vinyl/dl

Yetsuby - b_b

@kwatakwata

https://anno2.bandcamp.com/album/dot-dot-dot

Dot Dot Dot [anno-008]

Bandcamp

K Wata - Meet Me At The One

bandcamp

Yetsuby - Who Swallowed The Chimes At The Random Place

Salamanda’s @yetsuby enriches her blissful, starry-eyed electronics with a deeper hidden layer of emotion on her debut EP for @allmythoughts

‘b_b’ is out 21st June – have an exclusive first listen to ‘Maxilogue: Potion, Materials’

More info: https://djmag.com/listen/premiere-yetsuby-maxilogue-potion-materials

Premiere: Yetsuby ‘Maxilogue: Potion, Materials’

Pre-order: https://yetsuby.bandcamp.com/album/b-b

@yetsuby makes her debut on @allmythoughts with a celestial concept LP that chimes into the deeper, inner emotions, 'b_b'.

Penultimate track ‘Poly Juice’ takes the weight of a gentle sub and propels the infectious twinkling of a delicate arp. Vocals circle the broken beats, swimming into bloom.

More exclusive music

Premiere: Yetsuby 'Poly Juice'

Yetsuby - 1,2,3 Soleil

Yetsuby - If I Drink This Potion

Corrosiv, the sophomore album from Orchestroll, reveals the duo at their most mature and vulnerable. Originally conceived as a reflection on hybridity and bastardization, the album deploys New Age and ambient compositional tropes as a launchpad, exposing their trite sanctity to the realities of corrosion. Having come of age in the 1970s and 1980s, the New Age movement perdures today as a domain of contradictions; its promise of transcendence riddled with the very commercialized dogma from which its adherents claim to flee. Healing modalities such as reiki, crystal therapy, and sound baths are simultaneously pathways to solace and sites of exploitation; their sonic counterparts — ethereal synth pads, shimmering textures, celestial drones — claim to facilitate meditation and enlightenment while devolving into empty signifiers of vitality. With Corrosiv, Orchestroll displays neither reverence nor disdain toward New Age: they exhume it instead, revealing the saccharine effervescence and commodified murk undergirding its aesthetics. The result is intoxicating — disquieting.

Born from a two-week residency at EMS Studios and expanded through a performance at MUTEK Montreal’s 25th anniversary, Corrosiv has since outgrown its original conceptual nucleus, taking on a broader scope. Its inquiry into New Age ideology’s voided rhetoric and aesthetic mysticism now informs a broader interrogation of cultural mediocrity, anti-authoritarianism, gatekeeping, music industry toxicity, and the crumbling edifice of late capitalism and techno-feudalism — all the mechanisms by which meaning is stripped from ceremony, and once-potent forms of knowledge are subsumed into the machinery of economic extraction, severed from their original essence, and transformed into hollow simulacra. Corrosiv distills these themes through a loose narrative: a soul, fixated on wellness as dictated by cosmetic economism, becomes ensnared in an endless afterlife, unable to transcend and shed its dilapidated consciousness.

Conceptualized, composed, performed, recorded, mixed, engineered and produced by Jesse Osborne-Lanthier, and Asaël Richard-Robitaille in 2023 and 2024 at Elektron Musik Studion (EMS) - Stockholm, Sweden and Landsc8pe Studio - Montréal, QC, Canada.
Artwork by Jesse Osborne-Lanthier.
Mastered by Stephan Mathieu @ Schwebung Mastering.

Sound is acrid.

Amour à Pauline et Madison.
Thank you, Ben.

Words on:
Track B2 – Jesse Osborne-Lanthier
Track C3 – Jesse Osborne-Lanthier & Asaël Richard-Robitaille
Track C4 – Heith & Jesse Osborne-Lanthier
Track D3 – Bernardino Femminielli & Jesse Osborne-Lanthier

Additional personnel:
Heith – Pipe on A2, A4 and voice on C4
VISIO – iPhone and additional Buchla e200 on B1
Jiyoung Wi – Violin and electronics on C1
Habib Bardi – Saxophone on D3
Bernardino Femminielli – Vocals on D3

Patina Shift

Exploring the serene and diverse while I keep resorting to the familiar. With poems of friends.


king philty @ Kiosk Radio 05.09.2025

This special album is on one hand the second part of my City Light album and on the other hand an imaginary journey and finally an arrival to ourself.

