mysterious feeling on this one... very beautiful this last part

WOW - nice those shore DEEP sounds. Great experimental stuff!

So glad to hear this now, having just read a MIT online musique concrete course content:   http://ocw.mit.edu/courses/music-and-theater-arts/21m-361-composing-with-computers-i-electronic-music-composition-spring-2008/ . Coincidence for me. I like the result: the sounds and music matching the sound images of the words.

I like the idea of the music's sudden emergence at the end--the time constraints may have worked out in your favor.  Hearing the last section is like stumbling across a beautiful lake after losing your way off a path.

I particularly like the 'anyone...lived' getting chopped and repeated here... and great to hear ee cummings so well read! Another great track.

Again: You're leading this track to a very gratifying conclusion.. guess I let this be the last track for today!

for @disquiet junto #17 "transition"

<i>Plan, in three steps:  

First step: At some point during the day, make a field recording of the world around you. Then select a 30-second segment from it. (Please, don't include other people's voices without their knowledge unless you are absolutely certain doing so is legal wherever it is you make the recording.)  

Second step: Choose one of the following two preexisting tracks and select a 30-second segment:  

Option 1: http://archive.org/download/zero130/01AControlledBurn.mp3  
Option 2: http://archive.org/download/WM074_900/WM074-03_64kb.mp3  

Third step: Create a new track in which your field recording can be heard to slowly transition into the preexisting track. You can add whatever you like to the new track, and you can transform the field recording and the preexisting track. However, the first five seconds of your field recording and the last 5 seconds of the pre-existing track should be left untouched, aside from fading in and out. The goal is for the transition to be as indiscernible, as seamless, as you can achieve in the time allotted for production.  </i>

:::::::::::::::::::::::::::::::::::::::::::::::::::::::

This track includes a segment of "The Day Love Came In The Mail" by Lee Rosevere off the album Play 3 on the WM Recordings netlabel, thanks to Creative Commons license. More information at:  
http://archive.org/details/WM074_900  
http://www.wmrecordings.com/free-downloads/wm074-lee-rosevere-play-3  

and these fragments of E. E. Cummings' "29" from 50 Poems:

anyone lived in a pretty how town 
(with up so floating many bells down) 
spring summer autumn winter
he sang his didn't he danced his did.
[..]
stars rain sun moon
(and only the snow can begin to explain 
how children are apt to forget to remember 
with up so floating many bells down)
[..]

More details on the Disquiet Junto at:  http://soundcloud.com/groups/disquiet-junto/info

:::::::::::::::::::::::::::::::::::::::::::::::::::::::



It's not a super-bona-fide field recording, i suppose; i was sitting outside reading some Cummings
(50 Poems, 29: anyone lived in a pretty how town ..)
i programmed supercollider.sf.net to cut that up, and the tail end of the Lee Rosevere track (thanks!)
and to play one cut of each in sync, with some randomness in the length of the cuts and the frequency of the beats.
Then faded out with the tail end of Rosevere.

with up so floating many bells down

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
_________________________________

headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
_________________________________

51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
_________________________________

newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
_________________________________

new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
_________________________________

&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
_________________________________




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