vinyl/dl

Yetsuby - b_b

Honest Labour

Lose You Beau

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The 5th act of Kuboraum’s Digital Sound Residency presents <3less by Space Afrika, a delicately collaged soundscape spanning time, consciousness and genre.

The duo composed by producers Joshua Inyang and Joshua Tarelle made its name with dub techno-soaked sonic impressions of the grey streets and distinct voices of their hometown, Manchester.  As sonic painters, they portray visual stories in the listeners’ minds: rich emotional landscapes translated into contemplative, weightless sound collages. Oblique mosaics of dialogue, rhythm, texture, and shadow leaning into an enigmatic fusion of smoky dub, alchemize ambient and cosmic downtempo. Genre-spanning emotive electronic music rooted in everyday life and real-world experiences, allowing the listener to empathize and see the world through the artist’s eyes, just as they see it. 

Space Afrika started their career with minimal and dub techno productions. Their first albums Above The Concrete/BelowThe Concrete (2014) and  Somewhere Decent To Live (2018) were sparse yet intimate, paying tribute to the landscape of their home city, but also expressing a desire to escape its sometimes depressing disintegration. In 2020, they released the mixtape hybtwibt?, a powerful exploration of black consciousness through an assemblage of conversations, news reportage, r&b samples and ambience. Their third album "Honest Labour", featured as best album of 2021 in Pitchfork, Guardian and The Wire Magazine to name a few, is a 19-track collection of crepuscular moods and beautifully liquid washes of sound. A delicately created vulnerable sonic tapestry, almost entirely organic yet with a binding hint to something more cosmic in the air.

Kuboraum Digital Sound Residency:    https://www.kuboraum.com/digital-sound-residency/

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SPACE AFRIKA  <3less

You Always Will Be

A New Living Being Opens Its Eyes For the First Time

Treating songwriting as an instinctive process, Bedoret transforms her deeply personal experiences into pure emotion. Not following any set narrative, Eyes takes the listener on a journey via their own experiences, prompting introspection through Bedoret’s hypnotic melodies. Through the album, she awakens the audience's imagination, to open up their emotional response.

Vanessa began her classical training at age 6 and on completion at 18 she embraced the thrill of playing guitar in punk bands, and like many at the turn of adulthood, was quickly captured by the allure of the dancefloor. She also counts black metal to opera and from eurodance to IDM as inspiration. Her deep understanding of musical form elevates her experimentation to a truly unique sonic experience, one that never strays too far from her original love of classical music.

Through the lens of a life lived to it’s fullest and one that does not shy from experiencing the rawest of emotions, it’s clear that Bedoret has a nack for translating personal observations into cinematic crescendoes. The field recordings throughout only heighten this feeling adding both a grounding and other worldy sensibility. Lyrically, she allows you to peek into her private world and for a fleeting moment letting you lock eyes with hers, asking what do you see?

Transition

bandcamp

Yetsuby - Who Swallowed The Chimes At The Random Place

Salamanda’s @yetsuby enriches her blissful, starry-eyed electronics with a deeper hidden layer of emotion on her debut EP for @allmythoughts

‘b_b’ is out 21st June – have an exclusive first listen to ‘Maxilogue: Potion, Materials’

More info: https://djmag.com/listen/premiere-yetsuby-maxilogue-potion-materials

Premiere: Yetsuby ‘Maxilogue: Potion, Materials’

Pre-order: https://yetsuby.bandcamp.com/album/b-b

@yetsuby makes her debut on @allmythoughts with a celestial concept LP that chimes into the deeper, inner emotions, 'b_b'.

Penultimate track ‘Poly Juice’ takes the weight of a gentle sub and propels the infectious twinkling of a delicate arp. Vocals circle the broken beats, swimming into bloom.

Yetsuby - If I Drink This Potion

all my thoughts

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