Zenith

my friends track remixed by me############

wintwr alone (My remix)

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

An epic and deeply emotional piece, “No One Left Behind” follows the Trio Vertere, Luci, and Akrios, through their arduous journey across the Desert of Tennura. The music intertwines the defining elements of each member: Luci’s vibrant fire and natural resistance to heat, shadowed by her quick exhaustion; Vertere’s affinity with cold and mastery over water and ice, contrasted with the mysterious pains that sometimes overwhelm him; and Akrios, the unwavering warrior known as the “Scorpion,” whose skill with the spear and seasoned experience make him the trio’s guide, provider, and steady anchor.

In the blazing passages, Vertere is the one who struggles beneath Tennura’s merciless sun, relying on Luci when the heat grows unbearable. Yet when the desert night turns bitter and perilous for the mage of flames, Vertere becomes her shield against the cold, while Akrios keeps the group united, vigilant against enemies, privation, and the emotional burdens each one quietly carries.

The theme reflects the silent weight of longing: Akrios and Vertere, both wounded by the absence of their daughters, walk forward with guarded hope; Luci, shaped by all she has lost, finds in the trio a new purpose. The music swells as their bond deepens, celebrating every moment in which one must support the other, Luci’s fatigue, Vertere’s pains, Akrios’s invisible wounds.

The climax rises like a vow: they will cross Tennura because none of them walks alone. No one, absolutely no one, is left behind.

(Português)
Uma peça épica e profundamente emocional, “Ninguém Fica Para Trás” acompanha o Trio Vertere, Luci e Akrios, em sua árdua travessia pelo deserto de Tennura. A música entrelaça os elementos que definem cada um dos três: o fogo vibrante e a resistência de Luci, seu cansaço que chega rápido; a afinidade de Vertere com o frio e seu domínio sobre a água e o gelo, contrastando com as dores que o assolam; e a força incansável de Akrios, o “Escorpião”, cujo domínio da lança e experiência de estrada o tornam o guia natural do grupo, capaz de garantir alimento e direção.

Nas melodias mais quentes, Vertere é o que sofre sob o sol de Tennura, encontrando em Luci apoio quando o calor se torna cruel demais. Já nas noites geladas, quando o frio ameaça a magiadora das chamas, é Vertere quem se torna seu amparo, enquanto Akrios mantém o trio unido, atento às sombras, aos inimigos e ao peso emocional que cada um carrega.

O tema revela o silêncio das saudades: Akrios e Vertere, marcados pela ausência de suas filhas, caminham com esperanças cautelosas; Luci, devastada por perdas que a moldaram, encontra no trio uma nova razão para continuar. A música cresce à medida que a união deles se fortalece, celebrando cada momento em que um precisa carregar o outro, seja no cansaço de Luci, nas dores de Vertere, ou nas feridas invisíveis de Akrios.

O clímax se ergue como uma promessa: atravessar Tennura só é possível porque nenhum deles caminha sozinho. Ninguém, absolutamente ninguém, fica para trás.

No One Left Behind

A track off my latest iKEA Summers EP, out now on Treehouse! 

Can buy the EP now here: 12treehouse.bandcamp.com/album/ikea-summers

Follow Treehouse: @treehouseuk

Music written and produced by JABES
Mastered by Declared Sound
Photography by Gabriel Deacon
Artwork by Evan Majumdar-Swift aka 96 Back

IKEA Summers EP

Buy it now

Etch A Sketch

xbow

The drawings were tainted and magnetic, he was drawn to the paper like the pencil was itself. The shapes and sketches left his mind in chaos, black and white impressions of people and faces from everywhere and anywhere. Sat in a quiet room he looked at the scattered mess and the art which covered his bedroom walls, he wondered whether he might ever leave this room. What was the use when the real world was nowhere near as exciting as his wild and wonderful imagination?

French producer Christian Coiffure is set to release a new EP via Comic Sans Records. The release is described as months of hard work and torment drawing upon influences from UK bass and rave culture. It's unique and distinct, hence finding a nice home amidst the labels catalogue.

Yetsuby - Who Swallowed The Chimes At The Random Place

all my thoughts

Related tracks