@aysakalegare: Olympisk Løft - Tvillingeseglet (Anden Del)

The Upload

Ninos Du Brasil - Sombra Da Lua

OF ONE - OF DUB009 01 - MASTER 24b 88200

Originally recorded in the Dutch towns of Ureterp and Groningen between 2003 and 2005, 'Through Friendly Waters' marks a pivotal moment in Reimer Eising’s —better known as Kettel— journey through melodic braindance and ambient electronica. With his classical training on piano and a refined sensibility for gentle electronic textures, Kettel weaves together shimmering piano motifs, warm ambient textures, playful breakbeats, and pastoral atmospheres that shimmer with emotional resonance.

First released in 2005 via his own label Sending Orbs, the album soon achieved cult status among IDM fans, celebrated for balancing playful compositional elegance with heartfelt sonic depth. TFW still remains as a timeless soundtrack that perfectly encapsulates why Kettel remains a key figure of electronic music enthusiasts two decades on.

To honour its twentieth anniversary, Lapsus Records presents 'Through Friendly Waters (20th Anniversary Edition)', marking the album’s debut on vinyl within the Perennial Series. This edition has been remastered by Alex Ferrer and redesigned by Basora, resulting in a deluxe version that also includes the tracks "Unistar" and "Toen", which were originally released only on CD by the Timothy Really label back in 2007.

· Buy link (Bandcamp): kettel.bandcamp.com/album/through-f…versary-edition

Written and produced by Reimer Eising. Recorded in Ureterp and Groningen 2003-2005
Remastered by Alex Ferrer.
Original artwork by Jeroen Advocaat.
Artwork update by Basora.

LPS-PS18.
www.lapsus.cat

© 2005 Sending Orbs
℗ 2025 Lapsus Records

lapsus.bandcamp.com

Buy Link (Bandcamp)

Kettel - Mwoeb - 2025 Remaster [LPS-PS18]

Iceland

Peaking Lights - Birds Of Paradise (Maria Minerva's Ooh Aah Eh edit)

Pre-Order Vinyl ~ http://bit.ly/ordermiddaymoon

Midday Moon is a survey of ambient and experimental music that emerged from Australia and New Zealand between 1980 and 1995. These recordings are sourced from a rich variety of micro-labels, private pressings, theatre soundtracks and artists’ personal archives.

Curated by Melbourne based DJ and archivalist, Sanpo Disco (a.k.a Rowan Mason), the collection delves deep into the world of outsider music that emerged in Australia and New Zealand in the latter half of the twentieth century, as synthesisers and early workstations began to enter the consumer marketplace.

'Midday Moon' out November 2 thru Bedroom Suck / Remote Control Records (AU/NZ), Omnian Music Group (USA/CAN) and Cargo Records (UK/EU). 

http://bedroomsuckrecords.com

Midday Moon 

Helen Ripley-Marshall - Under the Sun

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

Full stream of Bear Bones, Lay Low's "Oruguero," taken from French label Bamboo Shows' forthcoming compilation, Bamboo Shows Tapes 002, out June 10.

More: www.orbmag.com/music/premiere/
Pre-order: https://bambooshows.bandcamp.com/album/bamboo-shows-tapes-002

@bambooshows
@bearboneslaylow

Bamboo Shows Tapes 002

Premiere: Bear Bones, Lay Low - Oruguero

Allow yrself to bloom (4) by  Satu Rauhamäki.

One hour of blissful sounds, melancholic feelings and bittersweet indian summer vibes by multidisciplinary artist Satu Rauhamäki.

Allow yrself to bloom (4) by Satu  Rauhamäki.

Taken from You Might Be Happy Someday, released 2nd October. Pre-order the LP here - smarturl.it/redpinksandpurples
--
Ahead of the release of their Tough Love debut in October, Glenn Donaldson's prolific Reds, Pinks and Purples project have released the second track from the record, the poignantly titled 'Your Parents Were Wrong About You'. Lyrically, it's a perfect riposte to the challenges of a n unrelenting year, captured best in the line, "take good care of your friends, they won't always be there". As you read this, Donaldson's city of San Francisco is coated in a thick layer of smoke from nearby wildfires, and these words feel as appropriate as ever.

Reflecting on the track, Donaldson provides a little insight into its inspiration, a moving portrait of a dark situation. 
 
"I once had a girlfriend whose mother took me out to dinner basically to warn me that her daughter was a bad person. The tragedy of that has stuck with me all these years. This song is dedicated to anyone with toxic or undermining parents. They were wrong about you."

The Reds, Pinks and Purples - Your Parents Were Wrong About You

SOUNDCLOUD: soundcloud.com/without_emotion

INSTAGRAM: instagram.com/without__emotion

ALBUM "Souvenirs De Tes Mains": withoutemotion.bandcamp.com/album/souvenirs-de-tes-mains

Lyrics: Lory Fayer
SOUNDCLOUD: soundcloud.com/loredana-fayer

Triomphe de la Mort

“WAMONO A to Z vol.1 : Japanese Jazz-Funk & Rare Groove 1968-1980"
DJ Chintam Wamonno Mix

Pour fêter la sortie du premier volet de la compilation "WAMONO A to Z Vol. I - Japanese Jazz Funk & Rare Groove 1968​-​1980", DJ Chintam vous offre un mix exclusif à savourer dès maintenant..

