what happened to the full version you had posted? the snippet doesn't do it justice x

@indistress: lush and organic, luxury sweatpants

Необычно... Впрочем как всегда

deephaus/technew

Cat. N.: MGF024 
Artist: Cosmic Cowboys 
Title: Zero Gravity Love
Remixer: Kollektiv Turmstrasse, Dub Taylor, Matthias Meyer & Patlac
Label: Musik Gewinnt Freunde
Release Date: 25.11.2013
Format: CD + Digital
Distributed by: Kompakt

www.facebook.com/matthiasmeyermusic
www.facebook.com/patlacmusic
www.sensational-booking.com
www.water-gate.de

Cosmic Cowboys - Zero Gravity Love (Matthias Meyer & Patlac Remix) MGF

Anno 24

Audiofly & Big Bully - I'll Tell Ya (Anthony Middleton Remix)

Buy Here:  http://btprt.dj/1M1rkDb

Label: Get Physical Music
Cat No: GPMCD106


Buy on Beatport

Eagles & Butterflies - Cosmo Congo Bongo (Get Physical Music)OUT NOW

Summer days are visible on the horizon once again and the anticipation of daydreaming to music flows through us all. Our label welcomes new friends and deeply talented artists, Gorje and Izhevski. Their beautiful three track EP - Calinerie -  is a beautiful addition to the label's musical journey.

Decks_
http://bit.ly/1blwQoR

Deejay_
http://bit.ly/1JgwCxw

Juno_
http://bit.ly/1EvgRSp

artist @Izhevski
www.facebook.com/IzhevskiOfficial

artist @GorjeHewek
www.facebook.com/gorjehewekmusic

label(homepage)
www.alldayidream.com

label (facebook)
www.facebook.com/alldayidream

BUY@DECKS

Gorje Hewek & Izhevski -B2- Calinerie (Ambient)

Powel has been a favorite of all day i dream since the early days of the parties and we are excited he has chosen to release these gorgeous tracks with us. His delicate and patient melodies soothe and transport the listener to far off places. A certain dreamlike quality resonates through each track drawn from the depths of a sensitive producers soul.

Deejay_
http://bit.ly/1NhXkoE

artist @Powel
www.facebook.com/Powel.Sonnenkinder

label(homepage)
www.alldayidream.com

label (facebook)
www.facebook.com/alldayidream

Powel -A2- Feels Like Earth

Back in November 2014, Scotty.A hit the Proton Music headlines once again as "Tomorrow" shone a light into the UK producer's musical soul. A remix EP followed as Addex and Frank Maris took the reins and now "Tomorrow" returns for a third outing, reworked by a techno legend and a multi-talented San Francisco icon.

Oliver Lieb requires little introduction to both the Proton cognoscenti and the wider music-loving masses. A German of prodigious talent and multiple personas that have taken the trance and techno scenes by storm over a 25 year period, his work under the Force Legato, L.S.G. and Oliver Lieb production pseudonyms have never ceased to provide success, recognition and respect.

Remixes for Moby, Faithless and Human League have seen Lieb scale lofty heights few can equal, bringing kudos and credibility to all that he touches. With work signed to such celebrated imprints as Platipus, Yoshitoshi and Hooj Choons, Lieb's own Maschine and Solieb labels have also provided a hallmark of sustained quality.

A regular on Proton Music over the past eighteen months, 2014's "Dark Energy" EP provided techno mastery before a set of remixes included Silinder, Tim Penner and Scotty.A himself. 2015's "VY Canis Majoris" has continued Lieb's immaculate original production material with a number of remixes set to follow during the rest of the year. Now tackling his first remix for Proton, Oliver Lieb's rework of "Chapter's End" is full of the majesty and production mastery for which he is famous. Intricate layers of percussive groove and rhythm drive forwards with unrelenting intensity, backed by an intelligent reinvention of the Scotty.A's melodic components. Gated synth elements provide rhythmic synchronicity combined with Lieb's own production work to create a remix with an impressive story to tell.

San Francisco based Mark Slee is another DJ and producer with a host of skills and talents to his name. A regular number one ranked DJ on Proton Radio with his Heron Sound show; Slee is an iconic figure in his San Francisco hometown both as DJ in a variety of local clubs and bars, and as a promoter and event organiser. Furthermore, Mark Slee's technical prowess has seen his lighting software deployed at globally renowned festivals, "Burning Man" and "Coachella".

A production portfolio that has seen a raft of original productions for Jondi and Spesh's Looq imprint, Mark Slee's sound has made a significant impact on the deep house community with such offerings as the "Sunday Trails" and "Surface Tension" EPs. Now making his debut for Proton Music, Mark Slee's "Space Jazz Improvisation" provides a unique interpretation of "Next Chapter". A smooth rhythmic bed layered with deep house chords opens proceedings with hi-hats to the fore, before a meandering freeform melodic interpretation wends its way atop in glorious carefree abandon. Breaking from the norm in impressive style, Mark Slee's work deserves immediate attention.

