Not sure if I've heard a tromba before, overdriven or not. Nice piece

Mix realizado por Piyi & Diazckovic

RAII - The Pipila's Song (Nubes y agua turbia- Selección ambient Latinoamérica – Isla Visión)
Catexis - Salix humboldtiana var. Humboldtiana (Sauce) (Herbario sonoro – Isla Visión)
Diazckovic (Isla Visión)
Alma Laprida - Lira, grabación de campo (Isla Visión)
Shiitake - Sujeto (Isla Visión)
Rubber's lover EROGURO (OF DOLL AND MURDER)
MUERTA A 08-MUERTE A- Bichon Frise remix
ANTI YO ,,, R (OF DOLL AND MURDER)
MAV Ciudad fría (Isla Visión)
Danna- ZOOM0003
Inés Navarro- Choque múltiples pandemia (Isla Visión)
Duprat & Kong  Fait! (DEATH GRIPS IVE REMIX)
Blattodea - Demasiado hostil

Track x Track - Especial sello Isla Visión 10 Años

El material de esta pieza fue grabado durante la pandemia del COVID. 
Surge de improvisaciones rítmicas sobre latas de aluminio. 
La pieza elabora un mínimo material, transformando y elaborando hasta sus propios bordes. 
Fecha de conclusión de la obra: 18 de septiembre de 2022.

METAL METAL

Pieza dedicada a David Nuñez. 
Micropieza basada en la escritura hebrea.

David

Pieza electroacústica - Casi un poema sonoro - 
Estreno: septiembre 2016 -
Córdoba - Argentina 

Basada en traducciones de traducciones de "Vocales" de A. Rimbaud

Desde el Código QR .... una pequeña coda virtual ...

BLOOD LIPS / pieza acusmática / Claudio Bazán - septiembre 2016 -

espinor (2016)
by Ricardo Cuadros Pradilla
Teatro Tornavia , UNSAM
October 21th 2016
Encargo del Ministerio de Cultura de La Nación



Espinor is an extended classic guitar piece. The system consists of a contact microphone amplifying the sound of the guitar body from the bone, a webcam located behind the bridge looking towards the headstock and a PD patch processing the audio and video in real time.
The software is in charge of recording fragments of the piece indicated in the electronics staff (top line). These fragments are then played back in the video by varying their speed, direction and start time (annotated on the lower line). Each color correspond to a different buffer.
The video is organized in two symmetrical overlapping layers, one of them is the direct camera shot that visualises the guitarist's movements and the second one , a superimposed layer that reproduces the audio/video samples.The second layer is mirrored, being a structural detail of the piece. So the result will be a symmetrical visualisation of the real and delayed time events.

A complex web of three modes that rotate in a row, the sound, the gesture and the time. The recording of immediate actions and their contrapuntal execution generates and scalar constructions in time of great precision. The organizational unit extend to a complementary resonant object made of gesture, sound and documentary actions in real and past time. The use of a numerical memory as a notation parameter equals the condition of the recording at the level of live events, except that they are mirrored symmetrically like the spinorial model, a vector model of rotation of elementary particles. The guitar is not only a sound generator but also a geographical and spatial, quasi-scene generator where the guitarist appears inside it as well as outside. It was commissioned by the music area of the National Ministry of Culture for the Guitarras del Mundo festival.

Espinor (2016), by Ricardo Cuadros Pradilla

Classical acoustic guitar & objects.
Recorded the 6 February 2017 in Marseille, France.
A piece by Clara de Asís.

Fais rien

Acción sonora en Puente Saavedra, Buenos Aires. Homenaje a Pauline Oli

02 Homenaje P-Oliveros

SAMOA is a quadraphonic acousmatic piece built from sound materials originating from the cello. Inspired by the experimental film of the same name by Ernesto Baca, the piece explores the expressive power of acoustic gesture through sound processing and spatialization.
The composition is structured around different types of responses to impulses and resonant transformations, proposing a counterpoint between granular textures and contours that emerge within dense, immersive atmospheres.
Throughout the work, veiled gestures unfold, recycled, transformed, and expanded in a continuous play of tension and reconfiguration of the sonic material.

SAMOA (by Evelyn Frosini)

Festival del Microclima v2: Alma Laprida + Samuel Salieh

Alma Laprida - Sesiones Baschet

overdriven tromba

Alma Laprida was born in 1985. Her experience with music includes studies in a Conservatory, pure improvisation and, recently, studies in Electronic Arts. She studied piano and guitar, and also played bass and percussion. She sang in a classical music choir and she screamed imitating her punk rock heroes in school bands. She sang jazz for years and learned how to improvise. She played in a medieval music ensemble for six years, learned about ancient instruments and discovered non-tonal music. Now she uses her medieval trumpet marine and her voice to improvise, but she knows that the music she likes the most is one she has never heard yet.


overdriven tromba

almalaprida

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