sounds like it was made in 1993 type hype

January and February 2016

by Josh Martinez co-produced by Sapient & Stuey Kubrick
from the album BLOTTO available here: http://bit.ly/JM-Blotto

Free Download?!

Cross That Road

Produced by The Doppelgangaz 
Mixed by The Doppelgangaz 
Recorded by The Doppelgangaz @ The Brothel, NY 
Mastered by Ricardo Gutierrez for RicardoMasters 
Executive Produced by Matter ov Fact & EP

Rap $ Unemployment

New Year, New Silks. produced by https://soundcloud.com/derellerideout

Silky New Year (produced by Derelle Rideout)

HA (prod. Reklews)

Originally From Domingo's "Most Underrated" album 2007
This here is a exclusive new b side version for 2016 produced by Dr G UK. More info www.drgbeats.com or  https://www.facebook.com/DrGProductions


Immortal Technique - Street Hustle (Prod By Dr G)



Video by Arvid Wu:
www.youtube.com/watch?v=svYXdMNOAXs

Vinyl Pre-Order:
https://www.daily-concept.net/shop/produkt/warpath-butter-bundle/


Warpath - Apes (prod. by Soulmade) [More Butter 7"]

A joint from me & the homie.

dropping my project on my b-day (Jan. 16th)

peace

Sunday.Service ft. J'Von

BLEUBIRD X NEDARB NAGROM
mixed by Audio Architeks

LUNCH WIT TRICK - Prod by NEDARB NAGROM

Deadly Fang (Al Tarba Remix) ft. Alucard, IDE, Killah Priest
produced by Al Tarba Remix featured on IDEs - Rite of Passage

www.CreativeJuicesMusic.com

Deadly Fang (Al Tarba Remix) ft. Alucard, IDE, Killah Priest

Check the video here, it's fucking awesome: https://youtu.be/QlyCiW_tG20

Download 'To Whom It May Concern': http://smarturl.it/PPTWIMC

First single off of PENPALS new album TO WHOM IT MAY CONCERN dropping June 1 on Brick Records. Some rugged Blade Runner, Mad Max sci-fi type shit. 

Prod. by @squiresbeats

Album Tracklist: 
01. Sho Nuff (feat. Lars Viola) [prod. by Anzem]
02. Hi Tech (prod. by Squires)
03. Hoopla (feat. Jamie Bass) [prod. by Squires]
04. IDK (feat. Thonio) [prod. by Damn Ricky]
05.  So Real It’s Real (prod. by by The Doppelgangaz)
06. Tommy Eggface (prod. by Quelle Chris)
07. On the Roof (feat. Thonio) [prod. by Squires]
08. Ken Jennings (prod. by Squires)
09. My Goodness (feat. Castle) [prod. by Squires]
10. Delores (feat. Isabel) [prod. by Squires]
11. Can’t Slow Down (feat. Ardamus) [feat. prod. by Loupo]
12. Up To the Sky (prod. by Quelle Chris)
13. Trip to Peru (prod. by Lars Viola)

Twitter: 
• PENPALS: https://twitter.com/PenPalsNYC
• Quelle Chris: https://twitter.com/QuelleChris

PENPALS Online:
• Instagram: https://www.instagram.com/penpalsnyc
• Facebook: https://www.facebook.com/penpalsnyc
• Bandcamp: https://pen-pals.bandcamp.com
• Spotify: http://bit.ly/SpotifyPENPALS

To Whom It May Concern

Hi Tech (prod. by Squires)

No one confronts the abyss better than Chris Orrick. The Michigan ex-factory worker formerly known as Red Pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. It’s somewhere between Charles Bukowski and Michael Moore, or maybe Atmosphere if he couldn’t ignore the arsenic in the air. 

As Orrick tells it, “Portraits,” his latest album for Mello Music Group is a return to form. 

“I tried to strip everything down to what I think I'm best at: simple, concise portraits of who I am,” Orrick says. “Whether that be finding myself through self-portraits, portraits of everyday workers, portraits of the current political moment or portraits of myself told through the eyes of people I encounter daily.” 

From the corroded arteries of the blue-collar heartland, Orrick emerges as one of the most incisive and savage critics of Trump’s America. If the American dream is dead, he unflinchingly lays the blame on avaricious corporations, crude demagogues, and structural racism. There’s nothing polemical about it: just warm-hearted, sad-eyed, gin-flooded depictions of a life where there are few right answers but a litany of wrong ones. 

The Michigan native is an acerbic poet, but too unpretentious and sarcastic to ever call himself that. In his love letter to his long-time girlfriend (“Lazy Buddies”), Orrick fantasizes about the pair decamping to a town an hour outside of Paris, where they can blissfully split a bottle of cheap wine. Then he mocks himself for being a little corny. But that’s part of its charm—through his ruthless honesty, we can see ourselves as we actually are—prone to idle delusions, indolence, and self-obsessed. 

“Portraits can often be overlooked, but there are so many details in the face that tell innumerable stories about what the person portrayed might have been feeling or going through,” Orrick continues. “I'm trying to find those details, within myself and within America today." 

On “Anywhere Instead,” he grouses about how most days he doesn’t want to leave his bed until noon, staring at his phone, wishing for imminent death. It’s a nothing matters, gallows humor that anoints him a laureate of existential dread. He captures the terror of the void, the ambiguity of not knowing where or when your next direct deposit will hit. He’s wise enough to understand how little he understands, allergic to cheap irony or forced symbolism. As he points out on stories, “not every story has a meaning, not every moment has a reason, sometimes you just let the music play and tell you what to say.” 

It’s obvious how loudly the music speaks to Orrick, who is rarely short of opinions or serrated observation. The somber piano-based melancholy and rugged drums of “Portraits” thump via a gifted arsenal of producers including Nolan the Ninja, L’Orange, Exile, Apollo Brown, and Onra. Only two guest rappers appear, Fashawn and Orrick’s partner in Ugly Heroes, Verbal Kent. Orrick carries the rest of the weight and you sense the Atlas burden he shoulders. 

But for the all the poignant complaints, there’s a soulful profundity at the core of the album. It goes further than stress over bills, nicotine and liquor compulsions, and a search for deeper revelation. If you can hear a song like “Mom” without slightly crumbling, you might be iron-born. It’s a eulogy for Orrick’s late mother, dead at 45 without seeing her children grow up, without the opportunity to take pride in her son’s ability to realize his dream—however flawed it can occasionally seem. It’s here where you sense the power of these Portraits. They capture the pain that too many of us feel, that manifests itself in so many distinct ways. For a little while, we understand the raw f&cked up complexity of what it means to be a human being in a lunatic world. The portrait is personal, but it’s all of us too. 
credits

Portraits Mp3

The Rubric

Chris Orrick - The Rubric (feat. Verbal Kent) (prod. Calvin Valentine)

03 - What You Need Feat Vinnie Dewayne, Myke Bogan & Tre Redeau (Blanka Remix)

This is my Soundcloud page. I don't make beats often and some of the sound quality is poor, but I enjoy making them.

Tune into UE on sheffieldlive.org every Tuesday, 9-11PM GMT, for 2 hours hip-hop.

Twitter: @ueshefflive
Facebook: urbanexpression sheffieldlive

Warpath - Apes (prod. by Soulmade) [More Butter 7"]

Almighty Warpath

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