from the lost split with Travis Johnson http://www.discogs.com/Travis-Johnson-2-METEK-Pink-Money/release/3899402

METEK - Sunrise

Out the 09/11/2025
Self release
FREE DOWNLOAD

Mixage & Mastering : CØNTRAST

Breakdown ( Original mix )


https://dvstrrmediacore.bandcamp.com/album/hydrax-cyclone

https://www.youtube.com/watch?v=x29Sty-U5u4

Equipment used: ableton, fl20, milkytracker, trackerboy, sib bass guitar, assorted junk to make foley fx drums,

Track 3 "Hydrax Corner" samples @loko_los - Moonlit Ruins  
Track 5 "Ice Dub II" is a flip of Dubwise (@kzpempire) by me and @1sib
Track 8 "Hydrax Center" samples SGP - beast mode produced by Bloodline Genesis

 

Protura Tracker

ephemeral flux (live)

cut of a live improv session installation:
WIEKANNEMANNUR at Artlake Festival 2019

recorded 08.08.-10.08.19 at Bergheider See, Finsterwalde

WIEKANNEMANNUR is an audiovisual collaboration with Bennos Dias

Es gibt da diesen UN-Report in welchem geschrieben steht, dass nur 20% der jährlich weltweit anfallenden Menge von ca. 50 Millionen Tonnen Elektronikschrott geordnet wiederverwertet werden.
'Ja wie kann er denn eigentlich nur, dieser Mensch?' haben sich zwei von eben jenen - namentlich Wiemann und Kannemann - gefragt und setzen sich folglich in künstlerischer Zunftzusammenkunft mit der analogen Nutzbarmachung von Elektronikschrott auseinander (um die Wiederverwertungsquote nach oben zu treiben). Bei dieser audiovisuellen Installation bietet sich dem Besucher die Möglichkeit manipulativ mit Projektion und Geräusch zu interagieren. Frei nach der Wechselwirkung 'Mensch moduliert Geräusch moduliert Projektion moduliert Mensch moduliert Projektion moduliert Mensch' soll (zumindest temporär) ausnahmsweise ein geschlossener Kreislauf in Bewegung geraten und dann eventuell zum Nachdenken anregen. WIEKANNEMANNUR?

WIEKANNEMANNUR will screen again at

- Galerie Pfund & Dollar, Stockmeyerstr. 43, Hamburg
- Reeperbahnfestival 2019

Cover Artwork by Bennos Dias
(-> www.instagram.com/bennos_dias/?hl=de)

|sssns| wiemann

eniac

performingVHS@NUB_10.03.19

cuts of "der kleine freitag" - session (December 19)
every thursday roundabout 8pm
at pfund & dollar / stockmeyerstr 43, hamburg

you`re welcome to join us!

participants for these cuts:

- rita -
- fool -
- kskefk -
- loco motiva -
- caro -

recorded with TASCAM DR-40
released January 12, 2020

TASCAM_08XX

TASCAM_0829

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Edon - part 1

O.V.
https://soundcloud.com/user-548572485-894907690/rhythm-1

Arçon  de Nièze - L'Ereucline CB·3 (Paral·lel "Radio" Rmx)

Ambient, musiques pour films, théâtre  & danse

Edon - part 1

A.L. Lamer