Découvrez notre radio FIP Groove : www.fip.fr/groove/webradio

Tracklist :

1.	O.S.T. / JUN’S THEME 
2.	TOSHIKO YUNEKAWA / SAITAROU BUSI (DJ CHINTAM AtoZ EDIT)
3.	NAOTERU MISUNA & TOKYO CUBAN BOYS / JHONGARA REGGAE
4.	ISAO SUZUKI / AQUA MARINE
5.	ZEROSEN / COOL HEAD
6.	UNKNOWN / OTOKO TACHI NO YUME
7.	TAKAYUKI INOUE BAND / ACTION ‘S THEME
8.	MYSTERY KINDAICHI BAND / YATSUHAKAMURA
9.	THE RHYTJM HUSTLERS / BARRETTA’S THEME
10.	CYU KOSAKA & ULTRA / KIMAGURE PARTY
11.	MONSIEUR KANAYATSY / GAULOISE (1994 / 12” PROMO ONLY VERSION)
12.	KIYOSHI HASEGAWA / MOU AKITE SHIMATTA
13.	CHIKARA UEDA & CARAVAN / ALSO SPRACH ZARATHUSTRAZ
14.	AKIRA KOBAYASHI / 7’S THEME
15.	SHIGERU IZUMIYA / NEMURENAI YORU
16.	WACK WACK RHYTHM BAND / BROTHER IN NEIGHBOURHOOD
17.	FUJIO TSUNEDA / WATASHI NO BEATLES
18.	AKIRA YASUDA & BEAT FORK / NINNGENN HAIGYOU 407GOU
19.	KEI MIHO(KEITAROU MIHO) & JAZZ ELEVEN / KIKAZARU
20.	TOSHIAKI YOKOTA / KINNJIRARETA GISHIKI
21.	DUTCH / IN ZAIRE
22.	SUGANO ANLI / MY TRUMPETER
23.	PIRANIA GUNNDANN (MASARU SHIGA) / YAKUSYA KAGYOU

Exclu mix : Wamono A to Z par DJ Chintam

️VDS記念すべき10回目のポッドキャスト️
熟した果実のような甘いMIXで、そよ風の吹き込むような優しい夏の終わりのひと時にご案内します。

ベルリンを拠点とする作曲家、DJ Gözen Atila @altinkasetcilik a.k.a ANADOL とイスタンブールのレコードショップ"Deform Müzik"のオーナーDJ Tayfun Aras @tayfundeform のB2BによるMIX。 

2019年にANADOLはドイツのハンブルグを拠点とするPingipungレーベルからテープ音源のアルバムUzun Havalar (2019)をはじめさまざまな作品をリリース。サイケデリックでシンセフォークなサウンドは新しいコレクションに相応しい内容になっています。

このイースタン風のwarm & groovyなセットは2人が最近追求し始めたもので、見逃すことのできないクラシックなものばかり。

「わたしは最近、前衛的なものに魅力を感じていて、Tayfunはnew waveと東ヨーロッパの音楽に興味を持っているの」とANADOL。

ソウルフルなmixを楽しんでください！  

We celebrate the tenth VDS mix!!! Let this sweet music be your guide into the less hot more smooth period of summer and first breeze of autumn.
This contribution is a back to back of Berlin-based composer and DJ @altinkasetcilik Gözen Atila aka ANADOL and DJ Tayfun Aras @tayfundeform , who is also the owner of Istanbul based vinyl shop "Deform Müzik".


2019 ANADOL became part of Hamburg-based Pingipung-label family and after a prior tape-release released her album Uzun Havalar (2019) as a vinyl. It is a psychedelic synth folk pearl that you should have already in your collection.

This warm and groovy eastern flavored set is a compilation of what both artists hear and research recently, with a few classics they wouldn’t want to miss. 

ANADOL: „All i can say is I am into more progressive stuff these days and Tayfun is more interested in new wave and eastern european music.“

Feel the spirit and enjoy the ride!

the links:
https://anadol.bandcamp.com/
https://www.facebook.com/anadolcokiyiyaa/?ref=bookmarks
https://www.facebook.com/Deform-Music-15343565412/
https://instagram.com/deformmusic?igshid=gwy0dovddnw6

 
TRACKLIST

Imants Kalnins_Septiņas skumjas zvaigznes
Jean Cohen Solal_Ludions
Mahjun_Les Enfants Sauvages
Fiorella Mannoia_Volo
Andrzej Zaucha_Za To Mi Placa
Darko Domijan_Vrtovi Sna
Les Maledictus Sound_Heathcliff Y Cry Your Name
Mouasalat Ila Jacad El Ard_Yawma Konna
Beto Guedes_Chapéu de Sol
Vinicio Adames_Efecto, Difusor Estelar
Destin_Nokto Ploras
Президиум_Звёздный циферблат
Enrico Ruggeri_Polvere
Subject_Be Careful!
Obywatel G. C_Kaspar Hauser
Kostas Ganossellis_Cyclus
Tredje Mannen_Igen
Чёрно-белые снимки детей и торжеств - Я - ветер
Valentino_Voštane Figure
Stano_Seance Of A Kondalike
Группа «Союз композиторов» - Дзинь, пин, мэй (Цветы сливы в золотой вазе)

