Comin’ Around Again

A blues version of "FY Yeah" sung by Danny 'Blues' Boateng-Nzinga. In typical Boateng-Nzinga style, it is sung with power, conviction, feeling and dedication.

FK-Yeah (Danny 'Blues' Boateng-Nzinga, Mix)

Verse 1]
Listening to TLC in my younger days,
Grew up free, no fights, no heavy plays.
Parties every night, it was the golden rule,
If you didn’t show up, you just weren’t cool.

[Verse 2]
Danny DeVito, funny little man,
Stepped down from his billboard stand.
That was the day we came back to real,
Black and white queens showed what they feel.

[Ref – Rap]
Don’t forget suspicion,
Turn your full attention,
Open up creation,
Yeah, yeah, yeah – elevation!

[Verse 3]
Neighborhood cats running wild on the street,
Messin’ with the dogs, playin’ to the beat.
No matter how high your ambition grows,
The waterfall leads where the true seed flows.

[Outro]
Yeah, yeah, yeah…
Find the seeds, let ’em grow, let it show.

cat´s and dogs.

This track speaks as the temple itself, walking proud, clothed in gold, laughing at the lords of dust who think they hold the soul. It’s cocky, defiant, and unshaken. The temple knows its truth: the soul is God’s, not for priests, kings, or false judges to claim.

The voice says: “If I should die before I wake, leave my soul, it’s not yours to take.” This isn’t arrogance, but certainty. Stone shrines collapse, crowns rust, empires fade, but the temple of light within cannot be touched. The cherubim guard, the seraphim blaze, and the soul shines eternal.

Here the mocking tone is sharp: men build walls that always fall, but the living temple walks on, laughing at their folly. The cocky temple declares itself sovereign, eternal, and free, a witness that the soul belongs only to God.

Cocky Temple

Written by: Jamila Woods 
Produced by: Peter Cottontale
Drums by: Greg Landfair Jr.
Horns: J.P. Floyd, Irvin Pierce
Bass by: Carter Lang
Mixed By: Mike Kolar c/o Closed Sessions 
Mastered by: Mike Kolar c/o Closed Sessions 
Distributed by: Closed Sessions


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