sooooo good. Blogged at holaOLA http://holaolamusic.blogspot.com.es/2013/09/just-rolled-in-zachary-cale-wayward-son.html

From the album BLUE RIDER by Zachary Cale.  Released Sept. 24, 2013.  Electric Ragtime / All Hands Electric.  Pre-Order LP/CD here: http://allhandselectric.com/bluerider/

Website: http://zacharycale.com
Facebook: http://facebook.com/zacharycalemusic



Hold Fast

New cover version of Mazzy Star's 'Fade Into You' by Au Revoir Simone and Nikolai Fraiture of The Strokes.

Fade Into You (feat. Nikolai Fraiture of The Strokes)

Order: http://bit.ly/1lhkzoR

Album due October 28, 2014 

http://wearemysteries.com/

Mysteries - Authenticity Machine

Written & produced by Cloud Castle Lake
Recorded & mixed by Rían Trench at The Meadow
Mastered by Richard Dowling at WAV Mastering

Played by

Ross Chaney - drum kit
Rory O'Connor - bass guitar
Daniel McAuley - vocals, drum machines, synthesizer, percussion
Brendan Jenkinson - piano, guitar

With special thanks to Rían, Richard, Roscoe T, Ed & Fabian, and Scan.

Released on: 
16.03.15

Glacier

second single from the upcoming War On Love album due out April 2016

Invisible Tears

Opening track from “LEAVES - The Colour of Falling (performed by Efterklang & The Happy Hopeless Orchestra)” by Efterklang and Karsten Fundal (out on Tambourhinoceros on Nov 4th 2016).

More info: www.efterklang.net/home/?p=2556

TOUR DATES 2017:
Feb 22 - Copenhagen, Store Vega, Denmark 
Feb 23 - Uppsala, Uppsala Konsert & Kongress, Sweden
Mar 02 – Eindhoven, Muziekgebouw Eindhoven / Cross Linx – Holland
Mar 03 - Groningen, De Oosterpoort / Cross Linx – Holland
Mar 04 - Rotterdam, De Doelen / Cross Linx – Holland
Mar 05 - Amsterdam, Muziekgebouw / Cross Linx – Holland
Mar 09 – London, Barbican – England
Mar 10 – Brussels, Ancienne Belgique – Belgium

Efterklang and The Happy Hopeless Orchestra are:

Vocalists: 
Lisbeth Balslev (soprano)
Morten Grove Frandsen (countertenor)
Katinka Fogh Vindelev (soprano)
Nicolai Elsberg (bass)
Casper Clausen (Efterklang)

Musicians:
Mads Brauer (electronics, Efterklang)
Rasmus Stolberg (bass, Efterklang)
Bjarke Mogensen (accordion)
Jenny Lüning (bratsch)
Josefine Weber (bratsch)
Marie Louise Lind (cello)
Josefine Opsahl (cello) 
Ying-Hsueh Chen (percussion)
Sara Nigard Rosendal (percussion) 
Michael Min Knudsen (harmonium, celeste)

Lyrics by Ursula Andkjær Olsen:

CITIES OF GLASS

I have no doubt
just, damn, build those gardens
into the sky
sun is gathered by large screens
that unfold like flowers
that unfold like flowers
in and out like flowers
in and out like flowers
in and out

I have no doubt
our futures:
you are welcome in mine
I am welcome in yours
are a castle with many chambers
and the chambers open and close 
in on us as
flowers by night
by light

our futures
our futures
is a castle with many chambers
is a castle with many chambers

cities of glass
cities of glass
cities of glass
in the sky
cities of glass


EFTERKLANG / FUNDAL - CITIES OF GLASS

Plants and Animals - Newfoundland

Second single from the album 'Music To Draw To: Satellite' featuring Emilíana Torrini, out January 20 on Arts & Crafts.

www.kidkoala.com

Music To Draw To: Satellite

Kid Koala - Collapser (featuring Emilíana Torrini)

From the self-titled debut by Lean Year.  Available October 20, 2017 on Western Vinyl

Pre-Order the album:
Bandcamp https://leanyear.bandcamp.com/album/lean-year
iTunes http://hyperurl.co/q612za
WV http://westernvinyl.com/shop/wv152

Lean Year is the debut, self-titled record by Richmond, Virginia based singer Emilie Rex and filmmaker/musician Rick Alverson. What for Rex was a departure from the structured life of academia toward the uncertain contours of a creative field, for Alverson was a return to form. Having released 5 albums with his previous band Spokane, Alverson took a 10-year hiatus from music to write and direct feature films. These departures and approaches bring a transience and listlessness to the album, like a walk interrupted by both curiosity and caution. 

Equally informed by the minimalist folk music of Elizabeth Cotton, Karen Dalton, and Fred Neil; the tenuous, ambient, and orchestral works of Harold Budd, Brian Eno, and John Cale; the quietly pointed but tender songs of Nina Simone and Bessie Smith; and the baroque pop subversions of Love and The Left Banke—the inspirations for Lean Year are as varied as Rex and Alverson’s biographies. Their childhoods—framed respectively by New-Age ideology and antiquated Catholic Catechism; anarchist Montessori and cold, cloistered ice arenas; the chaotic, upheaval of divorce and the strange, obligatory qualities of life-long marriage—provide footing on uneven ground for the record’s dream-like, oblique observations. In the wake of these dynamic histories, the two leaned on music as a kind of secular spirituality. 

Rex and Alverson co-wrote the album over the course of a year at their home in Richmond, VA and recorded it in three sessions at the home studio of Chicago musician/engineer Erik Hall (In Tall Buildings, NOMO), who also performs on the record. Alverson and Hall co-produced the album’s ten tracks, drawing on both Hall's and Elliot Bergman’s (NOMO) arsenal of instruments. For Hall and Rex, this project was a reunion of sorts, the two having met as undergraduates in Ann Arbor at the University of Michigan over a decade before. Hall’s extensive vocabulary—ranging from jazz and pop to rock and afrobeat—informs his contributions to the record.

Alverson’s films [Entertainment (2015) and the cult-drama The Comedy (2012)] have premiered at Sundance, Locarno, Rotterdam and the Film Society of Lincoln Center among others venues and festivals worldwide. Rex left academia and her position as Indiana University's Assistant Director of Sustainability in 2014 to focus on music and pursue resilience writing and analysis as a consultant. This is her first record.

Lean Year - "Come and See"

Tom Rogerson with Brian Eno - "Motion In Field" off of 'Finding Shore,' out December 8, 2017 on Dead Oceans

Buy / stream "Motion In Field": http://tomrogerson.lnk.to/FindingShore

Tom Rogerson with Brian Eno - Motion In Field

Recorded on October 31st, 2011 at West Country Girl crêperie, Paris. This record is a collaborative first for She Keeps Bees, featuring cellist Gaspar Claus on both songs along with Stephane Milochevitch & Emma Broughton on a midnight cover of Blue Moon. 
The physical record will be limited to 300 mixed-color vinyl packaged in random vintage record sleeves, available from the band while they're on tour this fall.

Counter Charm

All Hands Electric is an artist run record label based out of Gowanus, Brooklyn.

Hold Fast

All Hands Electric

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