Two new remixes from two iconic figures sees Scotty.A still staring brightly into "Tomorrow".

Directed by Jay Epoch
A&R by James Warren, Jay Epoch
Mastered by Oliver Lieb, Cid Inc.
Design by Ben Mautner
Text by James Warren

Tomorrow (Oliver Lieb, Mark Slee Remixes)

Scotty.A - Next Chapter (Mark Slee's Jazz Improvisation - Radio Edit)

Over the years All Day I Dream has developed a range of music that reflects and captures the spirit of the brand and the sounds of our outdoor day parties. This sampler is a collection of these moments presented as our soundtrack to the summer and features some very exciting artists we are proud to have representing us.

ALL DAY I DREAM SUMMER SAMPLER VOL. III
Deejay_
bit.ly/1fbLAIw
Decks_
http://bit.ly/1J3B0fm

ALL DAY I DREAM SUMMER SAMPLER VOL. II
Deejay_
bit.ly/1SYWbZN
Decks_
bit.ly/1NutSvq

ALL DAY I DREAM SUMMER SAMPLER VOL. I
Deejay_
bit.ly/1IryiDn
Decks_
bit.ly/1MUOMnh

label (homepage)
www.alldayidream.com

label (facebook)
www.facebook.com/alldayidream

artist @GorjeHewek
www.facebook.com/GorjeHewekMusic

artist @Izhevski
www.facebook.com/IzhevskiOfficial

DEEJAY.de

ADIDSUM001 - 1  B2  Gorje Hewek & Izhevski - Zakkat

For over five years, All Day I Dream has been where deep and emotive meet House music. Propelled by a community of forward thinking artists drawn around the scion of master curator and sunset/sunrise set specialist, Lee Burridge.

They now welcome Lost Desert to the label with the release of Lingala, a two-track collaborative effort with Burridge himself, that also features Junior on vocals. Lost Desert was picked out of obscurity after Burridge discovered his music while trekking in a remote area of a long lost land. A fast forged friendship inevitably lead to the studio, and Lingala’s the enrapturing sophomore result. 

Lingala, is a beautifully composed ten-minute sonic journey. Our Debut Transmission is Gorje Hewek & Izhevski’s interpretation of Lingala is a markedly different affair. Focussing on musical layers rather than the vocal the duo’s  signature spacey atmospheres and minimal rhythmic percussion add extra strings creating uplifting moments that contrast the original’s mood.

Follow Us:
Spotify: https://goo.gl/p1gaWy
YouTube: https://goo.gl/3JmFbF
Facebook: https://goo.gl/ZAsYwY
Twitter: https://goo.gl/yHyvTs
Instagram: https://goo.gl/6LqfCJ
Snapchat: datatrans

Pre-order now
Itunes: http://bit.ly/ADID013-itunes
Juno: http://bit.ly/ADID013-juno
Deejay: http://bit.ly/ADID013-deejay
Beatport: Sep 9th

Lee Burridge & Lost Desert Feat Junior - Lingala (Gorje Hewek & Izhevski Remix)

Global-Sets.com

Boris Brejcha - Space Diver

German duo Superlounge have been tapped for the latest All Day I Dream compilation ahead of the 2017 summer season.

Since coming together in 2006, Superlounge have been solidifying their moniker in the minimalist and deep house genre, making them a perfect fit for the 'All Day I Dream Summer Sampler 2017'. Alongside six other tunes, Superlounge contribute 'Jazzmatazz', an appropriately titled and sultry smooth track which is out on June 16.

More exclusive music

Premiere: Superlounge 'Jazzmatazz'

Discover the best Deephouse to Melodic Techno from Paris with Love ...

PREMIERE : Tigerskin & Alfa State - Slippery Roads (Pablo Bolivar Remix)[Seven Villas Music]
Release Date : 12/01/18


BUY :
https://www.beatport.com/label/seven-villas/40207
https://sevenvillas.bandcamp.com/album/slippery-roads

Follow : @seven-villas-records / @pablo-bolivar

PREMIERE : Tigerskin & Alfa State - Slippery Roads (Pablo Bolivar Remix)[Seven Villas Music]

Berlin based DJ Powel is next up on Behrouz’s Do Not Sit on the Furniture
label with five tracks of hugely atmospheric house.
Mixing signature rhythms with fine percussion and real musical and emotival
depth, Powel has become a key player in the globe scene. He’s a resident
with Lee Burridge’s All Day I Dream around the world and Do Not Sit on the
Furniture in Miami. He also releases on Sol Selectas and is a real storyteller
as these tracks prove.
Opener Since We’ve Been is a dreamy bit of house with drifting pads passing
by like a warm breeze. Great vocal samples add real heart and ensure this
one radiants real heat. Who Put That Piano in the Jungle is a more tribal and
tropical bit of house with great drums and percussion sounding all steamy and
seductive. The groove runs deep with animal sounds adding to the exotic feel
and great piano lines bringing the melody.
Doorbell Symphony is a smooth deep house groove with subtle pads and
warm chords all fleshing out the rubbery drums. It’s classy and filled with real
emotions before A Record This Quiet picks things up with breezy house vibes.
Great chord stabs and more spring day ambience swirls around as spoken
word samples add feeling and keys drenched in echo are lovably louche and
loose. Last of all, Tuesday Blues sways to and fro with thoughtful pads
encouraging you to cut loose and allow yourself to day dream as you get lost
in the beautiful drums.
This is a tasteful EP of inventive and expressive house music filled with
worldly feelings.