VDS Podcast Nr.010 w/ Anadol & Tayfun Aras

Hoy se cumplen 40 años del primer viaje espacial de Arnaldo Tamayo Méndez, el primer cosmonauta cubano, y primer latinoamericano y afro descendiente en el espacio. Arnaldo despegó en la nave Soyouz 38 el 18 de Setiembre de 1980, a las 19:11 UTC, acompañado del cosmonauta Yuri Romanenko, como parte del programa Intercosmos.

M.A.S.A.: Latinoamérica se enfrenta al Kosmos 1955 - 1980

Quería aprovechar la ocasión para publicar este mixtape que llevo bastante tiempo recopilando y armando, que retrata -musicalmente-, la manera cómo latinoamérica interpretó la carrera espacial entre E.E.U.U. y la Unión Soviética, en toda su gloria de efectos especiales rudimentarios y diseño sonoro primitivo. Los motivos se vuelcan hacia la novedad y la diversión, escepticismo y fantasía, pero dejan entrever ocasionalmente una preocupación sobre problemas terrenales y la manera en que los humanos nos tratamos unos a los otros, usando los cuerpos celestes y a los forasteros intergalácticos como metáfora. 

17 artistas de Cuba, Puerto Rico, México, Guatemala, Nicaragua, Costa Rica, Colombia y Perú.

Si bien latinoamérica tardaría décadas para integrarse a la exploración espacial, muchos pueblos originarios habían desarrollado una cosmovisión propia y llevado a cabo sorprendentes estudios científicos de los astros desde siglos atrás. Detonado por el éxito masivo de "Los Marcianos" de la Orquesta América en el '55, no escasearon las canciones para mantener viva la imaginación hasta que aquella noche de 1980 Arnaldó logró, por fin, flotar en el éter.

Aderezando los interludios incluí recortes de algunas de las primeras películas de ciencia ficción latinoamericana: Los platillos voladores (1956), Viaje a la luna (1958), La nave de los monstruos (1960), El Santo enmascarado de plata vs. la invasión de los marcianos (1967) y Che OVNI (1968).

Acá les dejo para que le den play hoy en la noche mientras miran al firmamento.

Tracklist:
Intro: Esquivel - Estrellita 
01 Sonora de Ñiko Estrada - Satélite 13
02 Climaco Sarmiento - Gaita marciana
03 Los Solistas del Terraza - Yo no le creo a Gagarín
04 Grupo Brandy - El cometa
05 Rufo Garrido y su Orquesta - Cumbia En La Luna
06 Los Ticos - Los platillos 
07 Daniel Santos - El cohete ruso
08 Afrosound - Cumbia de E.T. 
09 Sonora Casino - Astronautas a Mercurio 
10 Emilio Aparicio - Expansión galáctica 
11 Los Ticos - El satélite 
12 Jaime Ley & su Combo Feroz - El marciano 
13 Manolo Monterrey - Viaje a la luna 
14 Hermanos Cortes - Apollo 9 
15 Millo y Sus Monstruos - Los platillos voladores 
16 Estrellas de Plata - El cosmonauta 
17 Orquesta América - Los Marcianos 
18 Rafa Perez - Otros mundos

M.A.S.A.: Latinoamérica se enfrenta al Kosmos

Новой заметкой в нашем журнале музыкального путешественника становится очерк из далекой Португалии. Catia Sa — артистка, которая волей судьбы и большой удачи попала в наше поле зрения. Она пишет потрясающую музыку на стыке жанров, обращается с музыкальным полотном как настоящий художник, завораживающе красиво поет и играет трогательные лайвы. Для нас Catia Sa записала лайв-подкаст смешанного стиля, где большинство треков ее собственные, а некоторые — других исполнителей с дописанным поверх вокалом и звуковыми искажениями. 
Кстати, крайне рекомендуем послушать не только наш микс, но и ее альбом.
https://catiasa.bandcamp.com/album/da-barriga
@catia_sa

№34, Cátia Sá

Originally broadcast on the 4th of october 2020 on www.intergalactic.fm (The Dream Machine)

The mix features music from Budokan Boys, Valentina Goncharova, Sukitoa O Namau, Krzysztof Siwczyk, Maciej Maciągowski, Impatiens, Lena Tsibizova, Olivia Mutant John & Wrong Travolta, Prell, Mika Oki, Agnès Pe, Artjom, The Lincolnshire Poacher, Pavel Milyakov, Cut Out and Cranky Bow.

Allow yrself to bloom (4) by Satu Rauhamäki.

Allow Yrself to Bloom

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