, Phantasiai turns up the freneticism with its head-spinning mix of drum programming and a glitched-out synth line that yo-yos up and down octaves. Things get even more furious on the Superficie-featuring Cavernam, a hollow Hard Drum banger inspired by Eskibeat sensibilities and designed to create a sense of self-implosion.

The album’s penultimate track, (U Are) Beautiful, is a tale of two halves: beginning with a moment of serenity as synthesizers swell like an ocean tide before evolving into a marching crescendo of raw energy. Rounding off the album, Shine Forth hurtles through pacey drum work and all manner of strange zaps and klaxons before giving way to a final dose of nebulous ambience.

A musical journey unlike any other ‘club music’ albums, Pulchra Es Elementis is an LP that demands to be consumed in one sitting. Reflecting on his place within the universe and the musical landscape, the album could be viewed as a musical exorcism which sees Galtier working through and shedding huge chunks of his ego that stuck to him out of fear of the unknown. Pulchra Es Elementis begins on an insecure, overwhelming or, even, existential note before rounding off with a related sense of vastness seen with new, more positive eyes. It’s a voyage we hope you will join him on.

Galtier - Shine Forth

Galtier makes his second return to his own label with a 5-track offering of off-kilter, obscure electronic madness aptly titled 'Imitation Plantae'. Inspired by the idea of man-made imitations attempting to capture the essence of natural beauty. Galtier's take on this very concept manifests itself through the ever-present sense of unease that is evident across all five tracks. The melodies drift in and out of tune, ever so slightly, ultimately sounding pleasing but always fleeting in their general aura of pleasantness.

A showcase of Galtier's breadth of confidence across a huge span of BPMs and rhythmic influences that is showcased on his sophomore NHS release, reflecting the sense of uncertainty conveyed through the Intentionally awry mood throughout.

‘Half-Dead Orchid Still Breathing’ is a stripped back thudding piece designed for a futuristic cyber-Zaibatsu Police chase scene. Dense 808 subs thunder with spacious yet present tom drums as hollow synthetic sounds reverberate in between. It carries low end weight and steps with an almighty poly-rhythmic flow.

Artwork by Mer Marin
Mastering by Fausto Mercier

Imitation Plantae EP

Buy EP

Half-Dead Orchid Still Breathing [NHS019S]

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Stolen Whispers In The Club

Enhanced by remixes from artists such as Emma Dj, Katatonic Silentio and Klahrk, French duo @Glass relaunch their debut album ‘crY’ now for the first time in a physical format.

crY [Remixed]

crY (Emma DJ Remix)

3. Glass - crY (Klahrk Remix)

Raaz - Ten Rules

Cat No: MATERIA07
Title: Magnetic Field
Artist: @tsumutsumu
Label: Materia 
Release: 6th September 2019

1. Magnetic Field	
2. Industrial Ecosystem
3. Coup
4. Dominator
5. C4

Magnetic Field

T5UMUT5UMU - Coup

ACEN2001

bonebrokk - Tuunbaq

More info - http://loose-lips.co.uk/blog/ice-eyes-maps-of-despair-abadir-remix-edt10
@ernestdtapes
@ice_eyes
@rami-abadir

Antipodes EP

Maps of despair (ABADIR Remix)

Pre-order

PREMIERE: Ice_Eyes - Maps of Despair (ABADIR Remix) (EDT10)

Record label from @djpitchdj @simkin0 @tomsobolikmusic

Everything 2 allcentre000@gmail.com

Artwork by @bette-blanchard
Mixing and Mastering by @djpitchdj

bonebrokk - Tuunbaq

All Centre

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