4.Powel - A Record This Quiet (Original Mix)

Release date 12”: July 5th, 2019 - ORDER NOW: 
https://pampa-records.lnk.to/venqtolepEP
https://pamparecords.com/products/pampa035-nata-alma-e-p

Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!

Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!

Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.

Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!

And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.

Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.

Pampa035

Pampa035B - Robag Wruhme - Venq Tolep (Hit Club Version)

Out now on Crosstown Rebels: lnk.to/CRMCD040

Following on from the Moment in the Dark EP featuring remixes from Adam Port, Satori and Tibi Dabo, Damian Lazarus celebrates the tenth anniversary of his acclaimed debut album Smoke the Monster Out, with the release of a remastered and expanded edition on his own label Crosstown Rebels.

A decade ago I released my debut solo album on the label Get physical. It was the first time I’d let myself loose in the studio and what came out was a psychedelic collection of extremely strange and bizarre songs. I wanted to make an album full of my inspirations and influences, for exotic after parties, and with no consideration about necessarily getting played in the clubs. It divided opinion at the time and seemed to defy easy categorisation. My own sonic curveball. Here we are ten years on. I’m pleased to report that ‘Smoke The Monster Out’ is still as weird as it ever was. Still genre proof. Still an ‘album’ in an era of tracks and playlists. Now forthcoming on Crosstown Rebels, remastered and with three bonus tracks from the original studio sessions, it’s ready to confuse everyone all over again!

Smoke The Monster Out, originally released in 2009, was the first time Damian had written and produced his own music. Known across the globe for founding the Crosstown Rebels label, his captivating DJ sets and divergent Lazpod podcast series, his debut album is an emotional and humorous expression of his genre-defying imagination.

Following ongoing experimentation with lyric writing and production, Damian invited Arthur Jeffes (son of the Penguin Café Orchestra’s Simon Jeffes), Classic records head honcho Luke Solomon and Mark Ralph (then a member of Filthy Dukes and now a world renowned producer for the likes of Clean Bandit, Years & Years, and Jax Jones) into the studio with him. The result was a unique blend of music that represents Lazarus’ personality and vast experience of the dark and light moments that are captured on the dancefloor. The Guardian went as far as describing the album in 2009 as: “Less troubled and deep than Björk's Debut, it still captures the atmosphere of late-night clubland – the transcendent freedom, the fuzzy unreality, the implicit emptiness, the dysfunction – with a similar potent accuracy. That it does so by fusing Ricardo Villalobos and Robert Wyatt, and slipping in a Scott Walker cover, might explain why it is not being hailed as one of the crossover albums of the year. But it is."

Ten years on the album that draws on inspiration from: techno and house, rock and pop and drum and bass, still remains as challenging and exciting as it was upon its initial release and will capture the attention of both new and old fans alike.

Everything about Smoke The Monster Out feels idiosyncratic, direct and carefully thought-out: both the artwork and the title (which references Alice in Wonderland) evoke Lazarus’s interest in the loss and the return of innocence, the imagery of fairytale fables, and the battle to control and satisfy the emotions without losing sight of humour. Lazarus has a vision, and isn’t afraid to realize it. He continues to live this vision through the music released on his label, the groundbreaking festival he curates Day Zero and the story that unfolds during his DJ sets to audiences around the world every week.

Damian Lazarus - Moment

Fulltone - Alba - Out Now 
orcd.co/_alba

Nathan Katz - Parallax EP - Out Now
orcd.co/_parallax
 
All Day I Dream explores beautiful, emotional and melancholic shades of House and Techno through its label's releases, events and artists.

All Day I Dream events began on a Brooklyn rooftop back in 2011 and have since become an international sensation. Around the world, crowds continue to be drawn to the experience and to become a part of it's community. Spurred on by the music of Lee Burridge and his unique roster of artists, each brings his or her own emotive musical vision to the daytime party. Sounds that are all too rare in the current electronic music scene.

Each year the events continue to spread out across the world. From Los Angeles to London. Melbourne to Moscow, Berlin to Beirut to Brazil and back to their spiritual home base of New York City. They continue to flourish due, in part, to a core ideal. To create something truly magical. The passion to create magic manifests itself  both in those organizing as well as those attending the events.  

All Day I Dream also continually forges it's own unique ambience through a combination of the musical journeys taken by it's listeners as well as noteworthy venue choices. Each location transformed with the event's bespoke production design. Structural art, hanging gardens, colourful fabrics, fairy lights and lanterns. All melded together to fashion an unparalleled, irresitable atmosphere.

Powel -A2- Feels Like Earth

All Day I Dream

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