sueño cn un baile qué, unifique nuestra fé, y movamos las montañas q nos quedan por mover

y movamos nuestros cuerpos hasta el amanecer

JIM ANDERS _ Angstrein

Field Recordings from Japan

This is a recording from a small Park at dusk by Kumamoto Port in 2020 lockdown.

空白 - Kuhaku (Excerpt)

ruhe

A reading of my poem 'Atlas' which was published by Black Bough Poetry in their anthology 'A Duet Of Ghosts - Poets in Conversation' (October, 2022).

Piano: The Path To Gloaming - written and performed by Vikki 

'Atlas' - written and read by Vikki

Burrows (tonal mix)

recordings made in the streets of Sarajevo in 2022
enregistrements réalisés dans les rues de Sarajevo en 2022

Septembre Sarajevo

method: crave, voice (through VT4 and equalizer) into zoom r20.
narration: it‘s absurd. the title does not refer to a category made-up by baumgarten. it could refer to one by jean paul sartre, though.

poem / copyright jo richter:

traffic is organized in a two-lane manner, so
that cars, lorries and motorbikes constantly fail to
crash frontally which can not be said for the surrounding air

he remembers a conversation with someone he
had been married to when he felt like suffocating
in plain air, that unidirectional had been her approach

it‘s the atmosphere, akasha, the morphogenetic field
that holds the relational world together, connects
and distributes, unlike the one-way arrow of light

the art of budging is not a martial art at all, he
understands, those who belittle the understood will not
give in to understanding, misconception will prevail

hell is other people, sartre shouted into the void, referring
to those who mistake themselves for the holy flame, who
have not yet learned that breathing means sharing

from an atomic point of view, everything
is a hyperobject, distributed within a medium made
of attractions, repulsions, interconnections and dialogue

and the lines of interference come about when
observed only, when the amorpheous non-understood
is dragged along by the causal, carousel force of a mind understanding

gnoseologia alterior

gnoseologia alterior (soundscape)

Janice Doppler spent her writing energy on grant proposals and curriculum development during her career as a teacher and school administrator. Retiring enabled her to develop her creative self—carving realistic birds from wood and nature journaling.

Her heart was captured by haiku during a senior-center workshop that she attended on a whim. Her haiku and haibun have been widely published. She placed second in the Porad Haiku Award in 2021 and 2022. Her collection, Stardust, is available on Amazon. You can read samples of her work at The Poet Hub.

Silence a watersnake (naviarhaiku507)

Conscious Paranoia:

https://www.instagram.com/conscious_paranoia/
https://open.spotify.com/intl-es/artist/5KQ6VPZb9SrrUacprsr9a8

Fugitivo Ft Conscious Paranoia (Prod. LUCA BEATZ)

A nuestra suerte (Beat x Yantho)

lullaby(e) for
Flute (picc. Bass), Clarinet (Bb, Bb Bass), Percussion, Piano, Accordion, Violin, Violoncello, Double Bass and electronics

As the title suggests, this work serves as the final lullaby one hears. The catastrophic aftermath of the recent earthquake in Turkey has profoundly affected even those who were not directly impacted by the disaster. This composition is the product of the thoughts that have occupied my mind since that fateful day.
The tape segment of the piece involves the manipulation of a recorded excerpt from the Turkish lullaby "Dandini Dandini Dasdana."

The piece was commissioned by Schallfeld Ensemble

performed by Schallfeld Ensemble
live electronics: Davide Gagliardi
conductor: Leonhard Garms
concert recording, November 18
ÜBER WEGE SAISON KONZERT IV: WACHSEN
Schaumbad - Freies Atelierhaus Graz, Austria

A nuestra suerte (Beat x Yantho)

Ed Lugosi y el Viejogatonegro

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