STRANGE AGREEMENT

self examination

I am ME, and I am You-min. Anything else within these two lines is simply... All Good. 

Making up boxes, no matter how one frames it, is just prop-a-gating the same ole' divisive cracks under a fresh coat of bad faith-paint. So stop marking up tribal bounds, and instead, let's all BOND within the only Spectrum that should really matter: this gorgeous You-n-I-verse that we all share.

****************************************************  
LYRICS

How do you grope about
with eyes popped wide when there's no view 
of what stretches behind the salt suss-pression of 
your sticky-sweater skin?

Do fingers ball up, full exploratory-like
Flail away in fistfuls
Fuzzy flurry of Punch & Ply
Do digits dance delicate 'twixt the dunes
to dowse what fiery diary swells within?

***

Why do we trope around
Big Lies plopped down wide open, peer-review
a spectrum skew molded by-the-bi trap within?

Genitalia vibrant stroke impressions
Hexadex or Binary, veiled hue expression
'Box be box' in spite of facets or dimension --
it still walls us in...

***

What makes a fellah-fellah
...stakes a sistah-sistah
...slakes a mallow-yellow
...wakes a mistah
Whoda howda whyda focus on special 
kindsa tribal lines and gloves?

What fakes a feelah-feelah
...cakes a mistah-sistah
...shakes a twistah-listah
...breaks a blistah
why wouldn't ya want an all-encompassing 
kinda it's-all-good full life to love?

***

Why do the hokey-pocus
...lose the larger focus
...choose the lie that chokes us
...rue the roost with spose-dahs?

You R you N you Are you-min
time to toss the tribes
and share one

LOVE

****************************************************

Gro(w)ping Thru The F(l)og

Equilibrium

https://youtu.be/0puKZAdlqVg
https://soundcloud.com/231219/mmxxiiviiviilngwck

MMXXIIIVIXIIICCSSBL

2 hour flip. Original track - https://youtu.be/fPb9fS0VtoQ?si=9SsrS7UTUuGLqA9P
https://soundcloud.com/frawstakwa/for-the-fallen-for-they-have-1?in=frawstakwa/sets/frawstakwapella-open-for-2

Loop Diggers SC 94 FRAWSTAKWA - For The Fallen (For They Have Risen) Open Collab

Rubbersole

A fascinating song by Pat Travers. The changes are really very unique (string skipping and pedal tones).

Feelin' Right (Pat Travers Cover)

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Equilibrium

Allen Pitts

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